(Free Jazz, Ethnic Jazz) Adam Rudolph & Ralph Jones - Yeyi - 2010, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 11. September 2013, 23:13
Adam Rudolph & Ralph Jones / Yeyi
Used drive  : PIONEER DVD-RW  DVR-115D   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
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TOC of the extracted CD
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        2  |  6:51.59 |  5:23.36 |     30884    |    55144
        3  | 12:15.20 |  3:46.30 |     55145    |    72124
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        6  | 26:03.73 | 14:32.30 |    117298    |   182727
        7  | 40:36.28 |  3:05.02 |    182728    |   196604
        8  | 43:41.30 |  8:23.08 |    196605    |   234337
        9  | 52:04.38 |  3:56.52 |    234338    |   252089
       10  | 56:01.15 |  7:36.28 |    252090    |   286317
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Track  9
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Track 10
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All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 13FFFBB5606D174D3E5756DDB5AD5703CF31AD46598776DD7373ADC3C8A92A7E ====

REM GENRE "Ethnic Jazz"
REM DATE 2010
REM DISCID 7E0EE90A
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Adam Rudolph & Ralph Jones"
TITLE "Yeyi"
FILE "01 - Nectaric Vibrations.wav" WAVE
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    PERFORMER "Adam Rudolph & Ralph Jones"
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FILE "02 - Aspects Of Motion.wav" WAVE
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    TITLE "Aspects Of Motion"
    PERFORMER "Adam Rudolph & Ralph Jones"
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    INDEX 01 00:00:00
FILE "03 - Oshogbo.wav" WAVE
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    TITLE "Oshogbo"
    PERFORMER "Adam Rudolph & Ralph Jones"
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    INDEX 01 00:00:00
FILE "04 - Dream Inflected.wav" WAVE
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FILE "05 - Leaf Writing.wav" WAVE
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FILE "08 - Kind Thoughts.wav" WAVE
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d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [02. Aspects Of Motion.wav]
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Processing file: [03. Oshogbo.wav]
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Processing file: [04. Dream Inflected.wav]
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Processing file: [05. Leaf Writing.wav]
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Processing file: [06. Celestial Space.wav]
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

Great improvisers can create scintillating music in any situation or setting. But as Adam Rudolph can attest, the ability to transcend music and achieve something truly profound requires a sort of mysterious chemistry that comes along in precious few instances over the course of a musician’s lifetime. “We can’t underestimate the element of alchemy,” Rudolph says.
On Yeyi, one of two new releases on his own Meta Records label, the master percussionist celebrates his over 30-year partnership with multi-instrumentalist Ralph Jones (the second release, Toward the Unknown, features another longtime collaborator, the legendary saxophonist Yusef Lateef). Throughout the album’s ten tracks, Jones employs an arsenal of woodwind instruments to complement Rudolph’s percussion battery in a wide-ranging, deeply spiritual dialogue. Rudolph and Jones’ partnership dates back to the 1974 Ann Arbor Blues and Jazz Festival, where they performed on a bill that also included Sun Ra and James Brown. They were brought together by trumpeter Charles Moore, with whom they later cofounded the Eternal Wind quartet.
“We understand each other on a creative level and on a philosophical level,” Rudolph says, “which means that we have a profound kind of freedom. I like to work with musicians who understand what I’m doing, not just musically but metaphorically.” Rudolph refers to Jones as “the greatest woodwind player you may not have heard of,” and the description is apt. Jones’ wide-ranging career has included recordings and performances with the likes of Lateef, Pharaoh Sanders, Ahmed Abdul Malik, Ella Fitzgerald, Wadada Leo Smith, Ken Cox of the MC5, and his group, The Seekers of Truth Revolutionary Ensemble. In addition, he has performed in Rudolph’s ensembles Moving Pictures and the Go: Organic Orchestra.
The intuitive language that the two improvisers have developed over their lengthy collaboration are fully in evidence on Yeyi. Subtitled “A Wordless Psalm of Prototypical Vibrations”, the CD is an offering of thanks, a communion with the natural world both outer and inner. “It’s not trying to evoke nature itself so much as evoking naturalness,” Rudolph says. “The natural state of who we are, the real us as spiritual beings. You can still be in tune with your naturalness in the 21st century, living in New York City.”
“Yeyi” refers to the yodeling of the Mbuti pygmies, one of the oldest indigenous people of the Kongo region of Africa. Their inspiration on the music is twofold, according to Rudolph: one is in the communal harmony with nature towards which the artists strive, and the second is in the legacy of a culture that has rippled outwards over continents and generations, through the African-American musical influences that Rudolph and Jones draw upon.
Over the course of the ten explorations that make up Yeyi, Rudolph and Jones draw from a pool of shared knowledge – musical studies, each other’s languages, their own prior interactions – to communicate with a penetrating intensity. “We not only have a long temporal history but a huge body of compositions and rhythmic and intervallic approaches that we can call upon,” Rudolph says. “And those elements are present in a deconstructed form so that we can construct and orchestrate them any way we want to in the moment based upon listening to each other.”
Those common elements include a variety of musical traditions, including African and Indonesian music, and raga, and compositions both traditional and original, as when the two revisit “Oshogbo”, the piece which opened Dream Garden, the most recent release by Moving Pictures. Disparate influences can also cross streams, as when Jones conjures the traditional spiritual "Sometimes I Feel Like a Motherless Child" on the ney, a Middle Eastern flute.
Returning to the subject of that sonic alchemy that this recording so amply demonstrate, Rudolph likens the discovery of a musical soulmate to a romantic one. “You could list of reasons why you marry someone, but it comes down to a feeling. It’s something that you know from the get-go but also something that develops over time. Ultimately it’s a mystery.”

Composed By – Adam Rudolph, Ralph Jones
Congas, Djembe, Idiophone, Kalimba [Thumb Piano], Gong, Slit Drum, Glockenspiel, Percussion, Sintir, Melodica, Reeds [Berber Reed Horn], Horn [Overtone Horn], Voice [Multiphonic Singing] – Adam Rudolph
Flute [Alto, C], Bass Clarinet, Tenor Saxophone, Soprano Saxophone, Ney, Reeds [Hichiriki, Hulusi], Flute [Umtshingo, Bamboo], Idiophone [Bamboo Sticks], Shaker – Ralph Jones
Recorded live in concert April 16th, 2009 at Delta College Theatre, Michigan