(Free Jazz, Avant-Garde) The Vandermark 5 (Dave Rempis, Jeb Bishop, Kent Kessler, Tim Mulvenna) - Free Jazz Classics, Vols. 1 & 2 (2CD) {Atavistic ALP137CD, USA} - 2002, FLAC (tracks+.cue) lossless

Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 3. November 2011, 14:52
The Vandermark 5 / Free Jazz Classics Vol. 1
Used drive  : TSSTcorpCDDVDW TS-L633A   Adapter: 3  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUMARTIST=%v" -T "ALBUM ARTIST=%v" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 | 11:46.36 |         0    |    52985
        2  | 11:46.36 |  6:45.54 |     52986    |    83414
        3  | 18:32.15 |  7:42.13 |     83415    |   118077
        4  | 26:14.28 |  7:19.00 |    118078    |   151002
        5  | 33:33.28 |  6:55.01 |    151003    |   182128
        6  | 40:28.29 |  7:31.10 |    182129    |   215963
        7  | 47:59.39 | 15:06.50 |    215964    |   283963
Track  1
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     Track quality 100.0 %
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     Copy CRC AAFEA1DB
     Cannot be verified as accurate (confidence 3)  [0DC31111], AccurateRip returned [20BA820F]
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Track  2
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     Track quality 100.0 %
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     Copy CRC BFF9DCBD
     Cannot be verified as accurate (confidence 3)  [622AB120], AccurateRip returned [25937C64]
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Track  3
     Filename C:\MY RIPS\03 - Conquistador Pt. 2 (Cecil Taylor).wav
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     Track quality 100.0 %
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     Copy CRC 2DDDC572
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Track  4
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     Extraction speed 1.5 X
     Track quality 99.9 %
     Test CRC 85F2E89E
     Copy CRC 85F2E89E
     Cannot be verified as accurate (confidence 3)  [1175D816], AccurateRip returned [89C87992]
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Track  5
     Filename C:\MY RIPS\05 - Saturn (Sun Ra).wav
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     Peak level 99.4 %
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     Track quality 100.0 %
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Track  6
     Filename C:\MY RIPS\06 - Gazzelloni (Eric Dolphy).wav
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     Peak level 99.4 %
     Extraction speed 2.0 X
     Track quality 100.0 %
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     Copy CRC 40838A0E
     Cannot be verified as accurate (confidence 3)  [21B2DEAE], AccurateRip returned [62E817C7]
     Copy OK
Track  7
     Filename C:\MY RIPS\07 - New York Is Full Of Lonely People (Lester Bowie).wav
     Pre-gap length  0:00:03.00
     Peak level 99.4 %
     Extraction speed 2.3 X
     Track quality 100.0 %
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     Copy CRC 464844C0
     Cannot be verified as accurate (confidence 3)  [E3CD82FA], AccurateRip returned [56360C3B]
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No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
No errors occurred
End of status report
==== Log checksum D7FAC1DB5F51FB2EC8F27D394007C81985BE36483A5F155ECEABE81337123DA0 ====

REM GENRE Jazz
REM DATE 2000
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Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 3. November 2011, 16:17
The Vandermark 5 / Free Jazz Classics Vol 2
Used drive  : TSSTcorpCDDVDW TS-L633A   Adapter: 3  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
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Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUMARTIST=%v" -T "ALBUM ARTIST=%v" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 | 11:44.56 |         0    |    52855
        2  | 11:44.56 |  9:05.47 |     52856    |    93777
        3  | 20:50.28 | 12:30.68 |     93778    |   150095
        4  | 33:21.21 |  7:05.74 |    150096    |   182044
        5  | 40:27.20 | 10:21.36 |    182045    |   228655
        6  | 50:48.56 | 10:29.70 |    228656    |   275900
Track  1
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     Track quality 100.0 %
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     Copy OK
Track  2
     Filename C:\MY RIPS\02 - King Korn,Calls (Carla Bley).wav
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     Copy OK
Track  3
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     Copy OK
Track  4
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     Track quality 100.0 %
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Track  5
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Track  6
     Filename C:\MY RIPS\06 - There Is The Bomb (Don Cherry).wav
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     Copy OK
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
No errors occurred
End of status report
==== Log checksum 86F1499492EC2C040CDBB0903A31028F872C5687195E4968198DAB920DFC034E ====

REM GENRE Jazz
REM DATE 2001
REM DISCID 370E5E06
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "The Vandermark 5"
TITLE "Free Jazz Classics Vol 2"
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Vandermark 5
The Vandermark 5 was formed during the spring of 1996. Since that time it has been a major outlet for the compositional and improvisational ideas of Ken Vandermark, whose thinking has been developed through years of work with groups like the NRG Ensemble, AALY, the Peter Brötzmann Chicago Tentet, the Free Music Ensemble, School Days, Free Fall, and the Territory Band.
Trying to organize a small unit with the capabilities of a large ensemble, he needed and chose four exceptional musicians to join him on the project: Jeb Bishop: trombone/ guitar, Kent Kessler: bass, Tim Mulvenna: drums, and Mars Williams: saxophone. During the past decade the quintet’s line-up has evolved and now, in addition to original members Vandermark and Kessler, it includes the extraordinary saxophonist Dave Rempis; Tim Daisy and his powerful work on percussion; and the cello/improvisation master Fred Lonberg-Holm.
Each of the current members has years of performance experience working with a wide variety of music. This, coupled with the range of instrumentation and stylistic potential held by the ensemble, allows Vandermark to compose material that runs the gamut of musical possibilities; he incorporates elements of jazz history, contemporary composition, funk and rock into the group’s music. Even so, the band’s focus remains on improvisation. Each piece is arranged to allow ample room for the members to interpret and reinterpret the writing; this creates an environment where they are constantly interacting and utilizing their unique ideas in a spontaneous way.
In the spirit of the great bands scattered throughout the history of jazz, the Vandermark 5 has concentrated on live performance as the means to hone its skills and develop its concepts. For several years the quintet played on a weekly basis at the Empty Bottle in Chicago. Now the ensemble has shifted their concert schedule to focus on the road, and they tour in North America and Europe on a regular basis.
Their most recent work included a trip to Europe in November of 2006 to support the release of its newest album, A Discontinuous Line. After this, the band recorded a new set of material that will be released by Atavistic in the coming year. In February of 2007 the quintet will tour in the United States and Canada, performing music developed in the year and a half since Lonberg-Holm joined the group in the summer of 2005. Despite its longevity this musical unit continues to develop, while creating new methods for the investigation of composition and improvisation. With their history together and the current possibilities at their disposal, the Vandermark 5 will clearly remain “a modern-day band for the jazz ages.” —Penguin Guide To Jazz on CD.

Free Jazz Classics Vols. 1 & 2
Vandermark 5
Chicago’s broadest shoulders present a nice-price double-cd reissue of their very sought-after and critically acclaimed Free Jazz Classics discs.
Originally issued as limited edition bonus discs with the V5’s last two albums Burn The Incline (ALP121CD)& Acoustic Machine (ALP128CD), jazz legends Ornette Coleman, Cecil Taylor, Archie Shepp, Carla Bley, Joe McPhee, Lester Bowie, Eric Dolphy, Anthony Braxton, Sun Ra, Frank Wright, Jimmy Guiffre, Julius Hemphill & Don Cherry get paid their due respect- as only The Vandermark 5 can.
“In 1999, when The Vandermark 5 was preparing to record Burn The Incline, Kurt Kellison of Atavistic approached me with the idea of pressing the first thousand copies of the album as a double cd including live versions of the compostitions as a "bonus disk." The idea sounded great, but there had already been two limited edition cds of live Vandermark 5 material already released on Malachi Ritscher's Savage Sound Syndicate so I was interested in doing something different for Burn The Incline. I decided to record a series of "free jazz" compositions by some of the great composers of the 1960s. Up until this point in time the quintet had only performed and recorded my material; investigating the work of composers that had influenced and inspired me by writing arrangements of their work specifically for the band was a new challenge that I hoped would bring out aspects of the group's playing that hadn't been discovered before.
Kurt's promotional idea quickly proved to be a good one: the first thousand copies of Burn The Incline sold faster than any of our previous recordings. When it came time to put together the next album, Acoustic Machine, it seemed like a good idea to do a follow up and Free Jazz Classics Volume 2 was put together. While on the road touring I kept running into fans who had wanted to get a copy of these limited editions of both Burn The Incline and Acoustic Machine, but weren't able to get a hold of them before the pressing ran out. Putting the two volumes together on this double cd is an attempt to get the music to the people who wanted to hear it before and couldn't.”
- Ken Vandermark, from the road June 2002