(Free Jazz, British Jazz) [CD] Elton Dean - The Vortex Tapes - 1992, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 22. January 2014, 23:41
Elton Dean / The Vortex Tapes
Used drive  : PIONEER DVD-RW  DVR-115D   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
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Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
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TOC of the extracted CD
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        1  |  0:00.32 | 16:16.03 |        32    |    73234
        2  | 16:16.35 |  9:42.52 |     73235    |   116936
        3  | 25:59.12 | 11:14.18 |    116937    |   167504
        4  | 37:13.30 |  9:49.67 |    167505    |   211746
        5  | 47:03.22 | 18:39.10 |    211747    |   295681
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Track  3
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Track  4
     Filename D:\zzz\04 - Third Time Lucky.wav
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Track  5
     Filename D:\zzz\05 - Taking The Fifth.wav
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End of status report
==== Log checksum 7B4373267E121907B71948AE9A133D265C762D96E02890B11924A3C96277E364 ====

REM GENRE "Free Jazz"
REM DATE 1992
REM DISCID 440F6605
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Elton Dean"
TITLE "The Vortex Tapes"
FILE "01 - Second Thoughts.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Second Thoughts"
    PERFORMER "Elton Dean"
    PREGAP 00:00:32
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "First Impressions"
    PERFORMER "Elton Dean"
    INDEX 00 16:16:00
FILE "02 - First Impressions.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Going Fourth"
    PERFORMER "Elton Dean"
    INDEX 00 09:42:50
FILE "03 - Going Fourth.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Third Time Lucky"
    PERFORMER "Elton Dean"
    INDEX 00 11:14:15
FILE "04 - Third Time Lucky.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Taking The Fifth"
    PERFORMER "Elton Dean"
    INDEX 00 09:49:65
FILE "05 - Taking The Fifth.wav" WAVE
    INDEX 01 00:00:00

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. Second Thoughts.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. First Impressions.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. Going Fourth.wav]
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This track looks like CDDA with probability 100%
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Processing file: [04. Third Time Lucky.wav]
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This track looks like MPEG with probability 93%
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Processing file: [05. Taking The Fifth.wav]
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This track looks like CDDA with probability 100%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

Recorded on 25/9/90 (1), 24/9/90 (2), 27/9/90 (3), 26/9/90 (4), 28/9/90 (5) at The Vortex Club by Rob Keyloch
Mastered by Dave Bernez
Executive producer: George Haslam
All compositions: Elton Dean
Design and graphics: John Gardiner
Artwork: Quince
Elton Dean has one of the most recognizable tones on any saxophone he plays. What is also immediately recognizable is his style of phrasing when building a solo. Of course, no one is more aware of this than he. Almost as a way of relocating himself as a saxophonist, Dean recorded for five nights at the Vortex Club with five different bands in September of 1990. For this release he has chosen what he feels to be the most representative selection from each evening. First night it's with Keith Tippett, Louis Moholo, and bassist Marcio Mattos. What's interesting is far from the stomp and stop, angle and charge of the Canterbury M.O. that has been Dean's since his days with Soft Machine; here comes a mutant, almost 21st century blues, courtesy of Tippett's ringing right hand, strolling along in the middle and upper registers as Dean bits along a few notes at a time. Moholo and Mattios careen through as if they were playing changes, only they shunt them up, playing through a turnaround and straight through to an elongated series of accents that pushes Dean out further. On "Going Forth," Mattios solos to lead off, an ostinato with arpeggios tagged on as cadenzas almost. It's a full three minutes before Dean,Nick Evans, and Mark Sanders enter the fray with spare tenor and trombone lines walking alongside the bass, which hasn't stopped its intricate interval exploration. In fact, it just moves forward the entire tune. And this is Dean's particular talent: he shines when he colors the work of other musicians; he doesn't just fill or lay out until it's his turn to solo, but weaves himself into the mix just enough to bring out the propensity of force Mattios is playing with. Finally, on "Taking the Fifth" with Sanders, Paul Rodgers, and Howard Riley, Dean offers one of his wonderfully perverse strolls alongside the edge of swing. It's so warped it couldn't be considered as such, but with Rutherford comping and Sanders slipping atop the cymbals and snare. It's up to Riley to push Dean, and he does, subtly. Three minutes in, Dean lets loose with a mighty blues roar from the underbelly of Illinois Jacquet and goes right for the streams of sound he first heard in Coltrane, then slices quick through the mode and moves through bebop and hard bop, cutting swathes in the piano, bass, drums mix. Whew! If only we had all five gigs in their entirety!

Elton Dean (1-5)
Keith Tippett (1)
Louis Moholo (1)
Marcio Mattos (1,3)
Trevor Watts (2)
Simon Picard (2)
Jerry Underwood (2)
Paul Rogers (2,4,5)
Tony Levin (2)
Nick Evans (3)
Mark Sanders (3,5)
Paul Rutherford (4)
Nigel Morris (4)
Howard Riley (5)