(Free Jazz, Avant-Garde Jazz) The Vinny Golia Quintet - Razor - 1995, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 14. May 2013, 0:00
Vinny Golia Quintet / Razor
Used drive  : PIONEER DVD-RW  DVR-115D   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
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        1  |  0:00.52 | 12:22.08 |        52    |    55709
        2  | 12:22.60 | 13:42.72 |     55710    |   117431
        3  | 26:05.57 | 11:45.05 |    117432    |   170311
        4  | 37:50.62 | 14:12.18 |    170312    |   234229
        5  | 52:03.05 |  8:15.12 |    234230    |   271366
        6  | 60:18.17 | 10:49.33 |    271367    |   320074
        7  | 71:07.50 |  2:21.65 |    320075    |   330714
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     Peak level 99.0 %
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     Track quality 100.0 %
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Track  2
     Filename D:\zzz\02 - Blues For The Fat Man.wav
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Track  3
     Filename D:\zzz\03 - When I First Met Luc Duprey.wav
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     Track quality 100.0 %
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Track  4
     Filename D:\zzz\04 - Custodial Services.wav
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     Peak level 99.0 %
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     Track quality 99.9 %
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Track  5
     Filename D:\zzz\05 - Obstacle.wav
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     Peak level 92.3 %
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     Track quality 100.0 %
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Track  6
     Filename D:\zzz\06 - In A Suzuki Shop.wav
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     Peak level 99.0 %
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Track  7
     Filename D:\zzz\07 - For Julius..... (The Splinter Intro).wav
     Pre-gap length  0:00:06.70
     Peak level 27.0 %
     Extraction speed 8.3 X
     Track quality 100.0 %
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum 244BA2560E797D5468C0622454D869BA88476B1FCAD2ECBB223D0B84C3B08CE1 ====

REM GENRE Jazz
REM DATE 1995
REM DISCID 5C113907
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Vinny Golia Quintet"
TITLE "Razor"
FILE "01 - Not Used.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Not Used"
    PERFORMER "Vinny Golia Quintet"
    PREGAP 00:00:52
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Blues For The Fat Man"
    PERFORMER "Vinny Golia Quintet"
    INDEX 00 12:15:13
FILE "02 - Blues For The Fat Man.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "When I First Met Luc Duprey"
    PERFORMER "Vinny Golia Quintet"
    INDEX 00 13:38:20
FILE "03 - When I First Met Luc Duprey.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Custodial Services"
    PERFORMER "Vinny Golia Quintet"
    INDEX 00 11:40:12
FILE "04 - Custodial Services.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Obstacle"
    PERFORMER "Vinny Golia Quintet"
    INDEX 00 14:08:11
FILE "05 - Obstacle.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "In A Suzuki Shop"
    PERFORMER "Vinny Golia Quintet"
    INDEX 00 08:10:05
FILE "06 - In A Suzuki Shop.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "For Julius..... (The Splinter Intro)"
    PERFORMER "Vinny Golia Quintet"
    INDEX 00 10:42:38
FILE "07 - For Julius..... (The Splinter Intro).wav" WAVE
    INDEX 01 00:00:00

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. Not Used.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. Blues For The Fat Man.wav]
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This track looks like CDDA with probability 99%
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Processing file: [03. When I First Met Luc Duprey.wav]
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This track looks like CDDA with probability 99%
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Processing file: [04. Custodial Services.wav]
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This track looks like CDDA with probability 100%
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Processing file: [05. Obstacle.wav]
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This track looks like CDDA with probability 100%
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Processing file: [06. In A Suzuki Shop.wav]
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This track looks like CDDA with probability 99%
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Processing file: [07. For Julius..... (The Splinter Intro).wav]
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This track looks like CDDA with probability 100%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

Vinny Golia was revisiting the quintet lineup during the period Razor was recorded, with old friends in puckish trombonist Michael Vlatkovich and electro-ambient-mutant gitarzan Nels Cline as his front-line foils here. It's not a throwback to his more jazz-based improvising of the '80s, but probably ranks as the most satisfying and listener-friendly small group album Golia released in the mid-'90s.
It takes about four minutes for the musicians to resolve themselves around Golia's sopranino sax harmonics on the opening "Not Used," but they do with whoops from Vlatkovich, limber and liquid Cline lines, the attentive bass of Joel Hamilton, and Billy Mintz looking for the more unusual spots to make every drum lick count. The collective improv actually suffers from the players being so geared to jumping off and reacting to any new motif. "Blues for the Fat Man" starts with Cline moving through straight blues licks and mutant Captain Beefheart sounds mixed with an occasional John Cipollina Quicksilver quaver before shifting into a more abstract chamber mode. "When I First Met Luc Duprey" is excellent, organically unfolding as bass clarinet bumps up against trombone; a ruminative, sans effects Cline solo; and a fine section showcasing Golia's bass clarinet command with some arco commentary from Hamilton. The upbeat "Custodial Services" opens with a strong bass solo before Golia's maximalist soprano flurries take off over really strong rhythm section support -- Cline reels him in and they hand it off to a muted Vlatkovich in duet with Mintz. The dense theme of "Obstacle" is almost totally sonic, full of atmospheric floating fragments that require attentive listening on the musician's apart. They're up to the task and it's a nice, quick jump transition to the lumbering bass sax on "In a Suzuki Shop," closer to the lurching behemoth terrain of Golia's Large Ensemble. Cline's solo resolves into a boiler plant rhythm to set up Mintz (who makes so little mark you have to wonder if his drums weren't recorded well) before "For Julius...(the Splinter Intro)" closes with Golia finding some pretty indigenous-sounding peace on Latvian clay flute. Golia is going for the soprano/bass tone split among his arsenal of reeds here, and the shifts between high-pitched note flurries and rounded low tones are both effective and quite enjoyable. There's constant probing and stretching in his playing -- like most of Vinny Golia's '90s output, this is challenging music -- but Razor is also quite varied and a good disc for taking that plunge.

Clarinet [Eb], Clarinet [A], Bass Clarinet, Sopranino Saxophone, Soprano Saxophone, Bass Saxophone, Piccolo Flute, Flute [Bass], Flute [Latvian Clay] – Vinny Golia
Double Bass – Joel Hamilton
Drums – Billy Mintz
Guitar [Guitars] – Nels Cline
Trombone – Michael Vlatkovich