(Post-Bop, Afro-Cuban Jazz) [CD] Chico Freeman y Guataca - Oh, By the Way… - 2002, FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 20. March 2014, 20:41
Chico Freeman Y Guataca / Oh, by the way
Used drive  : ASUS    DRW-22B2L   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 128 kBit/s
Quality                         : High
Add ID3 tag                     : Yes
Command line compressor         : C:\Program Files (x86)\FLAC\flac.exe
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TOC of the extracted CD
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        2  |  5:12.24 |  6:00.08 |     23424    |    50431
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       10  | 41:22.21 |  5:42.53 |    186171    |   211873
       11  | 47:04.74 |  5:53.26 |    211874    |   238374
       12  | 52:58.25 |  4:13.13 |    238375    |   257362
Range status and errors
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     Filename H:\Donkey Files\Chico Freeman y Guataca - Oh, By the Way... (2001, Double Moon) [eac-flac-scans] byDrBull\Chico Freeman Y Guataca - Oh, by the way.wav
     Peak level 82.3 %
     Extraction speed 5.7 X
     Range quality 100.0 %
     Test CRC 0A1A789F
     Copy CRC 0A1A789F
     Copy OK
No errors occurred
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End of status report

REM GENRE Jazz
REM DATE 2001
REM DISCID 9E0D670C
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Chico Freeman y Guataca"
TITLE "Oh, By the Way"
FILE "Chico Freeman y Guataca - Oh, By the Way.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Rhythm of the Cane"
    PERFORMER "Chico Freeman y Guataca"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "New African Village"
    PERFORMER "Chico Freeman y Guataca"
    INDEX 01 05:12:24
  TRACK 03 AUDIO
    TITLE "Mambo Rap"
    PERFORMER "Chico Freeman y Guataca"
    INDEX 01 11:12:32
  TRACK 04 AUDIO
    TITLE "Guitar"
    PERFORMER "Chico Freeman y Guataca"
    INDEX 01 14:42:43
  TRACK 05 AUDIO
    TITLE "La Luna"
    PERFORMER "Chico Freeman y Guataca"
    INDEX 01 17:39:42
  TRACK 06 AUDIO
    TITLE "El Mensaje"
    PERFORMER "Chico Freeman y Guataca"
    INDEX 01 22:28:55
  TRACK 07 AUDIO
    TITLE "Business as Usual"
    PERFORMER "Chico Freeman y Guataca"
    INDEX 01 26:10:09
  TRACK 08 AUDIO
    TITLE "Once Again"
    PERFORMER "Chico Freeman y Guataca"
    INDEX 01 30:07:34
  TRACK 09 AUDIO
    TITLE "541"
    PERFORMER "Chico Freeman y Guataca"
    INDEX 01 34:50:03
  TRACK 10 AUDIO
    TITLE "La Marqueta"
    PERFORMER "Chico Freeman y Guataca"
    INDEX 01 41:22:21
  TRACK 11 AUDIO
    TITLE "Viejo San Juan"
    PERFORMER "Chico Freeman y Guataca"
    INDEX 01 47:04:74
  TRACK 12 AUDIO
    TITLE "Business as Usual (Bonus Mix)"
    PERFORMER "Chico Freeman y Guataca"
    INDEX 00 52:54:15
    INDEX 01 52:58:25

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When people speak of Latin jazz, they're usually referring to a blend of bop and Afro-Cuban rhythms -- Cal Tjader, Dizzy Gillespie, Poncho Sanchez, and Mongo Santamaria are some of the names that immediately come to mind when one hears the term Latin jazz. But Latin music is vast; the cultural contributions of Latinos range from Mexican ranchera to Brazilian samba to Spanish flamenco to Argentinean tango. So technically, Latin jazz could be anything from bossa nova to Miles Davis' Sketches of Spain. Although everything on Chico Freeman's Oh, by the Way has some type of Latin influence, not all of the selections are Afro-Cuban-minded. Afro-Cuban rhythms are a high priority on this post-bop CD; the post-bop/Afro-Cuban fusion is especially appealing on "El Mensaje," "541," and "Old San Juan." But other times, saxophonist/pianist Freeman favors more of a post-bop/Spanish blend -- on "La Luna" and "Guitar," the saxman/pianist and his Guataca band demonstrate that post-bop and flamenco are an attractive, perfectly logical combination. Although most of selections are instrumental, Freeman features rapper Akil Dassan on "Mambo Rap" and "Business as Usual" (which almost sounds like Eminem hooking up with an Afro-Cuban band). The interesting thing is that Freeman uses Dassan in much the same way that saxophonist Bill Evans featured KC Flightt and Ahmed Best in the '90s; instead of being totally electronic, Freeman gives Dassan some honest to God musicians to interact with. Much to his credit, Freeman provides an album that is unpredictable and broad-minded but doesn't sound disjointed or confused -- Oh, by the Way, for all its diversity, has a certainly continuity. When a Spanish-influenced piece follows an Afro-Cuban-influenced piece -- or when a rap offering follows an instrumental -- Freeman is obviously on top of things. This excellent CD is as focused as it is diverse.

Chico Freeman - tenor & soprano sax, piano, keyboards, programming, arrangements;
Hernán Romero - flamenco guitar;
Hilton Ruiz - piano;
Avery Sharpe - acoustic & electric bass;
Terreon Gully - drums;
Joel "Pibo" Márquez - congas, percussion;
Wilson "Chembo" Corniel - congas, percussion, percussion arrangements;
Akil Dasan - vocals.
Rec.: LoHo Studios, NYC.