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(Fusion, Jazz-Funk) [CD] John Tropea - Tropea - 1975 (2014 Japan Edition), FLAC (image+.cue), lossless

(Fusion, Jazz-Funk) [CD] John Tropea - Tropea - 1975 (2014 Japan Edition), FLAC (image+.cue), lossless
Треклист:
John Tropea - Tropea
Жанр: Fusion, Jazz-Funk
Носитель: CD
Страна-производитель диска (релиза): Япония
Год издания: 1975 (2014)
Издатель (лейбл): Savoy/Sun Tropea/Columbia
Номер по каталогу: COCB-54120
Страна исполнителя (группы): США
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 42:17
Источник (релизер): kvapar (Спасибо Егору из PTZ)
Наличие сканов в содержимом раздачи: да
Треклист:
01. Tambourine (Tropea) - 4:40
02. 7th Heaven (Grolnick) - 4:13
03. The Jingle (Tropea) - 4:39
04. Just Blue (Tropea) - 8:17
05. Muff (Tropea-Marotta-Lee) - 5:59
06. Cisco Disco (Mintzer) - 4:35
07. Tha Bratt (Spinozza) - 5:07
08. Dreams (Tropea) - 4:46
Состав:
John Tropea, David Spinozza - guitar
Don Grolnick, Kenny Acher, Eumir Deodato - keyboards
Will Lee, Don Payne - bass guitar
Richard Davis - bass
Rick Marotta, Steve Gadd, Alan Schwartzberg - drums
Rubens Bassini, Ron Tropea, Nick Remo - percussion
Charles Conrad - bass matracca
George Young, David Sanborn - alto saxophone
Bob Mintzer - flute
Sam Burtis - trombone
John Gatchel, Randy Brecker, Dave Taylor, Alan Rubin, Sam Burtis - horns
Michael Brecker, George Young, George Opalisky, Ken Berger, David Sanborn, Bob Mintzer, Lewis Del Gatto - reeds
Gene Orloff, Harry Lookofsky, Matthew Raimondi, Guy Limia, Paul Gershan, Jessy Levy, Emanuel Green, Frederick Buldrini, Harold Kohon, Richard Maximoff, Caroline Levinoe, George Ricci - strings
Recorded at House of Music, West Orange, NJ.
 
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
Отчёт EAC об извлечении, выполненном 29. января 2015, 10:37
John Tropea / Tropea
Дисковод: Optiarc DVD RW AD-7203S Adapter: 0 ID: 4
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 128 kBit/s
Качество : Высокий
Добавление ID3-тега : Нет
Утилита сжатия : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Дополнительные параметры : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
---------------------------------------------------------------------
1 | 0:00.00 | 4:40.12 | 0 | 21011
2 | 4:40.12 | 4:13.30 | 21012 | 40016
3 | 8:53.42 | 4:38.70 | 40017 | 60936
4 | 13:32.37 | 8:16.73 | 60937 | 98209
5 | 21:49.35 | 5:58.70 | 98210 | 125129
6 | 27:48.30 | 4:35.17 | 125130 | 145771
7 | 32:23.47 | 5:06.72 | 145772 | 168793
8 | 37:30.44 | 4:45.71 | 168794 | 190239
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла C:\Users\Администратор\Music\John Tropea - Tropea (1975)\John Tropea - Tropea (1975).wav
Пиковый уровень 99.5 %
Скорость извлечения 3.7 X
Качество диапазона 100.0 %
CRC теста 06452E84
CRC копии 06452E84
Копирование... OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 : извлечено точно (доверие 1) [11B3DDA9] (AR v2)
Трек 2 : извлечено точно (доверие 1) [53EBF30A] (AR v2)
Трек 3 : извлечено точно (доверие 1) [7D9BD7E7] (AR v2)
Трек 4 : извлечено точно (доверие 1) [60D3CC76] (AR v2)
Трек 5 : извлечено точно (доверие 1) [1476D1CC] (AR v2)
Трек 6 : извлечено точно (доверие 1) [AA67D5FB] (AR v2)
Трек 7 : извлечено точно (доверие 1) [0DD5CB68] (AR v2)
Трек 8 : извлечено точно (доверие 1) [F2711306] (AR v2)
Все треки извлечены точно
Конец отчёта
==== Контрольная сумма отчёта E75C35E5BAF8D46B8706C362B9996D2E7805D792DA063C350056262258F057A9 ====
 
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 1975
REM DISCID 5A09E808
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "John Tropea"
TITLE "Tropea"
FILE "John Tropea - Tropea.wav" WAVE
TRACK 01 AUDIO
TITLE "Tambourine"
PERFORMER "John Tropea"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "7th Heaven"
PERFORMER "John Tropea"
INDEX 00 04:38:50
INDEX 01 04:40:12
TRACK 03 AUDIO
TITLE "The Jingle"
PERFORMER "John Tropea"
INDEX 00 08:51:71
INDEX 01 08:53:42
TRACK 04 AUDIO
TITLE "Just Blue"
PERFORMER "John Tropea"
INDEX 00 13:32:06
INDEX 01 13:32:37
TRACK 05 AUDIO
TITLE "Muff"
PERFORMER "John Tropea"
INDEX 00 21:47:57
INDEX 01 21:49:35
TRACK 06 AUDIO
TITLE "Cisco Disco"
PERFORMER "John Tropea"
INDEX 00 27:47:47
INDEX 01 27:48:30
TRACK 07 AUDIO
TITLE "Tha Bratt"
PERFORMER "John Tropea"
INDEX 00 32:22:01
INDEX 01 32:23:47
TRACK 08 AUDIO
TITLE "Dreams"
PERFORMER "John Tropea"
INDEX 01 37:30:44
 
Отчет CUETools
[CUETools log; Date: 01.02.2015 21:29:23; Version: 2.1.5]
[CTDB TOCID: INiE6KI.eIM6hWX_fGASxYw4dG8-] disk not present in database.
[AccurateRip ID: 000cf8c0-0057710a-5a09e808] found.
Track [ CRC | V2 ] Status
01 [b91c1fca|11b3dda9] (0+1/1) Accurately ripped
02 [08cad1e8|53ebf30a] (0+1/1) Accurately ripped
03 [24e61842|7d9bd7e7] (0+1/1) Accurately ripped
04 [97b612d6|60d3cc76] (0+1/1) Accurately ripped
05 [a21e12b9|1476d1cc] (0+1/1) Accurately ripped
06 [acceae70|aa67d5fb] (0+1/1) Accurately ripped
07 [4dca154f|0dd5cb68] (0+1/1) Accurately ripped
08 [5c29552a|f2711306] (0+1/1) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
-- 99,5 [06452E84] [71DB6B82] CRC32
01 99,4 [4316311E] [AB50C594]
02 99,4 [BE5E158B] [ECA3485E]
03 99,5 [255F7E9E] [BC6D701A]
04 99,4 [60C397DA] [64A3B34D]
05 99,5 [DF1A67D6] [3D1F1978]
06 99,4 [EF9B00AE] [85AACB93]
07 99,4 [0B97D52F] [F32B0E13]
08 99,3 [CE58AC1F] [E7AD81E0]
 
Review by Thom Jurek
By the time guitarist John Tropea had recorded his solo debut on the tiny Marlin imprint in 1976, he had been a session guitarist for nearly a decade. His understated, decidedly non-show-off playing graced records by everyone from Laura Nyro to Deodato (including Prelude and Deodato 2), from Ashford & Simpson to Bo Diddley, from Billy Cobham to Peter Allen, from Roberta Flack and Donny Hathaway to Paul Simon, Van Morrison, Luiz Bonfá, and Ray Bryant. After this he played with everyone from Alice Cooper to Lalo Schifrin and Kurtis Blow and way, way beyond. Tropea's cast of studio players is a who's who of the '70s, '80s, and '90s. The core band on this funky, squeaky clean, keyboard, horn, and guitar driven set are bassist Will Lee, keyboardist Don Grolnick, percussionist Rubens Bassini, and drummers Steve Gadd and Rick Marotta -- one in each channel. Some of the guest appearances are stellar: David Sanborn's trademark emotionally rich saxophone is heard on "Muff," and Bob Mintzer's wonderful flute playing on his "Cisco Disco" (which is truly funk and not disco), and Deodato plays keyboards on the beautiful "Dreams." There is a heavyweight reed section with Mintzer, Sanborn, and Michael Brecker among its members and horns that include Randy Brecker, Sam Burtis, and Dave Taylor, to name a few. Yes, this was the 1970s: there are strings with Gene Orloff among them. The tunes? Hip, funky numbers like "Tambourine," with a restrained but toothy fuzz solo by Tropea, great congas by Bassini, and a well balanced but dynamic horn chart. "7th Heaven" is a smoother workout, with punchy actual and keyboard basslines, with great breakbeat work by both drummers. Despite its mid-tempo jaunt, the thing is deep with enough of an uptown soul chorus to make it a popular stepper with the club crowd. It's tunes like these, as well as Mintzer's and Tropea's "The Jingle," that place records like this more on the CTI side of things than in the hardcore Fuzak realm. These selections are songs, not collections of riffs, vamps, and solos. When solos occur in these tunes, they do so with respect to arrangement and groove. It also sounds more lifelike than a lot of what was coming out of L.A. at the time, because it has a decidedly East Coast sensibility. Tropea's production job is expert and tight, but it's his arrangements and orchestrations that are really impressive. The opportunities for excess here with all these superchopper players are many, but not once does any of this album lapse into mere glossy show and sheen. This is one of the truly great forgotten jazz-funk sets of the '70s.
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