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(Jazz-Funk, Fusion, Experimental) [CD] VA - More Better Days (Compiled by Chee Shimizu) (2CD) - 2016 (Japan Edition), FLAC (tracks+.cue), lossless

(Jazz-Funk, Fusion, Experimental) [CD] VA - More Better Days (Compiled by Chee Shimizu) (2CD) - 2016 (Japan Edition), FLAC (tracks+.cue), lossless
Треклист:
VA - More Better Days (Compiled by Chee Shimizu)
Жанр: Jazz-Funk, Fusion, Experimental
Носитель: CD
Страна-производитель диска (релиза): Япония
Год издания: 2016
Издатель (лейбл): Better Days
Номер по каталогу: COCB-54184/5
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 2:25:25
Источник (релизер): apollo
Наличие сканов в содержимом раздачи: нет
 
CD1 - Avant-Wave {72:48}
01. Yasuaki Shimizu - Semi Tori no Hi (4:42)
02. Mariah - Shonen (5:01)
03. Mkwaju Ensemble - Tira-Rin (4:27)
04. Akira Sakata - Meuniere (4:57)
05. Colored Music - Ei Sei Raku (4:31)
06. Paradigm Shift - P.S. (:12)
07. Yasuaki Shimizu - Yume Dewa (4:49)
08. Mkwaju Ensemble - Wood Dance (7:22)
09. Colored Music - Heartbeat (5:54)
10. Pecker - Kylyn (6:39)
11. Atsuo Fujimoto's Beat Jazz - Strangers in Island (3:13)
12. Mariah - Shinzo no Tobira (4:43)
13. Kylyn & Kazumi Watanabe - Mother Terra (3:33)
14. Ryuichi Sakamoto - Plastic Bamboo (6:28)
15. Kyoko Furuya - Harumi Futoh (4:17)
 
Лог создания рипа
X Lossless Decoder version 20151214 (149.1)
XLD extraction logfile from 2016-09-08 22:10:10 +0100
Various Artists / MORE BETTER DAYS compiration AVANT-WAVE
Used drive : HL-DT-ST DVDRW GS31N (revision TA17)
Media type : Pressed CD
Ripper mode : XLD Secure Ripper
Disable audio cache : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction : 667
Max retry count : 20
Gap status : Analyzed, Appended (except HTOA)
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 00:00:00 | 04:42:21 | 0 | 21170
2 | 04:42:21 | 05:01:36 | 21171 | 43781
3 | 09:43:57 | 04:27:31 | 43782 | 63837
4 | 14:11:13 | 04:57:14 | 63838 | 86126
5 | 19:08:27 | 04:30:68 | 86127 | 106444
6 | 23:39:20 | 02:11:54 | 106445 | 116323
7 | 25:50:74 | 04:49:15 | 116324 | 138013
8 | 30:40:14 | 07:21:47 | 138014 | 171135
9 | 38:01:61 | 05:54:22 | 171136 | 197707
10 | 43:56:08 | 06:39:03 | 197708 | 227635
11 | 50:35:11 | 03:13:10 | 227636 | 242120
12 | 53:48:21 | 04:42:42 | 242121 | 263312
13 | 58:30:63 | 03:32:61 | 263313 | 279273
14 | 62:03:49 | 06:27:61 | 279274 | 308359
15 | 68:31:35 | 04:16:73 | 308360 | 327632
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Содержание индексной карты (.CUE)
TITLE "More Better Days CD1"
PERFORMER "Various"
CATALOG 4549767000381
REM GENRE "Jazz"
REM DATE "2016"
REM DISCID B911100F
FILE "01 - Yasuaki Shimizu - Semi Tori no Hi.wav" WAVE
TRACK 01 AUDIO
TITLE "Semi Tori no Hi"
PERFORMER "Yasuaki Shimizu"
ISRC JPCO08221160
INDEX 01 00:00:00
FILE "02 - Mariah - Shonen.wav" WAVE
TRACK 02 AUDIO
TITLE "Shonen"
PERFORMER "Mariah"
ISRC JPCO08396710
INDEX 01 00:00:00
FILE "03 - Mkwaju Ensemble - Tira-Rin.wav" WAVE
TRACK 03 AUDIO
TITLE "Tira-Rin"
PERFORMER "Mkwaju Ensemble"
ISRC JPCO08112000
INDEX 01 00:00:00
FILE "04 - Akira Sakata - Meuniere.wav" WAVE
TRACK 04 AUDIO
TITLE "Meuniere"
PERFORMER "Akira Sakata"
ISRC JPCO08070520
INDEX 01 00:00:00
FILE "05 - Colored Music - Ei Sei Raku.wav" WAVE
TRACK 05 AUDIO
TITLE "Ei Sei Raku"
PERFORMER "Colored Music"
ISRC JPCO08181040
INDEX 01 00:00:00
FILE "06 - Paradigm Shift - P.S..wav" WAVE
TRACK 06 AUDIO
TITLE "P.S."
PERFORMER "Paradigm Shift"
ISRC JPCO08538760
INDEX 01 00:00:00
FILE "07 - Yasuaki Shimizu - Yume Dewa.wav" WAVE
TRACK 07 AUDIO
TITLE "Yume Dewa"
PERFORMER "Yasuaki Shimizu"
ISRC JPCO08221180
INDEX 01 00:00:00
FILE "08 - Mkwaju Ensemble - Wood Dance.wav" WAVE
TRACK 08 AUDIO
TITLE "Wood Dance"
PERFORMER "Mkwaju Ensemble"
ISRC JPCO08198460
INDEX 01 00:00:00
FILE "09 - Colored Music - Heartbeat.wav" WAVE
TRACK 09 AUDIO
TITLE "Heartbeat"
PERFORMER "Colored Music"
ISRC JPCO08181090
INDEX 01 00:00:00
FILE "10 - Pecker - Kylyn.wav" WAVE
TRACK 10 AUDIO
TITLE "Kylyn"
PERFORMER "Pecker"
ISRC JPCO08028060
INDEX 01 00:00:00
FILE "11 - Atsuo Fujimoto's Beat Jazz - Strangers in Island.wav" WAVE
TRACK 11 AUDIO
TITLE "Strangers in Island"
PERFORMER "Atsuo Fujimoto's Beat Jazz"
ISRC JPCO08542320
INDEX 01 00:00:00
FILE "12 - Mariah - Shinzo no Tobira.wav" WAVE
TRACK 12 AUDIO
TITLE "Shinzo no Tobira"
PERFORMER "Mariah"
ISRC JPCO08396700
INDEX 01 00:00:00
FILE "13 - Kylyn & Kazumi Watanabe - Mother Terra.wav" WAVE
TRACK 13 AUDIO
TITLE "Mother Terra"
PERFORMER "Kylyn & Kazumi Watanabe"
ISRC JPCO07903280
INDEX 01 00:00:00
FILE "14 - Ryuichi Sakamoto - Plastic Bamboo.wav" WAVE
TRACK 14 AUDIO
TITLE "Plastic Bamboo"
PERFORMER "Ryuichi Sakamoto"
ISRC JPCO07807440
INDEX 01 00:00:00
FILE "15 - Kyoko Furuya - Harumi Futoh.wav" WAVE
TRACK 15 AUDIO
TITLE "Harumi Futoh"
PERFORMER "Kyoko Furuya"
ISRC JPCO08116410
INDEX 01 00:00:00
 
CD2 - Funky & Mellow {72:38}
01. Tamami Koyake - You Wanna Rain (7:43)
02. Arakawa Band - Funky Fanky (5:16)
03. Mikio Masuda - Mickey's Samba (4:42)
04. Shuichi "Ponta" Murakami - Huang Di (5:54)
05. Eri Ohno - Skyfire (5:14)
06. Pecker - Concrete Jungle (5:06)
07. Ryojiro Furusawa - Moonlight Slumber (8:07)
08. Kiyoshi Sugimoto - Night Train (6:17)
09. Kazumi Watanabe - Mellow Sunshine (6:47)
10. Eri Ohno - Living Inside Your Love (4:50)
11. Kylyn & Kazumi Watanabe - I'll Be There (6:46)
12. Mikio Masuda - Moon Store (5:56)
 
Лог создания рипа
X Lossless Decoder version 20151214 (149.1)
XLD extraction logfile from 2016-09-08 22:32:28 +0100
Various Artists / MORE BETTER DAYS compiration FUNKY&MELLOW
Used drive : HL-DT-ST DVDRW GS31N (revision TA17)
Media type : Pressed CD
Ripper mode : XLD Secure Ripper
Disable audio cache : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction : 667
Max retry count : 20
Gap status : Analyzed, Appended (except HTOA)
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 00:00:00 | 07:42:39 | 0 | 34688
2 | 07:42:39 | 05:16:20 | 34689 | 58408
3 | 12:58:59 | 04:42:14 | 58409 | 79572
4 | 17:40:73 | 05:53:45 | 79573 | 106092
5 | 23:34:43 | 05:13:46 | 106093 | 129613
6 | 28:48:14 | 05:06:20 | 129614 | 152583
7 | 33:54:34 | 08:06:61 | 152584 | 189094
8 | 42:01:20 | 06:16:53 | 189095 | 217347
9 | 48:17:73 | 06:47:25 | 217348 | 247897
10 | 55:05:23 | 04:50:10 | 247898 | 269657
11 | 59:55:33 | 06:45:52 | 269658 | 300084
12 | 66:41:10 | 05:55:69 | 300085 | 326778
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Об альбоме (сборнике)
The Japanese DJ/producer Chee Shimizu curates a two-volume selection of obscure Japanese pop that runs the gamut from jazz fusion to New Age and prog rock.
It looks as if Japanese music from the 1980s is finally garnering more attention in the west. The closest parallel to this moment might be to the mid ’90s, when German rock and electronic music beyond Kraftwerk and the Scorpions began to gain some traction in the States thanks to some timely reissues. This access in turn allowed kosmische music to be more readily woven into the musical fabric of a new generation, and it was easy to hear the influence of Can, Faust and Neu! on the likes of Sonic Youth, Tortoise, Stereolab, Radiohead, and more.
But navigating Japanese major label legalese has proven to be a stumbling block for enthusiasts hoping to bring much of this music back to light. Thankfully, last year’s reissue of Mariah’s final album Utakata No Hibi hinted that a thaw might finally be occurring. It didn’t hurt that it was an out-of-nowhere underground hit, selling out multiple pressings and landing on year-end lists, not bad for an album full of Japanese drums, skronking sax, ’80s studio slickness, and Armenian vocals. Part of Mariah’s buzz stemmed from the efforts of DJ/producer Chee Shimizu, known to pass copies onto his DJ friends in the west. His Obscure Sound book likely whetted appetites and added to numerous Discogs want lists searching for more of this stuff (the choicest albums on the label go for three-digit sums).
Now comes More Better Days, a two-disc set pulled from the short-lived Better Days label (which originally released the Mariah record) and curated by Shimizu. An offshoot of Nippon Columbia Co, Ltd. in the late ’70s, the sub-label focused on the then-popular jazz/ fusion scene cropping up in the country. Ever the meticulous selector, Shimizu deep-dives into the label’s catalog and divvies up the music along two axes: Avant-Wave and Funky & Mellow. No matter your knowledge of Japanese music, the sets at the very least showcase that country’s uncanny sense of fusion, juxtaposition and impeccable aesthetics that has enchanted and informed any number of western artists, from Bowie to Grace Jones to Björk. New Age abuts blocks of jazz saxophone, shredding prog-rock guitars meets koto drumming and/or early drum machine skitters, while the next song might be dubbed-out disco or what that scene in Lost in Translation might have been like had Bill Murray done a karaoke version of “Lowdown.”
The first disc, subtitled Avant-Wave, is the perfect entry for adventurous listeners, as almost every track presents bizarre musical connections as a matter of course. People thrilled by the manic style-mashing of Oneohtrix Point Never, Grimes, and Arca will find those artists' strange sensibilities rooted here. Saxophonist Yasuaki Shimizu’s (the man behind Mariah and the similarly revered album Kakashi) “Semi Tori No Hi” is a gentle sound bath of chimes and flutes that gets punctuated by martial snares and wobbling feedback, at once serene and destabilized. Colored Music—the lone 1981 collaboration between Atsuo Fujimoto and Ichiko Hashimoto—anticipates techno on the furious “Heartbeat,” while “Ei Sei Raku” somehow combines spiky post-punk guitars, Miles’ “Rated X” organ drones, female coos and a drum break as bombastic as anything Phil Collins did in ’80s Genesis into something coherent and cool.
The furious polyrhythmic patterns of the Mkwaju Ensemble’s “Tira-Rin” and “Wood Dance” will no doubt register for a western listener as similar to Steve Reich’s Music for 18 Musicians, a piece greatly influenced by Far East music systems like Balinese gamelan. So while it’s an exotic sound to our ears, it’s just as fascinating to hear that approach to ever-shifting rhythm and tonalities as just part of the pop fabric.
Inversely, More Better Days shows what it’s like when Japanese players obsess over the likes of Steely Dan, Bob Marley, and Lalo Schifrin. “Funk Fanky” by Arakawa Band sounds like a lost ’70s cop show theme, but one that charges on for over five minutes. “Huang Di” has the bass pop of “Let’s Hear It For the Boy” before taking a sax-laced hypnagogic detour. It’s not quite as charming as it sounds. The highlights include the sleek modern funk/AOR of vocalist Eri Ohno and the contributions from a conga player named Pecker, whose dead-on reggae cover of Bob Marley’s “Concrete Jungle” were abetted by bringing the likes of Sly & Robbie, Aston “Family Man” Barrett and Augustus Pablo in for the session.
One of the major stars to come out of the Better Days imprint was Ryuichi Sakamoto, one-time member of Yellow Magic Orchestra who went on to be an early electro icon and collaborate with the likes of Iggy Pop, David Sylvian, and Fennesz, co-starred with David Bowie on Merry Christmas, Mr. Lawrence and most recently, collaborated with Bryce Dessner and Alva Noto on the soundtrack for The Revenant. Sakamoto’s nearly four-decade career is irreducible, and his chameleonic spirit might be the closest to that of Bowie. It’s this changeling quality of his music that informs More Better Days: Sakamoto contributes the effervescent synth-pop of “Plastic Bamboo” and then slides into the background as accompanist on other songs, adding George Duke licks one moment while dissolving into an ambient haze on another. Sakamoto’s sound can be both instantly identifiable and obscure at once, but his music is always surprising. So it goes for the majority of the music on More Better Days, even if the biggest surprise now is that this era of Japanese pop is readily available again.
-- Andy Beta
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