(Free Jazz, Fusion, Avant-Garde Jazz) Tisziji Munoz - Presence Of Truth (Dharma-Kaya) - 1999, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 2. November 2013, 21:00
Tisziji Munoz / Presence of Truth (Dharma-Kaya)
Used drive  : PIONEER DVD-RW  DVR-115D   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 | 11:55.73 |         0    |    53697
        2  | 11:55.73 | 15:08.01 |     53698    |   121798
        3  | 27:03.74 | 14:43.01 |    121799    |   188024
        4  | 41:47.00 | 11:26.51 |    188025    |   239525
Track  1
     Filename D:\zzz\01 - Ode To The Mother.wav
     Pre-gap length  0:00:02.00
     Peak level 97.5 %
     Extraction speed 5.2 X
     Track quality 100.0 %
     Test CRC 21DD6F61
     Copy CRC 21DD6F61
     Accurately ripped (confidence 1)  [5D5A25B2]  (AR v1)
     Copy OK
Track  2
     Filename D:\zzz\02 - Blue Song Of Genius.wav
     Pre-gap length  0:00:03.00
     Peak level 98.6 %
     Extraction speed 6.3 X
     Track quality 99.9 %
     Test CRC 1D2E0544
     Copy CRC 1D2E0544
     Accurately ripped (confidence 1)  [7146F6FE]  (AR v1)
     Copy OK
Track  3
     Filename D:\zzz\03 - Wounds Of Love.wav
     Pre-gap length  0:00:02.74
     Peak level 98.2 %
     Extraction speed 7.7 X
     Track quality 100.0 %
     Test CRC B4488F69
     Copy CRC B4488F69
     Accurately ripped (confidence 1)  [1F4B716E]  (AR v1)
     Copy OK
Track  4
     Filename D:\zzz\04 - Miles Mode.wav
     Pre-gap length  0:00:02.68
     Peak level 98.6 %
     Extraction speed 8.4 X
     Track quality 100.0 %
     Test CRC 063AFBC2
     Copy CRC 063AFBC2
     Accurately ripped (confidence 1)  [A311A079]  (AR v1)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 875B97F73DBE171F79074FE5BD8533B41A476516C7EEE81332C9DB2094213BDC ====

REM GENRE "Avant-Garde Jazz"
REM DATE 1999
REM DISCID 2F0C7904
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Tisziji Munoz"
TITLE "Presence of Truth (Dharma-Kaya)"
FILE "01 - Ode To The Mother.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Ode To The Mother"
    PERFORMER "Tisziji Munoz"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Blue Song Of Genius"
    PERFORMER "Tisziji Munoz"
    INDEX 00 11:52:73
FILE "02 - Blue Song Of Genius.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Wounds Of Love"
    PERFORMER "Tisziji Munoz"
    INDEX 00 15:05:02
FILE "03 - Wounds Of Love.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Miles Mode"
    PERFORMER "Tisziji Munoz"
    INDEX 00 14:40:08
FILE "04 - Miles Mode.wav" WAVE
    INDEX 01 00:00:00

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. Ode To The Mother.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. Blue Song Of Genius.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. Wounds Of Love.wav]
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This track looks like CDDA with probability 99%
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Processing file: [04. Miles Mode.wav]
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This track looks like CDDA with probability 100%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

(Tisziji Munoz) - 1,2,3
(John Coltrane) - 4
Produced by Tisziji Munoz
Art Direction by Tisziji Munoz
Photos by Nancy Munoz
Recorded on January 29, 1999 at Rashied Ali's Survival Studios in NYC
Recording engineer: Mike Munoz
Assisted by: Larry Voelker, Nancy and Rebazar Munoz
In interviews, mega-Grammy winner Carlos Santana often pays homage to John Coltrane as an early inspiration. That’s a nice nod. Yet despite fumbling attempts at imitation, Santana’s music has never embodied the complex collision of earthly fire and spiritual transcendence of Coltrane’s late work. I used to think it was that six strings simply couldn’t conjure the gods (the devil, sure) the way a sax could. Then I heard Tisziji Munoz a musical visionary from Schenectady, NY who sets fire to his strings with the same furious marriage of Buddhist grace and Christian fire and brimstone that Coltrane managed. Munoz’s tone favors the same piercing wail that Carlos digs, but he combines this with Coltrane’s penchant for shards of glass drama and a buckshot blast of notes that gives the sense that the music’s burning through his flesh like stigmata. It’s an original sound that a scant few have heard. That’s because Munoz is a fringe dweller, a spacey mystic who speaks in Ghost Dog-like platitudes (sounds like Carlos again) and releases his own discs with little or no promotion. He does have his cartel of musical supporters, though, and they show for these three recent discs.
Premier is the rhythm team of former Coltrane drummer Rashied Ali and bassist Don Pate. They make a loose but frantic team, perfect for the leader’s helter-skelter pacing. Keyboardists Hilton Ruiz and Letterman side kick Paul Shaffer spar on Mastery and Truth but they don’t hold their own as well as sax man David Liebman does on Presence of Joy, easily the most essential of the three. Liebman’s a strong voice who fights for his solo time (a necessary evil when up against divine intervention), thoughtful to Tisziki’s stream of consciousness. He’s comfortable with Coltrane’s fury and free with Tisziji’s own tunes of furious meditation. Of course, Munoz is the blustery star here and throughout these three works you can’t help but wonder why he isn’t a free jazz household name. I guess when the heaven’s are yours, who has time for earthly delights.

Tisziji Munoz: guitar & synth
Hilton Ruiz: piano
Don Pate: bass
Rashied Ali: drums