(Free Jazz, Avant-Garde Jazz) Jaki Byard Trio - Sunshine of My Soul - 1967 (2001 OJC), FLAC (image+.cue), lossless

Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
Отчёт EAC об извлечении, выполненном 4. августа 2008, 20:26
Sunshine of My Soul / -
Дисковод: _NEC    DVD_RW ND-3540A   Adapter: 2  ID: 0
Режим чтения                 : Достоверность
Использование точного потока : Да
Отключение кэша аудио        : Да
Использование указателей C2  : Нет
Коррекция смещения при чтении                     : 48
Способность читать области Lead-in и Lead-out     : Нет
Заполнение пропущенных сэмплов тишиной            : Да
Удаление блоков с тишиной в начале и конце        : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс                                         : Установленный внешний ASPI-интерфейс
Выходной формат          : Пользовательский кодировщик
Выбранный битрейт        : 768 kBit/s
Качество                 : Высокий
Добавление ID3-тэга      : Да
Утилита сжатия           : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Дополнительные параметры : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC извлечённого CD
     Трек |   Старт  | Длительность | Начальный сектор | Конечный сектор
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       1  |  0:00.00 |    9:29.45   |           0      |      42719
       2  |  9:29.45 |    4:03.67   |       42720      |      61011
       3  | 13:33.37 |    8:09.63   |       61012      |      97749
       4  | 21:43.25 |    6:08.35   |       97750      |     125384
       5  | 27:51.60 |    6:59.17   |      125385      |     156826
       6  | 34:51.02 |   10:59.03   |      156827      |     206254
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
     Имя файла C:\Documents and Settings\Миша\Мои документы\Jaki Byard  - Sunshine of My Soul\Sunshine of My Soul.wav
     Пиковый уровень 100.0 %
     Качество диапазона 99.9 %
     CRC копии 381D73A5
     Копирование... OK
Ошибок не произошло
AccurateRip: сводка
Трек  1  нет в базе данных
Трек  2  нет в базе данных
Трек  3  нет в базе данных
Трек  4  нет в базе данных
Трек  5  нет в базе данных
Трек  6  нет в базе данных
Ни одного трека нет в базе AccurateRip
Конец отчёта

REM DISCID 450ABE06
REM COMMENT "ExactAudioCopy v0.99pb3"
PERFORMER "Jaki Byard"
TITLE "Sunshine of My Soul"
FILE "Jaki Byard - Sunshine of My Soul.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Sunshine"
    PERFORMER "Jaki Byard"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Cast Away"
    PERFORMER "Jaki Byard"
    INDEX 00 09:29:44
    INDEX 01 09:29:45
  TRACK 03 AUDIO
    TITLE "Chandra"
    PERFORMER "Jaki Byard"
    INDEX 00 13:33:36
    INDEX 01 13:33:37
  TRACK 04 AUDIO
    TITLE "St. Louis Blues"
    PERFORMER "Jaki Byard"
    INDEX 00 21:43:24
    INDEX 01 21:43:25
  TRACK 05 AUDIO
    TITLE "Diane's Melody"
    PERFORMER "Jaki Byard"
    INDEX 00 27:51:59
    INDEX 01 27:51:60
  TRACK 06 AUDIO
    TITLE "Trendsition Zildjian"
    PERFORMER "Jaki Byard"
    INDEX 00 34:51:01
    INDEX 01 34:51:02

In 1967, Jaki Byard turned 45. At that age, some musicians are very set in their ways -- they have a niche, cater to it, and stick with whatever it is they do best. But Byard wasn't becoming complacent; the restless pianist was continuing to experiment and take chances, which is exactly what he does on Sunshine of My Soul. Recorded on Halloween 1967, this unpredictable post-bop/avant-garde effort finds Byard being influenced by a wide variety of pianists. One minute, his lyricism is acknowledging Erroll Garner and Dave Brubeck -- the next minute, he takes it outside and shows his appreciation of Cecil Taylor's free jazz. McCoy Tyner is an influence on original pieces like "Sunshine" and "Cast Away," while W.C. Handy's often-recorded "St. Louis Blues" (the only tune on the album that Byard didn't write) becomes an unlikely mixture of free jazz and stride -- sort of Taylor by way of James P. Johnson and Fats Waller. Taylor's influence is especially strong on the very stream-of-consciousness "Trendsition Zildjian," which is among the most abstract pieces that Byard has recorded. And whoever might be influencing Byard at a particular moment -- Taylor, Brubeck, Tyner, Garner, Bud Powell, or someone else -- the Bostonian always sounds like himself. Of course, a musician who is that broad-minded and eclectic needs musicians who are capable of keeping up with him and, thankfully, Byard has that in drummer Elvin Jones and bassist David Izenzon (known for his work with Ornette Coleman in the 1960s). Neither of them have a problem keeping up with Byard on this superb Prestige date, which Fantasy reissued on CD in 2001 under its Original Jazz Classics imprint.