1990 Charlie Parker - Bird's Eyes: Last Unissued, Vol. 1/4 (1937-1951) {Philology} [CD]
![1990 Charlie Parker - Bird's Eyes: Last Unissued, Vol. 1/4 (1937-1951) {Philology} [CD]](/upload/000/u2/10/90/4-1937-1951-1990.jpg "1990 Charlie Parker - Bird's Eyes: Last Unissued, Vol. 1/4 (1937-1951) {Philology} [CD]")
Стили:
Издатель (лейбл):
Номер по каталогу:
W5/18-2
Носитель:
CD
Тип рипа:
tracks+.cue
Аудиокодек:
FLAC (*.flac)
Битрейт аудио:
lossless
Страна-производитель диска (релиза):
Italy
Треклист:
01. Honeysuckle Rose/Body and Soul (incomplete) (3:12)
02. Big Foot (4:07)
03. 52nd Street Theme (3:36)
04. 52nd Street Theme (1:21)
05. How High the Moon (3:47)
06. Just Friends (3:06)
07. Just Friends (3:33)
08. Strings Theme (0:25)
09. All of Me (3:37)
10. I Can't Believe That You're in Love with Me (4:24)
11. Dexterity (3:30)
12. The Way You Look Tonight (3:07)
13. Barbados (2:59)
14. All the Things You Are (1:59)
15. Embraceable You (2:05)
16. How High the Moon (1:18)
17. 52nd Street Theme (1:58)
18. Embraceable You (2:48)
19. Ornithology (3:46)
20. Steeplechase (5:00)
21. Now's the Time (3:53)
22. Be My Love/April in Paris/Dance of the Infidels/52nd Street Theme (7:23)
23. This Time the Dream's on Me (4:33)
Состав:
Charlie Parker
Charlie Parker (as).
Private recording (Acetate) Probably May-November 1940
1. Honeysuckle Rose, Body and Soul (incomplete)
This is probably the earliest known recording of Parker, and the only example of extended unaccompanied playing. The recordings were made by Clarence Davis, probably in May 1940. The canonical version of this fragment is on Media 7 — it is speed-corrected, and earlier issues end at the bridge of "Body and Soul," but this version continues to the end of the chorus. (...) Early sources gave 1937 as the recording date, but this seems unlikely given the quality of Parker's playing. Also, he quotes a snippet of a Roy Eldridge solo from a 1938 Chu Berry recording of "Body and Soul."
=================================================================================
Charlie Parker QUINTET
Charlie Parker (as); Miles Davis (tpt); Irving "Duke" Jordan (p); Tommy Potter (b); Max Roach (d); Kenny Hagood (voc).
Private recording (Dean Benedetti tape) Three Deuces, New York NY, March 31, 1948
2. Big Foot
3. 52nd Street Theme
4. 52nd Street Theme
Recorded by Dean Benedetti on a Brush Sound Mirror paper-based tape recorder. This session circulated on tape and then was released on Spotlite before the Benedetti cache was issued by Mosaic. The Mosaic set is sonically better.
The Parker Quintet played three weeks at the Three Deuces (March 30-April 11). After this, Davis played a week at the Apollo Theater with "Symphony Sid's Bop Concert," an all-star band including Kay Winding [sic], Allen Eager, Milt Jackson, Tadd Dameron, Curly Russell, Max Roach, and Earl Coleman. The same group was booked at the Royal Roost beginning April 23.
=================================================================================
Charlie Parker QUINTET
Charlie Parker (as); Miles Davis (tpt); Irving "Duke" Jordan (p); Thelonious Monk (p); Tommy Potter (b); Max Roach (d); Carmen McRae (voc); Earl Coleman (voc).
Private recording (Dean Benedetti tape) Onyx Club, New York NY, July 11, 1948
5. How High The Moon
Recorded by Dean Benedetti.
The Parker Quintet was booked at the Onyx Club for six nights, July 6-11 (Tuesday-Sunday). The Benedetti material issued by Mosaic includes parts of at least four of these nights (July 6, 7, 10, and 11), plus a bit of an afternoon rehearsal (July 10).
While they're certainly important, these recordings are disappointing, especially compared to those made earlier at the Three Deuces. The fidelity is quite poor throughout, and the items are all edited one way or another.
=================================================================================
Charlie Parker WITH STRINGS
Charlie Parker (as); Walter Bishop, Jr. (p); Walter Yost (b); Roy Haynes (d); Candido Camero (cga); Teddy Blume (vln); Unknown (strings).
WNBC radio broadcast Carnegie Hall, New York, November 14, 1952
6. Just Friends
7. Just Friends
8. Strings Theme
"Yardbird Charlie Parker and His Strings" played two concerts on this date (8:30 pm and midnight), sharing the bill with Duke Ellington Orchestra, Billie Holiday, Dizzy Gillespie, Stan Getz, and the Ahmad Jamal Trio. WNBC broadcast both concerts with introductions by Bob Garrity.
There is clearly some additional material from this early show, but it has not surfaced so far. In addition to the "Just Friends" listed here, Philology Volume 1/4 contains an off-speed version of "Just Friends" and an excerpt of the "Strings Theme," both from the later concert.
=================================================================================
Charlie Parker TRIO
Charlie Parker Trio
Charlie Parker (as); Lennie Tristano (p); Kenny Clarke (brushes).
Private recording (Tape) Lennie Tristano's house, New York NY, August 1951
9. All Of Me
10. I Can't Believe That You're In Love With Me
Both items included (with a heavy-handed rhythm section dubbed in) in Clint Eastwood's film, Bird: The Legend of Charlie Parker. Too bad Tristano and Parker's paths didn't cross more often.
=================================================================================
Charlie Parker QUINTET
Charlie Parker (as); Miles Davis (tpt); Irving "Duke" Jordan (p); Tommy Potter (b); Max Roach (d).
Private recording (Acetate) Unknown venue, Waukegan IL, Late 1947 (?)
11. Dexterity
12. The Way You Look Tonight
Very fragmentary; edited to Parker solos for the most part. These may be dubs of wire recordings — the fidelity is very poor throughout.
Although these tunes are usually dated (as on Philology) in December 1947, this is doubtful. The Parker Quintet was booked for two weeks at Chicago's Argyle Show Lounge (November 11-23, 1947), then for four nights at the Pershing Hotel Ballroom (January 3-6, 1948). The group played a Saturday night dance at the New Savoy Ballroom on January 3, and two items from this date appear on Philology Volume 14.
Three other tunes — "Barbados," a longer version of "Embraceable You," and "How High the Moon" — are usually listed with these tunes (as e.g. on Philology Volumes 1/4), but they are probably from the Pershing Hotel Ballroom, March 28-April 10, 1949, with Kenny Dorham on trumpet. Two of these items are issued on Philology Volume 14, although the speed is different and "Embraceable You" is incomplete. But the music is the same.
=================================================================================
Charlie Parker QUINTET
Charlie Parker (as); Kenny Dorham (tpt); Al Haig (p); Tommy Potter (b); Max Roach (d).
Private recording (Acetate) Pershing Hotel Ballroom, Chicago IL, March 28, 1949
13. Barbados
Very fragmentary; edited to Parker solos for the most part. These may be dubs of wire recordings — the fidelity is quite poor throughout, and there are serious speed and pitch fluctuations.
I'm unsure of both the date and the personnel for this session. Most discographies place these tunes in November 1947, with Parker, Davis, Jordan, Potter, and Roach. Since that group was booked at the Argyle Lounge for two weeks during that period — November 11-23, 1947 — this is possible. That group also played the Pershing Ballroom in Chicago on January 3-6, 1948, and the tunes might be from that sesssion. Nevertheless, I'm convinced these items are from later. Frank Loesser's tune "On a Slow Boat to China" wasn't copyrighted until 1948, and "Barbados" wasn't recorded in the studio until the Savoy date on September 18, 1948. It's unusual for a Parker tune to appear in the live repertoire before it has been recorded. Further, Parker's quotations and his playing (especially during his solo on the second "Slow Boat to China" ) sound like 1949, not 1947. Finally, to my ears the trumpet player sounds like Kenny Dorham, not Davis. The Parker Quintet (with Dorham, Haig, Potter, and Roach, and guest vocalist Arthur Daniels) played a two-week engagement at Chicago's Pershing Hotel Ballroom from March 28-April 10, 1949, and my guess is that these tunes were recorded during this gig. Thanks to Phil Wilson for help on this session.
=================================================================================
Charlie Parker QUINTET
Charlie Parker (as); Miles Davis (tpt); Irving "Duke" Jordan (p); Tommy Potter (b); Max Roach (d).
Private recording (Acetate) Unknown venue, Waukegan IL, Late 1947 (?)
14. All The Things You Are
Same info as tracks 11 & 12 .
=================================================================================
Charlie Parker QUINTET
Charlie Parker (as); Kenny Dorham (tpt); Al Haig (p); Tommy Potter (b); Max Roach (d).
Private recording (Acetate) Pershing Hotel Ballroom, Chicago IL, March 28, 1949
Mar 28, 1949
15. Embraceable You
16. How High the Moon
Same info as track 13.
=================================================================================
Charlie Parker QUINTET
Charlie Parker (as); Miles Davis (tpt); Irving "Duke" Jordan (p); Tommy Potter (b); Max Roach (d).
Private recording (Acetate) Unknown venue, Waukegan IL, Late 1947 (?)
17. 52nd Street Theme
Same info as tracks 11 & 12 .
=================================================================================
June 23, 1951 (17 items; TT = 45:45)
Eastern Parkway Ballroom, Brooklyn NY
Private recording (Tape)
Charlie Parker Quintet
Charlie Parker (as); Red Rodney [Robert Chudnick] (tpt); Al Haig (p); Teddy Kotick (b); Roy Haynes (d)
June 23, 1951
Charlie Parker (as); Red Rodney [Robert Chudnick] (tpt); Al Haig (p); Teddy Kotick (b); Roy Haynes (d)
18. Embraceable You
19. Ornithology
20. Steeplechase
21. Now's The Time
22. Be My Love-April in Paris-Dance of the Infidels-52nd Street Theme
23. This Time The Dream's On Me
Very poor quality — lots of crowd noise and echo, as if the recorder were well back in a large crowded hall. Edited to Parker solos and exchanges throughout. Another hour of music from this date (these dates?) is rumored to exist.
The music issued on Philology is consistently about a half-step flat. The trumpet player is listed as unknown on Philology, but the trumpet solos (e.g. on "Steeplechase" and "Wee" ) sound like Rodney, and Parker's "Country Gardens" tags fit with this.
Charlie Parker (as).
Private recording (Acetate) Probably May-November 1940
1. Honeysuckle Rose, Body and Soul (incomplete)
This is probably the earliest known recording of Parker, and the only example of extended unaccompanied playing. The recordings were made by Clarence Davis, probably in May 1940. The canonical version of this fragment is on Media 7 — it is speed-corrected, and earlier issues end at the bridge of "Body and Soul," but this version continues to the end of the chorus. (...) Early sources gave 1937 as the recording date, but this seems unlikely given the quality of Parker's playing. Also, he quotes a snippet of a Roy Eldridge solo from a 1938 Chu Berry recording of "Body and Soul."
=================================================================================
Charlie Parker QUINTET
Charlie Parker (as); Miles Davis (tpt); Irving "Duke" Jordan (p); Tommy Potter (b); Max Roach (d); Kenny Hagood (voc).
Private recording (Dean Benedetti tape) Three Deuces, New York NY, March 31, 1948
2. Big Foot
3. 52nd Street Theme
4. 52nd Street Theme
Recorded by Dean Benedetti on a Brush Sound Mirror paper-based tape recorder. This session circulated on tape and then was released on Spotlite before the Benedetti cache was issued by Mosaic. The Mosaic set is sonically better.
The Parker Quintet played three weeks at the Three Deuces (March 30-April 11). After this, Davis played a week at the Apollo Theater with "Symphony Sid's Bop Concert," an all-star band including Kay Winding [sic], Allen Eager, Milt Jackson, Tadd Dameron, Curly Russell, Max Roach, and Earl Coleman. The same group was booked at the Royal Roost beginning April 23.
=================================================================================
Charlie Parker QUINTET
Charlie Parker (as); Miles Davis (tpt); Irving "Duke" Jordan (p); Thelonious Monk (p); Tommy Potter (b); Max Roach (d); Carmen McRae (voc); Earl Coleman (voc).
Private recording (Dean Benedetti tape) Onyx Club, New York NY, July 11, 1948
5. How High The Moon
Recorded by Dean Benedetti.
The Parker Quintet was booked at the Onyx Club for six nights, July 6-11 (Tuesday-Sunday). The Benedetti material issued by Mosaic includes parts of at least four of these nights (July 6, 7, 10, and 11), plus a bit of an afternoon rehearsal (July 10).
While they're certainly important, these recordings are disappointing, especially compared to those made earlier at the Three Deuces. The fidelity is quite poor throughout, and the items are all edited one way or another.
=================================================================================
Charlie Parker WITH STRINGS
Charlie Parker (as); Walter Bishop, Jr. (p); Walter Yost (b); Roy Haynes (d); Candido Camero (cga); Teddy Blume (vln); Unknown (strings).
WNBC radio broadcast Carnegie Hall, New York, November 14, 1952
6. Just Friends
7. Just Friends
8. Strings Theme
"Yardbird Charlie Parker and His Strings" played two concerts on this date (8:30 pm and midnight), sharing the bill with Duke Ellington Orchestra, Billie Holiday, Dizzy Gillespie, Stan Getz, and the Ahmad Jamal Trio. WNBC broadcast both concerts with introductions by Bob Garrity.
There is clearly some additional material from this early show, but it has not surfaced so far. In addition to the "Just Friends" listed here, Philology Volume 1/4 contains an off-speed version of "Just Friends" and an excerpt of the "Strings Theme," both from the later concert.
=================================================================================
Charlie Parker TRIO
Charlie Parker Trio
Charlie Parker (as); Lennie Tristano (p); Kenny Clarke (brushes).
Private recording (Tape) Lennie Tristano's house, New York NY, August 1951
9. All Of Me
10. I Can't Believe That You're In Love With Me
Both items included (with a heavy-handed rhythm section dubbed in) in Clint Eastwood's film, Bird: The Legend of Charlie Parker. Too bad Tristano and Parker's paths didn't cross more often.
=================================================================================
Charlie Parker QUINTET
Charlie Parker (as); Miles Davis (tpt); Irving "Duke" Jordan (p); Tommy Potter (b); Max Roach (d).
Private recording (Acetate) Unknown venue, Waukegan IL, Late 1947 (?)
11. Dexterity
12. The Way You Look Tonight
Very fragmentary; edited to Parker solos for the most part. These may be dubs of wire recordings — the fidelity is very poor throughout.
Although these tunes are usually dated (as on Philology) in December 1947, this is doubtful. The Parker Quintet was booked for two weeks at Chicago's Argyle Show Lounge (November 11-23, 1947), then for four nights at the Pershing Hotel Ballroom (January 3-6, 1948). The group played a Saturday night dance at the New Savoy Ballroom on January 3, and two items from this date appear on Philology Volume 14.
Three other tunes — "Barbados," a longer version of "Embraceable You," and "How High the Moon" — are usually listed with these tunes (as e.g. on Philology Volumes 1/4), but they are probably from the Pershing Hotel Ballroom, March 28-April 10, 1949, with Kenny Dorham on trumpet. Two of these items are issued on Philology Volume 14, although the speed is different and "Embraceable You" is incomplete. But the music is the same.
=================================================================================
Charlie Parker QUINTET
Charlie Parker (as); Kenny Dorham (tpt); Al Haig (p); Tommy Potter (b); Max Roach (d).
Private recording (Acetate) Pershing Hotel Ballroom, Chicago IL, March 28, 1949
13. Barbados
Very fragmentary; edited to Parker solos for the most part. These may be dubs of wire recordings — the fidelity is quite poor throughout, and there are serious speed and pitch fluctuations.
I'm unsure of both the date and the personnel for this session. Most discographies place these tunes in November 1947, with Parker, Davis, Jordan, Potter, and Roach. Since that group was booked at the Argyle Lounge for two weeks during that period — November 11-23, 1947 — this is possible. That group also played the Pershing Ballroom in Chicago on January 3-6, 1948, and the tunes might be from that sesssion. Nevertheless, I'm convinced these items are from later. Frank Loesser's tune "On a Slow Boat to China" wasn't copyrighted until 1948, and "Barbados" wasn't recorded in the studio until the Savoy date on September 18, 1948. It's unusual for a Parker tune to appear in the live repertoire before it has been recorded. Further, Parker's quotations and his playing (especially during his solo on the second "Slow Boat to China" ) sound like 1949, not 1947. Finally, to my ears the trumpet player sounds like Kenny Dorham, not Davis. The Parker Quintet (with Dorham, Haig, Potter, and Roach, and guest vocalist Arthur Daniels) played a two-week engagement at Chicago's Pershing Hotel Ballroom from March 28-April 10, 1949, and my guess is that these tunes were recorded during this gig. Thanks to Phil Wilson for help on this session.
=================================================================================
Charlie Parker QUINTET
Charlie Parker (as); Miles Davis (tpt); Irving "Duke" Jordan (p); Tommy Potter (b); Max Roach (d).
Private recording (Acetate) Unknown venue, Waukegan IL, Late 1947 (?)
14. All The Things You Are
Same info as tracks 11 & 12 .
=================================================================================
Charlie Parker QUINTET
Charlie Parker (as); Kenny Dorham (tpt); Al Haig (p); Tommy Potter (b); Max Roach (d).
Private recording (Acetate) Pershing Hotel Ballroom, Chicago IL, March 28, 1949
Mar 28, 1949
15. Embraceable You
16. How High the Moon
Same info as track 13.
=================================================================================
Charlie Parker QUINTET
Charlie Parker (as); Miles Davis (tpt); Irving "Duke" Jordan (p); Tommy Potter (b); Max Roach (d).
Private recording (Acetate) Unknown venue, Waukegan IL, Late 1947 (?)
17. 52nd Street Theme
Same info as tracks 11 & 12 .
=================================================================================
June 23, 1951 (17 items; TT = 45:45)
Eastern Parkway Ballroom, Brooklyn NY
Private recording (Tape)
Charlie Parker Quintet
Charlie Parker (as); Red Rodney [Robert Chudnick] (tpt); Al Haig (p); Teddy Kotick (b); Roy Haynes (d)
June 23, 1951
Charlie Parker (as); Red Rodney [Robert Chudnick] (tpt); Al Haig (p); Teddy Kotick (b); Roy Haynes (d)
18. Embraceable You
19. Ornithology
20. Steeplechase
21. Now's The Time
22. Be My Love-April in Paris-Dance of the Infidels-52nd Street Theme
23. This Time The Dream's On Me
Very poor quality — lots of crowd noise and echo, as if the recorder were well back in a large crowded hall. Edited to Parker solos and exchanges throughout. Another hour of music from this date (these dates?) is rumored to exist.
The music issued on Philology is consistently about a half-step flat. The trumpet player is listed as unknown on Philology, but the trumpet solos (e.g. on "Steeplechase" and "Wee" ) sound like Rodney, and Parker's "Country Gardens" tags fit with this.
It's Not Hi-Fi Bird, But It's Hi Bird!
Лог создания рипа
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 31. March 2009, 17:16
Charlie Parker / Bird's Eyes 1 & 4
Used drive : PHILIPS DVD+-RW DVD8801 Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 618
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.32 | 3:12.08 | 32 | 14439
2 | 3:12.40 | 4:07.72 | 14440 | 33036
3 | 7:20.37 | 3:36.30 | 33037 | 49266
4 | 10:56.67 | 1:21.33 | 49267 | 55374
5 | 12:18.25 | 3:47.32 | 55375 | 72431
6 | 16:05.57 | 3:06.73 | 72432 | 86454
7 | 19:12.55 | 3:33.22 | 86455 | 102451
8 | 22:46.02 | 0:25.70 | 102452 | 104396
9 | 23:11.72 | 3:37.53 | 104397 | 120724
10 | 26:49.50 | 4:24.07 | 120725 | 140531
11 | 31:13.57 | 3:30.00 | 140532 | 156281
12 | 34:43.57 | 3:07.38 | 156282 | 170344
13 | 37:51.20 | 2:59.20 | 170345 | 183789
14 | 40:50.40 | 1:59.67 | 183790 | 192781
15 | 42:50.32 | 2:05.10 | 192782 | 202166
16 | 44:55.42 | 1:18.43 | 202167 | 208059
17 | 46:14.10 | 1:58.20 | 208060 | 216929
18 | 48:12.30 | 2:48.55 | 216930 | 229584
19 | 51:01.10 | 3:46.37 | 229585 | 246571
20 | 54:47.47 | 5:00.48 | 246572 | 269119
21 | 59:48.20 | 3:53.70 | 269120 | 286664
22 | 63:42.15 | 7:23.50 | 286665 | 319939
23 | 71:05.65 | 4:33.30 | 319940 | 340444
Track 1
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\01 - Honeysuckle Rose, Body and Soul (incomplete).wav
Pre-gap length 0:00:02.42
Peak level 80.5 %
Track quality 100.0 %
Test CRC E933D1CF
Copy CRC E933D1CF
Track not present in AccurateRip database
Copy OK
Track 2
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\02 - Big Foot.wav
Pre-gap length 0:00:00.17
Peak level 66.4 %
Track quality 100.0 %
Test CRC 3FBCFCC8
Copy CRC 3FBCFCC8
Track not present in AccurateRip database
Copy OK
Track 3
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\03 - 52nd Street Theme.wav
Pre-gap length 0:00:00.16
Peak level 88.1 %
Track quality 100.0 %
Test CRC 6D6A4943
Copy CRC 6D6A4943
Track not present in AccurateRip database
Copy OK
Track 4
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\04 - 52nd Street Theme.wav
Pre-gap length 0:00:00.16
Peak level 71.0 %
Track quality 100.0 %
Test CRC B55145DD
Copy CRC B55145DD
Track not present in AccurateRip database
Copy OK
Track 5
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\05 - How High The Moon.wav
Pre-gap length 0:00:00.17
Peak level 70.9 %
Track quality 100.0 %
Test CRC F3139CC3
Copy CRC F3139CC3
Track not present in AccurateRip database
Copy OK
Track 6
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\06 - Just Friends.wav
Pre-gap length 0:00:00.16
Peak level 72.0 %
Track quality 99.9 %
Test CRC 04D975FB
Copy CRC 04D975FB
Track not present in AccurateRip database
Copy OK
Track 7
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\07 - Just Friends.wav
Pre-gap length 0:00:00.17
Peak level 76.5 %
Track quality 100.0 %
Test CRC A32FA862
Copy CRC A32FA862
Track not present in AccurateRip database
Copy OK
Track 8
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\08 - Strings Theme.wav
Pre-gap length 0:00:00.16
Peak level 57.4 %
Track quality 100.0 %
Test CRC B69E83F8
Copy CRC B69E83F8
Track not present in AccurateRip database
Copy OK
Track 9
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\09 - All Of Me.wav
Pre-gap length 0:00:00.16
Peak level 79.5 %
Track quality 100.0 %
Test CRC 893DDC45
Copy CRC 893DDC45
Track not present in AccurateRip database
Copy OK
Track 10
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\10 - I Can't Believe That You're In Love With Me.wav
Pre-gap length 0:00:00.17
Peak level 83.4 %
Track quality 100.0 %
Test CRC DEAA2776
Copy CRC DEAA2776
Track not present in AccurateRip database
Copy OK
Track 11
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\11 - Dexterity.wav
Pre-gap length 0:00:00.16
Peak level 84.6 %
Track quality 100.0 %
Test CRC 21F3332E
Copy CRC 21F3332E
Track not present in AccurateRip database
Copy OK
Track 12
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\12 - The Way You Look Tonight.wav
Pre-gap length 0:00:00.16
Peak level 59.8 %
Track quality 100.0 %
Test CRC 2E03BC50
Copy CRC 2E03BC50
Track not present in AccurateRip database
Copy OK
Track 13
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\13 - Barbados.wav
Pre-gap length 0:00:00.17
Peak level 67.2 %
Track quality 100.0 %
Test CRC 5FADB903
Copy CRC 5FADB903
Track not present in AccurateRip database
Copy OK
Track 14
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\14 - All The Things You Are.wav
Pre-gap length 0:00:00.17
Peak level 66.5 %
Track quality 100.0 %
Test CRC 4B5D62EC
Copy CRC 4B5D62EC
Track not present in AccurateRip database
Copy OK
Track 15
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\15 - Embraceable You.wav
Pre-gap length 0:00:00.16
Peak level 51.7 %
Track quality 100.0 %
Test CRC A866F2C2
Copy CRC A866F2C2
Track not present in AccurateRip database
Copy OK
Track 16
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\16 - How High the Moon.wav
Pre-gap length 0:00:00.16
Peak level 64.0 %
Track quality 100.0 %
Test CRC D7BAE640
Copy CRC D7BAE640
Track not present in AccurateRip database
Copy OK
Track 17
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\17 - 52nd Street Theme.wav
Pre-gap length 0:00:00.17
Peak level 58.1 %
Track quality 100.0 %
Test CRC 5EFAF682
Copy CRC 5EFAF682
Track not present in AccurateRip database
Copy OK
Track 18
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\18 - Embraceable You.wav
Pre-gap length 0:00:00.17
Peak level 67.4 %
Track quality 100.0 %
Test CRC 92BAB09F
Copy CRC 92BAB09F
Track not present in AccurateRip database
Copy OK
Track 19
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\19 - Ornithology.wav
Peak level 59.7 %
Track quality 100.0 %
Test CRC 66E9EDA4
Copy CRC 66E9EDA4
Track not present in AccurateRip database
Copy OK
Track 20
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\20 - Steeplechase.wav
Peak level 76.2 %
Track quality 100.0 %
Test CRC CBBAE37E
Copy CRC CBBAE37E
Track not present in AccurateRip database
Copy OK
Track 21
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\21 - Now's The Time.wav
Peak level 80.2 %
Track quality 100.0 %
Test CRC E9ACBE72
Copy CRC E9ACBE72
Track not present in AccurateRip database
Copy OK
Track 22
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\22 - Be My Love-April in Paris-Dance of the Infidels-52nd Street Theme.wav
Peak level 78.5 %
Track quality 100.0 %
Test CRC 910C0AB4
Copy CRC 910C0AB4
Track not present in AccurateRip database
Copy OK
Track 23
Filename C:\Charlie Parker - Bird's Eyes Volume 1 & 4 (1990) [FLAC] {Philology W 518}\23 - This Time The Dream's On Me.wav
Peak level 77.0 %
Track quality 100.0 %
Test CRC 1058BA14
Copy CRC 1058BA14
Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report