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(Modern Creative,Avant-Garde,Free Improvisation) The Clarinet Trio(Gebhard Ullmann,Jurgen Kupke,Theo Nabicht) - Oct.1,'98 - 1999, APE (image+.cue), lossless

(Modern Creative,Avant-Garde,Free Improvisation) The Clarinet Trio(Gebhard Ullmann,Jurgen Kupke,Theo Nabicht) - Oct.1,'98 - 1999, APE (image+.cue), lossless
Треклист:
The Clarinet Trio
(Gebhard Ullmann,Jurgen Kupke,Theo Nabicht) - Oct.1,'98
Жанр: Modern Creative,Avant-Garde,Free Improvisation
Год выпуска диска: 1999
Производитель диска: с & p Leo Records Laboratory
Аудио кодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 73:25
Трэклист:
1 Mouthpieces- Kupke, Nabicht, Ullmann 2:14
2 Klezmer . . . Flower . . . Tag- Ullmann 3:28 3 Moments/Collective One- Kupke, Nabicht, Ullmann 21:16 4 Heaven No. 2.7- Ullmann 3:34
5 Fur Bassklarinette Alleine- Ullmann 2:14
6 Gospel- Ullmann 2:38
7 Blaues Lied- Ullmann 3:25
8 Clarinet- Kupke 2:48
9 Scratch/Collective Two- Kupke, Nabicht, Ullmann 4:40
10 Tea for Two- Caesar, Youmans 3:20
11 Brywzc (Fur Zwei Bassklarinetten Zusammen)- Nabicht, Ullmann 3:49
12 Blues/Collective Three- Kupke, Nabicht, Ullmann 1:42
13 Meltema- Ullmann 5:13
14 Variationen Uber "Rauch und Moder"- Ullmann 3:07
15 Flutist With Hat and Shoe- Ullmann 2:07
16 Think Tank (Shooting in Black and White)- Ullmann 1:33
17 Fur Die Andere Bassklarinette Alleine- Nabicht 2:05
18 Walzer/Collective Four- Kupke, Nabicht, Ullmann 1:55
19 Palami Di Me- Rota 2:17
Jurgen Kupke- сlarinet
Theo Nabicht- сlarinet, сlarinet (bass)
Gebhard Ullmann- clarinet (bass), producer, liner notes

Доп. информация: Рип сделан собственноручно,сканы обложки внутри.
 
Отчёт EAC об извлечении, выполненном 12. сентября 2008
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
Отчёт EAC об извлечении, выполненном 12. сентября 2008, 18:07
Ullmann/Kupke/Nabicht / Oct.1,'98
Дисковод: Optiarc DVD RW AD-7203A Adapter: 0 ID: 1
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс
Выходной формат : Monkey's Audio Lossless Encoder v3.99 DLL
Формат сэмплов : Normal Lossless Compression
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
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1 | 0:00.00 | 2:14.70 | 0 | 10119
2 | 2:14.70 | 3:27.65 | 10120 | 25709
3 | 5:42.60 | 2:16.00 | 25710 | 35909
4 | 7:58.60 | 3:33.40 | 35910 | 51924
5 | 11:32.25 | 2:13.32 | 51925 | 61931
6 | 13:45.57 | 2:37.43 | 61932 | 73749
7 | 16:23.25 | 3:25.05 | 73750 | 89129
8 | 19:48.30 | 2:47.55 | 89130 | 101709
9 | 22:36.10 | 4:40.22 | 101710 | 122731
10 | 27:16.32 | 3:19.30 | 122732 | 137686
11 | 30:35.62 | 3:48.60 | 137687 | 154846
12 | 34:24.47 | 1:41.73 | 154847 | 162494
13 | 36:06.45 | 5:12.62 | 162495 | 185956
14 | 41:19.32 | 3:06.30 | 185957 | 199936
15 | 44:25.62 | 2:06.63 | 199937 | 209449
16 | 46:32.50 | 1:32.67 | 209450 | 216416
17 | 48:05.42 | 2:05.05 | 216417 | 225796
18 | 50:10.47 | 1:54.35 | 225797 | 234381
19 | 52:05.07 | 2:17.00 | 234382 | 244656
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла C:\Documents and Settings\1\Рабочий стол\Ullmann Kupke Nabicht - Oct.1,'98.ape
Пиковый уровень 99.9 %
Качество диапазона 99.9 %
CRC теста 274834FA
CRC копии 274834FA
Копирование... OK
Ошибок не произошло
AccurateRip: сводка
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Конец отчёта
 
Allmusic
Review by Steve Loewy
At first blush, the prospect of three clarinets performing abstract, avant-garde improvisations for nearly an hour may seem daunting. Somehow, though, Gebhard Ullmann, Jurgen Kupke, & Theo Nabicht pull it off, creating nineteen miniatures of alluring sounds. All are unrecognizable tunes, with the wonderful "Tea for Two" and Nino Rota's "Pariami di me" the exceptions. Ullmann succeeds by writing for the unique sonorities of the instrument. Actually, two of the three (including Ullmann) play bass clarinets, adding additional colors. Even with plenty of melody, there is plenty of scratch and sniff to satisfy the most adventuresome. Ultimately, it is the stunning arranging that wins the day, the tunes reaching back decades sometimes for inspiration. The lines are often jagged, the harmonies outrageous, and the soloing superb.
 
Allaboutjazz
By Budd Kopman
Saying that Oct. 1, '98 is Moritat (99 Records, 1994) meets Trad Corrosion (Nabel, 1997) would not be too far wrong. Nineteen miniatures are fit into fifty-four minutes like the latter album, but using only pure reed sounds like the former. Mixing pure improvisation, a truly wonderful version of “Tea for Two” and new and old compositions of bass clarinetist Gebhard Ullmann, this release has something for everyone.
Clarinetist Jurgen Kupke is part of the Moritat Ta Lam Acht band, and bass clarinetist Theo Nabicht would ultimately end up in Ullmann's Ta Lam Zehn version of that band. Kupke's musical interests range from the contemporary to New Orleans, while Nabicht is a modernist who also writes music for theater. The meeting of these three minds on this particular day produced music which is balanced between the composed and the improvised.
The emotions and images vary widely, ranging from the direct to the abstract. There is a real sense of intense concentration, mixed with freedom and levity that binds the various tracks together and allows the listener to get to know both the music and the players. While there is much experimentation and many extra-musical sounds, there is also much melody and euphony to balance things out.
The three musicians are grouped differently in number and function for the various tracks. There are five group improvisations (”Mouthpieces,” “Moments/Collective One,” “Scratch/Collective Two,” “Blues/Collective Three” and “Walzer/Collective Four”) whose sound worlds relate, more or less to the titles (”Blues” deals with the color or emotion and not the musical style).
Kupke and Nabicht each contribute a solo piece that maintains interest for every second, as instrumental sounds intersect with melodic gestures. Ullmann also add a solo piece and the difference between it and Nabicht's is interesting.
The rest of the CD consists primarily up of Ullmann compositions old and new, played by the trio, with some overdubbing. “Gospel,” first introduced on Trad Corrosion, is the ideal vehicle for Kupke's clarinet as he wails. One can almost see him leaning back and playing to the ceiling. “Blaues Lied,” from Suite Noire (Nabel, 1992), slithers and slinks around the edges of blueness deliciously, while from Moritat comes a radically revised “Think Tank,” with its ominous theme.
That “Tea for Two” is the central track is as telling as its treatment. The trio stays in touch with the tune's identity while pulling and stretching it every which way, creating serious smiles all around.
Oct. 1 '98, while most definitely a thinking listener's record, will evoke many deep emotions and reward attentiveness immensely.
Style: Modern Jazz | Published: October 13, 2007
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