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(Free Jazz) [CD] The Vandermark 5 (Ken Vandermark, Dave Rempis, Kent Kessler, Fred Lonberg-Holm, Tim Daisy) - A Discontinuous Line - 2006, FLAC (tracks+.cue), lossless

(Free Jazz) [CD] The Vandermark 5 (Ken Vandermark, Dave Rempis, Kent Kessler, Fred Lonberg-Holm, Tim Daisy) - A Discontinuous Line - 2006, FLAC (tracks+.cue), lossless
The Vandermark 5 / A Discontinuous Line
Жанр: Free Jazz
Носитель: CD
Страна-производитель диска (релиза): US
Год издания: 2006
Издатель (лейбл): Atavistic
Номер по каталогу: ALP173CD
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 68:58
Источник (релизер): cd
Наличие сканов в содержимом раздачи: нет
1. Convertible, Version One (For Charles Eames) 8:39
2. Reciprocal (For Santiago Calatrava) 7:40
3. La Dernier Cri (For Elliot Carter) 7:48
4. Some Not All (For Phillip Wilson) 13:46
5. Aperture (For Walker Evans) 6:45
6. Morricone (For Sergio Leone) 7:00
7. Convertible, Version Two (For Ray Eames) 6:26
8. The Ladder (For Giorgio De Chirico) 10:50
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 11. February 2015, 13:00
Vandermark 5 / A Discontinuous Line
Used drive : ASUS DRW-24F1ST a Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : D:\Programs\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
1 | 0:00.00 | 8:39.31 | 0 | 38955
2 | 8:39.31 | 7:40.53 | 38956 | 73508
3 | 16:20.09 | 7:48.32 | 73509 | 108640
4 | 24:08.41 | 13:46.60 | 108641 | 170650
5 | 37:55.26 | 6:45.20 | 170651 | 201045
6 | 44:40.46 | 7:00.50 | 201046 | 232595
7 | 51:41.21 | 6:26.57 | 232596 | 261602
8 | 58:08.03 | 10:50.25 | 261603 | 310377
Track 1
Filename D:\EAC\01 Convertible, Version One (For Charles Eames).wav
Pre-gap length 0:00:02.00
Peak level 98.8 %
Extraction speed 5.0 X
Track quality 100.0 %
Test CRC 03137743
Copy CRC 03137743
Copy OK
Track 2
Filename D:\EAC\02 Reciprocal (For Saniago Calatrava).wav
Peak level 98.8 %
Extraction speed 5.8 X
Track quality 100.0 %
Test CRC B9098EBA
Copy CRC B9098EBA
Copy OK
Track 3
Filename D:\EAC\03 La Dernier Cri (For Elliot Carter).wav
Peak level 98.8 %
Extraction speed 6.0 X
Track quality 99.9 %
Test CRC E2BA8230
Copy CRC E2BA8230
Copy OK
Track 4
Filename D:\EAC\04 Some Not All (For Phillip Wilson).wav
Peak level 98.8 %
Extraction speed 7.5 X
Track quality 100.0 %
Test CRC 32B463D3
Copy CRC 32B463D3
Copy OK
Track 5
Filename D:\EAC\05 Aperture (For Walker Evans).wav
Peak level 98.8 %
Extraction speed 7.8 X
Track quality 100.0 %
Test CRC FC99D43A
Copy CRC FC99D43A
Copy OK
Track 6
Filename D:\EAC\06 Morricone (For Sergio Leone).wav
Peak level 98.8 %
Extraction speed 8.2 X
Track quality 100.0 %
Test CRC 27D06B1A
Copy CRC 27D06B1A
Copy OK
Track 7
Filename D:\EAC\07 Convertible, Version Two (For Ray Eames).wav
Peak level 98.8 %
Extraction speed 7.8 X
Track quality 99.9 %
Test CRC EB79052F
Copy CRC EB79052F
Copy OK
Track 8
Filename D:\EAC\08 The Ladder (For Giorgio De Chirico).wav
Peak level 98.8 %
Extraction speed 9.3 X
Track quality 100.0 %
Test CRC BE13B70B
Copy CRC BE13B70B
Copy OK
No errors occurred
End of status report
==== Log checksum B55679384067D1C4AFAFD4EBBC2B893E937278BAC6574E0277E6B7F36A43E7B4 ====
Содержание индексной карты (.CUE)
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Vandermark 5"
TITLE "A Discontinuous Line"
FILE "01 Convertible, Version One (For Charles Eames).wav" WAVE
TITLE "Convertible, Version One (For Charles Eames)"
PERFORMER "Vandermark 5"
INDEX 01 00:00:00
FILE "02 Reciprocal (For Saniago Calatrava).wav" WAVE
TITLE "Reciprocal (For Saniago Calatrava)"
PERFORMER "Vandermark 5"
INDEX 01 00:00:00
FILE "03 La Dernier Cri (For Elliot Carter).wav" WAVE
TITLE "La Dernier Cri (For Elliot Carter)"
PERFORMER "Vandermark 5"
INDEX 01 00:00:00
FILE "04 Some Not All (For Phillip Wilson).wav" WAVE
TITLE "Some Not All (For Phillip Wilson)"
PERFORMER "Vandermark 5"
INDEX 01 00:00:00
FILE "05 Aperture (For Walker Evans).wav" WAVE
TITLE "Aperture (For Walker Evans)"
PERFORMER "Vandermark 5"
INDEX 01 00:00:00
FILE "06 Morricone (For Sergio Leone).wav" WAVE
TITLE "Morricone (For Sergio Leone)"
PERFORMER "Vandermark 5"
INDEX 01 00:00:00
FILE "07 Convertible, Version Two (For Ray Eames).wav" WAVE
TITLE "Convertible, Version Two (For Ray Eames)"
PERFORMER "Vandermark 5"
INDEX 01 00:00:00
FILE "08 The Ladder (For Giorgio De Chirico).wav" WAVE
TITLE "The Ladder (For Giorgio De Chirico)"
PERFORMER "Vandermark 5"
INDEX 01 00:00:00
Доп. информация: Recorded: 15 & 16 December 2005 at Semaphore, Chicago
Об альбоме (сборнике)
Woodwind multi-instrumentalist Ken Vandermark has seen a number of personnel changes in his decade-old flagship group, the Vandermark 5. But when charter member Jeb Bishop left last year, Vandermark made the decision not to replace him with another trombonist. The Color of Memory (Atavistic, 2005) stands, as a result, as a high point and watershed mark of the "old Vandermark 5. A Discontinuous Line marks a significant shift with the recruitment of cellist Fred Lonberg-Holm, himself no stranger to the Chicago avant-garde scene. By adding an instrument that has the capacity for chordal support, Vandermark has reinvigorated his writing for the quintet. Not that it needed any in the first place.
Blasphemy it may be to suggest such a thing, but the new lineup may well be a more balanced one. With two horns, two strings and percussion, there's plenty of texture available. But the replacement of Bishop's always expressive trombone has created a sound that, while also capable of aggressive extremes as ever, enables a greater delicacy—beauty, even.
On "La Dernier Cri, Tim Daisy's soft tympani-like mallet work on the toms creates a persistent undercurrent of rhythm. The piece starts with cued chords built amongst Vandermark, Lonberg-Holm, saxophonist Dave Rempis and bassist Kent Kessler. Were it not for Daisy, the piece would feel very Ligeti-like, although when it shifts into collective improvisation which treats space as an equal component, the reference dissolves. The beauty of Vandermark's writing, however, is the purposeful direction of such free improvisation: small, clearly constructed figures emerge and disappear, never to be heard from again. By the time Lonberg-Holm's brief solo is over, the group reunites for a coda related to the intro, but not any kind of restatement.
The new Vandermark 5 hasn't lost its edge. Lonberg-Holm lends ardent chordal support beneath Rempis' outré solo on "Convertible, Version One. In tandem with Kessler's arco bass, he builds a solo conception that's completely new to the group. Vandermark's cathartic baritone solo is driven in ways that would not have been possible with the old lineup, finally returning to the tune's repetitive 5/4 motif alongside Rempis, while Lonberg-Holm, Kessler and Daisy end the piece on a maelstrom-like note.
Vandermark pushes the envelope, but the swinging swagger on "Some Not All refers to the jazz tradition, despite a chamber-like intro that's equally informed by contemporary classicism. Lonberg-Holm's solo of reckless abandon, over which Vandermark and Rempis ultimately enter to signal a return to the lead-in figure, shifts to a rock-ish solo section for Rempis, where Lonberg-Holm's repeated 5/4 figure seamlessly segues into a 7/4 pattern. Complexity never felt this natural or inevitable.
Vandermark's biggest strength as a writer is his ability to create compositions that mesh challenging and sometimes long-form structure with freewheeling improvisation. The Color of Memory may have been a high-water mark for the original V5 lineup, but A Discontinuous Line signals a shift for a group that's just as compelling.
Alto Saxophone, Tenor Saxophone – Dave Rempis
Baritone Saxophone, Bass Clarinet, Clarinet [Bb], Composed By – Ken Vandermark
Bass – Kent Kessler
Cello – Fred Lonberg-Holm
Drums – Tim Daisy
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