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(Free Jazz, Free Improvisation) Anthony Braxton - Ninetet (Yoshi's) 1997 Vol.2 ( Composition nr.209 , nr.210 )- 2003, APE (image+.cue) lossless

Треклист:
Anthony Braxton - Ninetet (Yoshi's) 1997 Vol.2 ( Composition nr.209 , nr.210 )
Жанр: Free Jazz, Free Improvisation
Страна-производитель диска: U.K.
Год издания диска: 2003
Издатель (лейбл): Leo Records
Номер по каталогу: LR 382/383
Аудио кодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 57:49+58:33
Источник (релизер): basa005
Наличие сканов в содержимом раздачи: да
Треклист:
CD1
Composition nr.209
CD2
Composition nr.210
 
Лог создания рипа

 
cd1
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 25. March 2011, 16:10
Anthony Braxton / Ninetet (Yoshi's) 1997 vol. 2 - disc 1
Used drive : ATAPI DVD A DH16A1L Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 57:47.08 | 0 | 260032
Range status and errors
Selected range
Filename C:\avaxhome\Anthony Braxton - Ninetet (Yoshi's) 1997 vol. 2 - disc 1.wav
Peak level 100.0 %
Range quality 100.0 %
Copy CRC 85EF0BB3
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
None of the tracks are present in the AccurateRip database
End of status report
 
cd2
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 25. March 2011, 16:30
Anthony Braxton / Ninetet (Yoshi's) 1997 vol. 2 - disc 2
Used drive : ATAPI DVD A DH16A1L Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 58:31.41 | 0 | 263365
Range status and errors
Selected range
Filename C:\avaxhome\Anthony Braxton - Ninetet (Yoshi's) 1997 vol. 2 - disc 2.wav
Peak level 100.0 %
Range quality 100.0 %
Copy CRC E99E808C
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
None of the tracks are present in the AccurateRip database
End of status report
 
Об альбоме (сборнике)
Second volume from the now legendary Anthony Braxton's sessions at Yoshi's exploring his concept of "Ghost Trance Music". Two compositions, n. 209 & n. 210, almost hour long each, performed by the same line-up as Vol.1 (A. Braxton, B. Evans, J. Fei, J. Moore, A. Vida, J.D. Parran, K. O'Neil, J. Fonda, K. Norton).
Braxton's Ghost Trance Music series ranks among the most difficult music to review. Everyone has his or her personal favorites among the dozens of discs released under this umbrella and, since the general idea underpinning them all and the quality of musicianship remain rather constant, evaluation comes down to highly subjective factors. For instance, one listener might find the first volume in Leo Records' Ninetet (Yoshi's) 1997 series lacking in interest, but would be hard pressed to rationally explain why this second installment, Ninetet (Yoshi's) 1997, Vol. 2 is so much better. The lineup is the same: a barrage of woodwinds (Anthony Braxton, Brandon Evans, James Fei, Jackson Moore, Andre Vidal, and J.D. Parran, all playing multiple saxophones, clarinets, and flutes) accompanied by guitar (Kevin O'Neil), bass (Joe Fonda), and percussion (Kevin Norton), although all nine players rarely perform at the same time. Both "Composition N. 209" and "Composition N. 210" move through a quasi-endless and constantly renewed flow of trios (the latter also uses larger combinations). The music was recorded the day after the first volume, and consists once again of two disc-long pieces. The difference on Vol. 2 is that the group sounds more focused, more willing to trap the listener into the hypnotic patterns of the music and push him to the edge of free improvisation. "Composition N. 210" in particular deploys some mean tricks to make you forget that it is written down. The two pieces develop very different colors. Most noticeable is the fact that Norton (mostly) plays the drum kit in "N. 210," while he sticks to mallet percussion and cymbals in "N. 209." And so, either by design or attraction, "N. 210" displays a certain free jazz mood, prone to a certain frenzy, while "N. 209" slightly evokes contemporary classical music, especially in its delicate finale. Up to this point, the listener may be under the impression that GTM worked better with small groupings, but this set proves otherwise.
~ François Couture, Rovi
Any questions -> support@pro-jazz.com. По всем вопросам пишите -> support@pro-jazz.com
10:27
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