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(Free Improvisation, Avant-Garde) Timbre (w. Fritz Hauser, Joelle Leandre, Urs Leimgruber) - Timbre Plus {austro mechana / ARBE 11, Austria} - 2003, APE (image+.cue) lossless

(Free Improvisation, Avant-Garde) Timbre (w. Fritz Hauser, Joelle Leandre, Urs Leimgruber) - Timbre Plus {austro mechana / ARBE 11, Austria} - 2003, APE (image+.cue) lossless
Треклист:
Timbre - Timbre Plus
Жанр: Free Improvisation, Avant-Garde
Страна-производитель диска: Austria
Год издания диска: 2003
Издатель (лейбл): austro mechana / ARBE
Номер по каталогу: 11
Аудио кодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:57:53
Источник (релизер): barin99
Наличие сканов в содержимом раздачи: да
Треклист:
01. Percussive Moments 1 9:17
02. Percussive Moments 2 5:53
03. Percussive Moments 3 4:18
04. Initials 3:25
05. Mouvement Chordophonique 1 4:11
06. Mouvement Chordophonique 2 2:52
07. Mouvement Chordophonique 3 3:54
08. Mouvement Chordophonique 4 3:15
09. Talking Particles 2:56
10. Aerophonic Movement 1 4:21
11. Aerophonic Movement 2 3:41
12. Aerophonic Movement 3 3:55
13. Organum 5:50
Recorded October 5-7, 2001 at Radio DRS Zurich, Studio 2
Recorded by Martin Pearson
Mastered January 10, 2003 by Christian Muhlbacher & Charly Petermichl, CCC, Vienna
Photos by Koho Mori
Personnel:
Lauren Newton — Vocals
Elizabeth Tuchmann — Vocals
Oskar Mörth — Vocals
Bertl Mütter — Vocals
+
Fritz Hauser — Cymbals, Drums (1-3)
Joëlle Léandre — Bass (5-8)
Urs Leimgruber — Sax (Soprano, Tenor) (10-12)
 
Лог создания рипа (EAC Log)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 19. May 2010, 21:02
Timbre / Timbre plus
Used drive : TSSTcorpDVD+-RW TS-U633A Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 9:17.05 | 0 | 41779
2 | 9:17.05 | 5:53.30 | 41780 | 68284
3 | 15:10.35 | 4:18.30 | 68285 | 87664
4 | 19:28.65 | 3:25.65 | 87665 | 103104
5 | 22:54.55 | 4:11.64 | 103105 | 121993
6 | 27:06.44 | 2:51.36 | 121994 | 134854
7 | 29:58.05 | 3:54.67 | 134855 | 152471
8 | 33:52.72 | 3:15.48 | 152472 | 167144
9 | 37:08.45 | 2:56.20 | 167145 | 180364
10 | 40:04.65 | 4:21.55 | 180365 | 199994
11 | 44:26.45 | 3:41.10 | 199995 | 216579
12 | 48:07.55 | 3:55.41 | 216580 | 234245
13 | 52:03.21 | 5:50.31 | 234246 | 260526
Range status and errors
Selected range
Filename C:\_Arc\EAC_Out\Timbre - Timbre plus\Timbre - Timbre plus.wav
Peak level 98.8 %
Range quality 99.9 %
Copy CRC 64F6FF54
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
Track 12 not present in database
Track 13 not present in database
None of the tracks are present in the AccurateRip database
End of status report
 
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2003
REM DISCID AD0D910D
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Timbre"
TITLE "Timbre plus"
FILE "Timbre - Timbre plus.ape" WAVE
TRACK 01 AUDIO
TITLE "Percussive Moments 1"
PERFORMER "Timbre"
FLAGS DCP
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Percussive Moments 2"
PERFORMER "Timbre"
FLAGS DCP
INDEX 01 09:17:05
TRACK 03 AUDIO
TITLE "Percussive Moments 3"
PERFORMER "Timbre"
FLAGS DCP
INDEX 01 15:10:35
TRACK 04 AUDIO
TITLE "Initials"
PERFORMER "Timbre"
FLAGS DCP
INDEX 01 19:28:65
TRACK 05 AUDIO
TITLE "Mouvement chordophonique 1"
PERFORMER "Timbre"
FLAGS DCP
INDEX 01 22:54:55
TRACK 06 AUDIO
TITLE "Mouvement chordophonique 2"
PERFORMER "Timbre"
FLAGS DCP
INDEX 01 27:06:44
TRACK 07 AUDIO
TITLE "Mouvement chordophonique 3"
PERFORMER "Timbre"
FLAGS DCP
INDEX 01 29:58:05
TRACK 08 AUDIO
TITLE "Mouvement chordophonique 4"
PERFORMER "Timbre"
FLAGS DCP
INDEX 01 33:52:72
TRACK 09 AUDIO
TITLE "Talking Particles"
PERFORMER "Timbre"
FLAGS DCP
INDEX 01 37:08:45
TRACK 10 AUDIO
TITLE "Aerophonic Movement 1"
PERFORMER "Timbre"
FLAGS DCP
INDEX 01 40:04:65
TRACK 11 AUDIO
TITLE "Aerophonic Movement 2"
PERFORMER "Timbre"
FLAGS DCP
INDEX 01 44:26:45
TRACK 12 AUDIO
TITLE "Aerophonic Movement 3"
PERFORMER "Timbre"
FLAGS DCP
INDEX 01 48:07:55
TRACK 13 AUDIO
TITLE "Organum"
PERFORMER "Timbre"
FLAGS DCP
INDEX 01 52:03:21
 
AMG
Review
by Alain Drouot
For its second opus, the vocal quartet is joined -- although separately -- by three musicians who have over the years been associated with Lauren Newton. All the ingredients that made its predecessor such a success -- group effort, invention instead of acrobatics -- are still present. Bringing in other musicians, not to mention Bertl Muetter's trombone, enables the singers to at least break the routine. Depending on the setting, the guest instrumentalists either give some support or try to blend in, acting as a fifth voice. The mood, pace, and intensity vary from one piece to the other and sometimes within the same composition. Léandre's muscular and dark arco adds poignancy and depth. Fritz Hauser is just as comfortable setting the tone as adding drama. His thunderous crescendo on "Percussive Moments I" counts among the disc's highlights. As for Urs Leimgruber, the saxophonist is the one who makes the greatest effort to blend in, but when necessary he also masterfully underlines the work of the quartet. The four voices are so different that the quartet can create layers of sound and rich textures. They should also be praised for their relentless efforts at avoiding formulas and repetitions, which over the course of a full program is quite an achievement. Once again, this is music making that proves that avant-garde or new music does not have to be austere and can be utterly entertaining.
13:22
383
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