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(Post-Bop / Free Improvisation) Nicolas Masson Parallels - Thirty Six Ghosts - 2009, FLAC (image+.cue), lossless

(Post-Bop / Free Improvisation) Nicolas Masson Parallels - Thirty Six Ghosts - 2009, FLAC (image+.cue), lossless
Треклист:
Nicolas Masson Parallels - Thirty Six Ghosts

Жанр: Post-Bop / Free Improvisation
Год выпуска диска: 2009
Производитель диска: Portugal (Clean Feed CF163)
Аудио кодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 55:14
Nicolas Masson: tenor saxophone
Colin Vallon: Fender Rhodes electric piano
Patrice Morel: double bass
Lionel Friedli: drums
1. Sirius
2. Le Phasme
3. Hellboy
4. Arsenic
5. Thirty Six Ghosts
6. Sentinel
7. Bermuda
8. Yeah Baby
9. Yurel
 
Clean Feed Release Notes
Can you imagine a music born from the crossed influences of Ornette Coleman, Wayne Shorter, Warne Marsh, Black Sabbath, Rage Against the Machine, PJ Harvey, Claude Debussy and Olivier Messiaen? No? Well, that's what Swiss tenor saxophonist Nicolas Masson offer us with his project Parallels: open jazz informed by European free improvisation, with the energy of rock, the compositional sophistication of contemporary music and the suggestive melodic characteristics of pop. Call it post-modern if you want, but truth is Masson doesn't use the word: he prefers to speak about his passion for music, regardless of style. After taking his flag to New York, where he first studied with Frank Lowe and Makanda Ken McIntire, then later with Rich Perry and Chris Potter, Masson became noticed playing with the likes of Russ Johnson, Eivind Opsvik, Gerald Cleaver, Ohad Talmor and Ted Poor: Here is another mountain climbing of this unique horn player who mixes intelligence and humor, melody and drive, this time with an all Swiss band. And what a band: coming from partnerships with Kurt Rosenwinkel and Eric Truffaz, Colin Vallon plays the vintage Fender Rhodes with creativity and "salsa", and the rhythm section of Patrice Moret (double bass) and Lionel Friedli (drums) kicks hard from the beginning of the CD to the memory we keep after listening to it. And if you're thinking that the new “Thirty Six Ghosts” is a mere "collage" of styles, think again. Everything sounds so natural, so full of sense and fluidity that you can't resist to this wonderful music. ~ Clean Feed Release Notes
 
AAJ Review
Switzerland reared tenor sax ace and composer Nicolas Masson draws inspiration from Yoshitoshi Taiso's (1839-1892) woodblock paintings. Hence, emotion and impressionism is projected via the power of jazz music, as Masson and his quartet render a poly-angled view that incorporates the artist's lucid imagery and contrasting colors. With Thirty Six Ghosts, the saxophonist leads a concentrated group-focused program, steeped within structure and loosely devised implementations.
Masson and his accomplices dish out driving jazz-rock pulses with large doses of punch and snap, yet equalize their approach with ethereal passages, sparked by Colin Vallon's airy Fender Rhodes work. However, Vallon and Masson align as a formidable improv duo amid brash movements and scorching grooves. Hence, the rhythm section—bassist Patrice Morel and drummer Lionel Friedli—plays a prominent role within the totality of the program, in concert with the front line's interweaving ebbs and flows. Masson possesses singing qualities, often shifting the unit into sonorous motifs where he toggles between high-impact and yearning lines.
Another component that serves the band well is its sense of balance. The musicians alternate an ominous and thrusting sound with introspective dialogues that blossom into full-throttle assaults. On "Yeah Baby," Masson's linear phrasings and Friedli's cymbal swashes provide counterpoint to Vallon's understated voicings and Moret's sublime bass notes. And they convey lots of depth by gelling the overall vibe into an ascending theme-building exercise, hued by knotty unison choruses and a take-no-prisoners mindset. Ultimately, Masson parlays a rather emotive and multicolored panorama of Taiso's artistic designs. Imagery becomes reality through the ever-expansive capabilities of progressive-jazz, used as a multi-tiered vehicle throughout this persuasive endeavor. ~ Glenn Astarita, AAJ
 
EAC Report
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 6. January 2010, 22:15
Nicolas Masson Parallels / Thirty Six Ghosts
Used drive : hp DVD-RAM GH40L Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -6" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 5:00.11 | 0 | 22510
2 | 5:00.11 | 8:22.38 | 22511 | 60198
3 | 13:22.49 | 6:03.15 | 60199 | 87438
4 | 19:25.64 | 6:33.23 | 87439 | 116936
5 | 25:59.12 | 5:40.64 | 116937 | 142500
6 | 31:40.01 | 4:15.08 | 142501 | 161633
7 | 35:55.09 | 6:43.51 | 161634 | 191909
8 | 42:38.60 | 7:29.13 | 191910 | 225597
9 | 50:07.73 | 5:05.70 | 225598 | 248542
Range status and errors
Selected range
Filename C:\Users\Igor\Music\eac\Nicolas Masson Parallels - Thirty Six Ghosts.wav
Peak level 100.0 %
Range quality 100.0 %
Test CRC E02118DF
Copy CRC E02118DF
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
None of the tracks are present in the AccurateRip database
End of status report
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