(Free Jazz, Baritone Saxophone, Avant-Garde, Contemporary) Hamiet Bluiett - Birthright (A Solo Blues Concert) (1977) {India Navigation Company IN 1030 CD, USA} - 1995, APE (image+.cue) lossless

(Free Jazz, Baritone Saxophone, Avant-Garde, Contemporary) Hamiet Bluiett - Birthright (A Solo Blues Concert) (1977) {India Navigation Company IN 1030 CD, USA} - 1995, APE (image+.cue) lossless
Hamiet Bluiett - Birthright (A Solo Blues Concert)
Жанр: Free Jazz, Baritone Saxophone, Avant-Garde, Contemporary
Страна-производитель диска: USA
Год издания диска: 1995 (1977)
Издатель (лейбл): India Navigation Company
Номер по каталогу: IN 1030 CD
Аудио кодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:48:40
Источник (релизер): barin99
Наличие сканов в содержимом раздачи: да
1. Doll Baby (aka Song Service) (9:57)
2. The Mighty Denn (5:34)
3. The Village of Brooklyn, Illinois 62059 (4:51)
4. Ballad for George Hudson (2:33)
5. My Father's House: 1) Hamiet / 2) Deborah / 3) Karen (11:31)
6. In Tribute to Harry Carney - Spoken Introduction (Hidden / Bonus Track) (2:34)
7. In Tribute to Harry Carney (7:13)
8. Ebu-Helen (3:42)
9. Closing (0:42)
Hamiet Bluiett - solo baritone saxophone
... recorded in concert at The Kitchen, New York City with multiple microphones for a moving sound source.
Доп. информация:
... Различие между этим альбомом и уже существующей раздачей такого альбома ... в том что тут, в этом альбоме, на один трек больше чем там.
(См. Треклист выше / сравните TOC'и)
Лог создания рипа (EAC Log)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 15. August 2010, 16:02
Hamiet Bluiett / Birthright - a solo blues concert
Used drive : TSSTcorpDVD+-RW TS-U633A Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
1 | 0:00.00 | 9:57.25 | 0 | 44799
2 | 9:57.25 | 5:34.15 | 44800 | 69864
3 | 15:31.40 | 4:51.11 | 69865 | 91700
4 | 20:22.51 | 2:33.17 | 91701 | 103192
5 | 22:55.68 | 11:31.16 | 103193 | 155033
6 | 34:27.09 | 2:34.29 | 155034 | 166612
7 | 37:01.38 | 7:13.55 | 166613 | 199142
8 | 44:15.18 | 3:42.74 | 199143 | 215866
9 | 47:58.17 | 0:42.50 | 215867 | 219066
Range status and errors
Selected range
Filename C:\_Arc\EAC_Out\Hamiet Bluiett - Birthright - a solo blues concert\Hamiet Bluiett - Birthright - a solo blues concert.wav
Peak level 89.1 %
Range quality 100.0 %
Copy CRC 6A006868
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 1) [7F336872]
Track 2 accurately ripped (confidence 1) [52510F75]
Track 3 accurately ripped (confidence 1) [0CF41C98]
Track 4 accurately ripped (confidence 1) [738B5DE0]
Track 5 accurately ripped (confidence 1) [B0B8124C]
Track 6 accurately ripped (confidence 1) [EFCCF38F]
Track 7 accurately ripped (confidence 1) [75ECF2FB]
Track 8 accurately ripped (confidence 1) [81A69CCE]
Track 9 accurately ripped (confidence 1) [A35A7AEC]
All tracks accurately ripped
End of status report
Содержание индексной карты (.CUE)
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Hamiet Bluiett"
TITLE "Birthright (a solo blues concert)"
FILE "Hamiet Bluiett - Birthright - a solo blues concert.ape" WAVE
TITLE "Doll Baby (aka Song Service)"
PERFORMER "Hamiet Bluiett"
INDEX 01 00:00:00
TITLE "The Mighty Denn"
PERFORMER "Hamiet Bluiett"
INDEX 01 09:57:25
TITLE "The Village of Brooklyn, Illinois 62059"
PERFORMER "Hamiet Bluiett"
INDEX 01 15:31:40
TITLE "Ballad for George Hudson"
PERFORMER "Hamiet Bluiett"
INDEX 01 20:22:51
TITLE "My Father's House: 1) Hamiet / 2) Deborah / 3) Karen"
PERFORMER "Hamiet Bluiett"
INDEX 01 22:55:68
TITLE "In Tribute to Harry Carney - Spoken Introduction (Hidden / Bonus Track)"
PERFORMER "Hamiet Bluiett"
INDEX 01 34:27:09
TITLE "In Tribute to Harry Carney"
PERFORMER "Hamiet Bluiett"
INDEX 01 37:01:38
TITLE "Ebu-Helen"
PERFORMER "Hamiet Bluiett"
INDEX 01 44:15:18
TITLE "Closing"
PERFORMER "Hamiet Bluiett"
INDEX 01 47:58:17
"The most prominent baritone saxophonist of his generation, Hamiet Bluiett combines a blunt, modestly inflected attack with a fleet, aggressive technique, and (maybe most importantly) a uniform hugeness of sound that extends from his horn's lowest reaches to far beyond what is usually its highest register. Probably no other baritonist has played so high, with so much control; Bluiett's range travels upward into an area usually reserved for the soprano or even sopranino. His technical mastery aside, Bluiett's solo voice is unlikely to be confused with any other. Enamored with the blues, brusque and awkwardly swinging, in his high-energy playing Bluiett makes a virtue out of tactlessness; on ballads he assumes a considerably more lush, romantic guise. Like his longtime collaborator, tenor saxophonist David Murray, Bluiett incorporates a great deal of conventional bebop into his free playing. In truth, Bluiett's music is not free jazz at all, but rather a plain-spoken extension of the mainstream tradition.
Bluiett was first taught music as a child by his aunt, a choral director. He began playing clarinet at the age of nine. He took up the flute and bari sax while attending Southern Illinois University. Bluiett left college before graduating. He joined the Navy, in which he served for several years. He moved to St. Louis in the mid-'60s, where he met and played with many of the musicians who would become the musicians' collective known as the Black Artists Group — Lester Bowie, Charles 'Bobo' Shaw, Julius Hemphill, and Oliver Lake, among others. Bluiett moved to New York in 1969; there he joined Sam Rivers' large ensemble and worked freelance with a variety of musicians. In 1972, Bluiett's avant-garde garrulousness and his competency as a straight-ahead player gained him a place in one of Charles Mingus' last great bands, which also included pianist Don Pullen. Bluiett stayed with Mingus until 1975. In 1976, he recorded the material that would comprise his first two albums as a leader, Endangered Species and Birthright.
In December of 1976, Bluiett played a one-shot concert in New Orleans with Murray, Lake, and Hemphill. That supposedly ad hoc group continued to perform and record as the World Saxophone Quartet, which in the '80s became arguably the most popular free jazz band ever. The WSQ's early free-blowing style eventually transformed into a sophisticated and largely composed mélange of bebop, Dixieland, funk, free, and various world musics, its characteristic style anchored and largely defined by Bluiett's enormous sound. The late Hemphill left the quartet in 1989 and in the decades since his place in the group has been filled by a sequence of reedmen; meanwhile, Bluiett has continued (along with Murray and Lake) to record and tour with the WSQ well into the 2000s.
Throughout his performing and recording career, Bluiett has also led his own ensembles and recorded a number of strong, progressive-mainstream albums for Black Saint/Soul Note. Starting in the mid-'90s, Bluiett began recording and leading sessions for Mapleshade Records (e.g., Young Warrior, Old Warrior, 1995; Bluiett's Barbeque Band, 1996; If Trees Could Talk, 2002), and has also recorded for Justin Time, including 1998's Libation for the Baritone Saxophone Nation (recorded by the Bluiett Baritone Nation) and Same Space; 2000's With Eyes Wide Open; 2001’s The Calling (with D.D. Jackson and Kahil El’Zabar); and 2002’s Blueblack (like Libation, another four-bari outing). Bluiett has lived in his hometown of Brooklyn, IL, since 2002."
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