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(Free Jazz, Free Improvisation) [CD] Paul Dunmall (John Adams, Philip Gibbs, Mark Sanders) - EastWestNorthSouth - 2000, FLAC (image+.cue), lossless

(Free Jazz, Free Improvisation) [CD] Paul Dunmall (John Adams, Philip Gibbs, Mark Sanders) - EastWestNorthSouth - 2000, FLAC (image+.cue), lossless
Paul Dunmall / EastWestNorthSouth
Жанр: Free Jazz, Free Improvisation
Носитель: CD
Страна-производитель диска: UK
Год издания: 2000
Издатель (лейбл): FMR Records
Номер по каталогу: FMRCD72-0900
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 64:30
Источник (релизер): CD
Наличие сканов в содержимом раздачи: нет
1. East (18:31)
2. West (18:40)
3. North (14:08)
4. South (13:17)
Лог создания рипа
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 7. March 2014, 13:27
Paul Dunmall / EastWestNorthSouth
Used drive : Optiarc DVD RW AD-7170A Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
1 | 0:00.00 | 18:31.36 | 0 | 83360
2 | 18:31.36 | 18:40.66 | 83361 | 167426
3 | 37:12.27 | 14:07.40 | 167427 | 230991
4 | 51:19.67 | 13:10.42 | 230992 | 290283
Range status and errors
Selected range
Filename K:\ЕАС\Paul Dunmall - EastWestNorthSouth.wav
Peak level 100.0 %
Extraction speed 2.0 X
Range quality 99.9 %
Test CRC 4761FEF7
Copy CRC 4761FEF7
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
None of the tracks are present in the AccurateRip database
End of status report
==== Log checksum 28F09705E46F0678C7223D204561BB206711DD3B014128C87CD878A19351B0C6 ====
Содержание индексной карты (.CUE)
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Paul Dunmall"
TITLE "EastWestNorthSouth"
FILE "Paul Dunmall - EastWestNorthSouth.flac" WAVE
TITLE "East"
PERFORMER "Paul Dunmall"
ISRC 000000000000
INDEX 01 00:00:00
TITLE "West"
PERFORMER "Paul Dunmall"
ISRC 000000000000
INDEX 00 18:29:36
INDEX 01 18:31:36
TITLE "North"
PERFORMER "Paul Dunmall"
ISRC 000000000000
INDEX 00 37:10:27
INDEX 01 37:12:27
TITLE "South"
PERFORMER "Paul Dunmall"
ISRC 000000000000
INDEX 00 51:17:67
INDEX 01 51:19:67
Доп. информация: Recorded at Victoria Rooms, Bristol, United Kingdom, 2000-06-08
Об альбоме (сборнике)
Paul Dunmall had made an increasingly strong reputation for himself as a member of such forward-looking ensembles as Keith Tippetts' Mujician and Barry Guy's London Jazz Composer's Orchestra when he began to issue recordings under his own name, leading groups ranging in size from trio to octet. EastWestNorthSouth is a follow-up to the highly successful hatOLOGY album Ghostly Thoughts with the sax/guitar/drums lineup expanded to a quartet by the addition of a second guitar. On that prior disc, John Adams showed an unusual and enjoyable approach, with a dry, percussive style of guitar playing more befitting a rhythm instrument in a larger ensemble than a featured one in a trio. He remains in that role here (including some fine work on an acoustic guitar adapted to sonically resemble an African doussn'gouni), with new guitarist Phillip Gibbs lending a more traditional sound to the group. Despite his past expositions of a robust and ferocious approach to the tenor sax, the solidest tracks here are the two on which he plays soprano ("West" and "South"). These evolve from small kernels of improvisatory antenna-wagging into bubbling cascades of inventiveness, Dunmall never wanting for ideas and the explosive drummer Mark Sanders keeping the heat turned way up. On the other hand, the two pieces with Dunmall on tenor never quite get off the ground as the group spends the duration probing and searching but unearthing little of great value. Dunmall fans will want to hear this and the two shining tracks make it worth a purchase, but he's heard to better effect on the hatOLOGY release and as a high-energy soloist with Tippetts or Guy.
Drums – Mark Sanders
Electric Guitar – Philip Gibbs
Electric Guitar, Acoustic Guitar – John Adams
Tenor Saxophone, Soprano Saxophone, Bagpipes – Paul Dunmall
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