(Jazz; Drum, Free Improvisation) Janne Tuomi - Resonance - 2008, FLAC (tracks+.cue) lossless

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 7. November 2010, 12:48
Janne Tuomi / Resonance
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Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
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Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
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Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
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Quality                         : High
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TOC of the extracted CD
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        1  |  0:00.00 |  4:18.66 |         0    |    19415
        2  |  4:18.66 |  0:50.62 |     19416    |    23227
        3  |  5:09.53 |  6:44.36 |     23228    |    53563
        4  | 11:54.14 |  6:18.00 |     53564    |    81913
        5  | 18:12.14 |  8:06.59 |     81914    |   118422
        6  | 26:18.73 |  1:40.21 |    118423    |   125943
        7  | 27:59.19 |  7:13.26 |    125944    |   158444
        8  | 35:12.45 |  4:54.55 |    158445    |   180549
        9  | 40:07.25 |  8:26.48 |    180550    |   218547
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Track  2
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Track  3
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Track  4
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Track  5
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Track  6
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Track  7
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Track  8
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Track  9
     Filename D:\temp\2\09. Janne Tuomi – Tyven.wav
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No errors occurred
End of status report

REM GENRE Drum
REM DATE 2008
REM DISCID 600B6109
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Janne Tuomi"
TITLE "Resonance"
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FILE "09. Janne Tuomi – Tyven.wav" WAVE
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Janne Tuomi was born in 1973 in Tampere, Finland. Coming from a family of musicians and music educators, it was only natural that this first-born began playing the piano at the age of six. But the infatuation was not to last as percussion soon lured him away from the ebonies and ivories.
Tuomi commenced studying at the Conservatory of Tampere in 1995 and further honed his skills at the Carl Nielsen Academy of Music in Odense, Denmark. After undertaking a study trip to New York City, Tuomi graduated from the Conservatory in 2000 with honours.
In 2001 he travelled to Los Angeles to take private lessons and to play with local musicians in eg Jazz Club Baked Potato. Five years later, Tuomi passed his degree examination with honours with a solo concert at the contemporary music festival Tampere Biennale.
During his professional career Tuomi has acted as a free jazz drummer, classical percussonist and everything in between. He has performed with guitarists Antti Kotikoski, Raymond Boni, Sakari Luoma and Marzi Nyman, saxophonists John Zorn, Daunik Lazro, Jone Takamäki and Jorma Tapio, pianists Iro Haarla and Seppo Kantonen, bass players Ulf Krokfors, Sampo Lassila and Claude Tchamitchian and numerous others.
Apart from recording and performing various styles of music with a burning passion, Tuomi teaches percussion both privately and at the Palmgren Conservatory in Pori. He is also experienced as a theater musician.
Janne Tuomi’s critically acclaimed debut solo cd 'Approaching' was released in 2004 by Ektro Records (Pori). 'Resonance', second solopercussion-cd was released in 2008 by Future Music Records (UK). Third solo-cd 'elg' (recorded 2005) was released by FMR-Records in 2009.
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"'Resonance' features Janne Tuomi on solo percussion, recorded at the Church of Kuhmalahti, with all pieces composed by Tuomi. This is all acoustic percussion music and it is superbly recorded. This music is closer to classical percussion music in its sound and it is consistently thoughtful and engaging. On "Kunlun I", Janne concentrates on just a gong and comes up with some impressive and mysterious results. A most impressive offering from a young master-percussionist that we ill be hearing more from in the near future."
Bruce Lee Gallanter
Downtown Music Gallery
"...There are nine tracks and the order presents a nice package of contrasting textures and styles. Included in this collection are three short works that feature various cymbal and tam-tam combinations, and it is interesting how the sub-tones of tam-tams take on a drone effect. The drum pieces contain rhythmic passages, but the writing style has a very free and spaced mood, thus taking on a feeling of improvisation.. ..The recording level is excellent, and the performance demonstrates the artist's sensitivity and technical skill. This CD will be of interest to those wanting to experience percussion from Switzerland"
George Frock
Percussive Notes
"I really don't understand this album. I found it in the jazz section of my local library, and expected something of that sort. Jazz drumming would've kept me interested, seeing as I've really loved the few drum solos I've experienced. But what I got instead is... indescribeable. It's certainly a creative use of percussion, making sounds that a drum set normally wouldn't produce. "Kunlun I" can only be identified as ambient, which I'd never imagined to hear on a solo percussion album."
Anonymous
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