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(Free Jazz) [CD] Thomas Borgmann, Peter Brotzmann, William Parker, Rashied Bakr - The Cooler Suite - 2003, FLAC (image+.cue), lossless

(Free Jazz) [CD] Thomas Borgmann, Peter Brotzmann, William Parker, Rashied Bakr - The Cooler Suite - 2003, FLAC (image+.cue), lossless
Borg - Brötzmann - Parker - Bakr / The Cooler Suite
Жанр: Free Jazz
Носитель: CD
Страна-производитель диска: Germany
Год издания: 2003
Издатель (лейбл): GROB
Номер по каталогу: 539
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 50:56
Источник (релизер): CD
Наличие сканов в содержимом раздачи: нет
1. Part 1 26:02
2. Part 2 24:17
Лог создания рипа
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 23. March 2014, 16:26
Borgmann, Brotzmann, Parker, Bakr / The Cooler Suite
Used drive : Optiarc DVD RW AD-7170A Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
1 | 0:00.00 | 26:38.42 | 0 | 119891
2 | 26:38.42 | 24:17.68 | 119892 | 229234
Range status and errors
Selected range
Filename K:\ЕАС\Borgmann, Brotzmann, Parker, Bakr - The Cooler Suite.wav
Peak level 97.7 %
Extraction speed 2.0 X
Range quality 100.0 %
Test CRC C1760765
Copy CRC C1760765
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 1) [C41410BD] (AR v1)
Track 2 accurately ripped (confidence 1) [55FAA503] (AR v1)
All tracks accurately ripped
End of status report
==== Log checksum 1A7D0483FB0C609B81DE8273BF94210FD89B6919291935F57AA1689681D42BDC ====
Содержание индексной карты (.CUE)
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Borgmann, Brotzmann, Parker, Bakr"
TITLE "The Cooler Suite"
FILE "Borgmann, Brotzmann, Parker, Bakr - The Cooler Suite.flac" WAVE
TITLE "Part 1"
PERFORMER "Borgmann, Brotzmann, Parker, Bakr"
ISRC 000000000000
INDEX 01 00:00:00
TITLE "Part 2"
PERFORMER "Borgmann, Brotzmann, Parker, Bakr"
ISRC 000000000000
INDEX 00 26:02:22
INDEX 01 26:38:42
Доп. информация: Recorded at the Cooler, N.Y.C., January 21, 1997
Об альбоме (сборнике)
The dilemma: you have uncovered an excellent concert, but it has been recorded on a cheap analogue cassette. It is already four years old, and these musicians release more albums per year than you can count on one hand (sometimes two), but this particular quartet performed only once, and the performance is truly phenomenal. Do you release it or not? The label Grob chose to release it. So hi-fi buffs and improv fans who sneer at gut-ripping blowouts, please move along, because The Cooler Suite is a mean and dirty slab of free jazz. Recorded on January 21, 1997, at The Cooler in New York City, this concert is allegedly the only time Thomas Borgmann, Peter Brötzmann, William Parker, and Rashid Bakr shared the stage (but of course they have played with each other on numerous occasions). The recording signal overloads constantly, and the tape fails on a few occasions, resulting in tiny gaps in sound; tape-hiss creeps in whenever the quartet quiets down (a rare feat, granted). The press release advocates the fact that the crude recording gives the music a certain neo-authenticity, that it answers the raw performance and nods at the early days of free jazz. You are free to believe it or not, but at some point or another while listening to the album, you will wish it were better recorded, so let's not kid ourselves. That said, the performance is as gutsy as these two saxophonists can be. They scream at each other in a delightful over-emotional contest. The rhythm section is unstoppable. Parker's bass sounds like it was plugged into a distortion pedal. The Cooler Suite redefines the definition of power, a definition Brötzmann had already altered in the past. In two words: it smokes.
Alto Saxophone, Tenor Saxophone, Clarinet [A] – Peter Brötzmann
Bass – William Parker
Drums – Rashied Bakr
Tenor Saxophone, Sopranino Saxophone – Thomas Borgmann
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