(Free Improvisation, Experimental, Noise) [CD] Mattin (w/ Rosy Parlane & Eddie Prevost) - Sakada - 2001, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 30. December 2014, 20:59
Mattin / Sakada
Used drive  : PIONEER DVD-RW  DVR-221L   Adapter: 3  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 | 11:54.55 |         0    |    53604
        2  | 11:54.55 | 11:35.23 |     53605    |   105752
        3  | 23:30.03 | 13:15.10 |    105753    |   165387
        4  | 36:45.13 | 23:36.62 |    165388    |   271649
Track  1
     Filename D:\zzz\01 - untitled.wav
     Pre-gap length  0:00:02.00
     Peak level 100.0 %
     Extraction speed 5.5 X
     Track quality 100.0 %
     Test CRC 71E69556
     Copy CRC 71E69556
     Track not present in AccurateRip database
     Copy OK
Track  2
     Filename D:\zzz\02 - untitled.wav
     Pre-gap length  0:00:02.00
     Peak level 100.0 %
     Extraction speed 6.8 X
     Track quality 100.0 %
     Test CRC 3D0AD801
     Copy CRC 3D0AD801
     Track not present in AccurateRip database
     Copy OK
Track  3
     Filename D:\zzz\03 - untitled.wav
     Pre-gap length  0:00:02.00
     Peak level 100.0 %
     Extraction speed 7.4 X
     Track quality 99.9 %
     Test CRC 72237C0F
     Copy CRC 72237C0F
     Track not present in AccurateRip database
     Copy OK
Track  4
     Filename D:\zzz\04 - untitled.wav
     Pre-gap length  0:00:02.00
     Peak level 100.0 %
     Extraction speed 9.4 X
     Track quality 100.0 %
     Test CRC 2CFD5E5D
     Copy CRC 2CFD5E5D
     Track not present in AccurateRip database
     Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum 8076A752D4D627A330B3C26E878885C233920EEFA7A46918EC3E7EF7168820AD ====

REM GENRE "Electroacoustic Improvisation"
REM DATE 2001
REM DISCID 230E2604
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Mattin"
TITLE "Sakada"
FILE "01 - untitled.wav" WAVE
  TRACK 01 AUDIO
    TITLE "untitled"
    PERFORMER "Mattin"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "untitled"
    PERFORMER "Mattin"
    INDEX 00 11:52:55
FILE "02 - untitled.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "untitled"
    PERFORMER "Mattin"
    INDEX 00 11:33:23
FILE "03 - untitled.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "untitled"
    PERFORMER "Mattin"
    INDEX 00 13:13:10
FILE "04 - untitled.wav" WAVE
    INDEX 01 00:00:00

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. untitled.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. untitled.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. untitled.wav]
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This track looks like CDDA with probability 100%
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Processing file: [04. untitled.wav]
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This track looks like CDDA with probability 100%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

Recorded at LMC Sound, London, 11 March 2001
Sakada bears witness to a single encounter between electronic musician Mattin and percussionists Rosy Parlane (Parmentier/Sigma Editions, Thela, Pit Viper) and Eddie Prevost (AMM and too much else to name). The former uses his machine to nurture a swarm of singularly malign hisses, gurgles and overtones. Occasionally these swell up to become truly invasive before suddenly recoiling; at other times they loiter darkly in an awkward middle distance.
Much of the music's depth and elusiveness comes from the way individual sounds are sharply differentiated yet entangled tightly. Percussion rarely interrupts liquid feedback with punctual impact: rather, it generates a second, third, fourth writhing body of sustained sound. Objects chime or are scraped or rung as often as hit, allowing distinct conjunctions to emerge and persist before falling away. This sure conjuring of time from noisy fury gives Sakada a rare sensual and expressive coherence, and demands repeated, careful listening - Matthew Hyland
Mattin is a London-based Basque artist who runs the w.m.o/r label and this CD is a record of a performance by Mattin on computer feedback along with the legendary Eddie Prevost (AMM/Organum) and Sigma Editions' Rosy Parlane on percussion. The "computer feedback" takes the form of a torrent of hiss, not always harsh, not always unpleasant, but definitely a bit on the abrasive side. The first track's mix of drum kit assault and long stretches of feedback hitting the high registers actually reminded me of Fushitsusha - there is a similar austere feel coupled with a slightly grungy "rock" edge to the electronics. On the remaining tracks the percussion is played more abstractly (and rarely on what you'd recognize as a standard drum kit) with the sound of slowly resonating metals and echoed gong-like tones playing beneath the rustling of the feedback which moves (and sounds like) a rushing water current. The last track is maybe the best and at 23 minutes also the longest - Prevost and Parlane provide the subdued metallic clanging as the feedback noise rises and falls, occasionally forming huge walls of static white noise. This is credited as a Mattin record and it is his computer noise that dominates (but doesn't overpower) the proceedings.

Eddie Prevost: percussion
Rosy Parlane: percussion
Mattin: computer feedback