(Brazilian Jazz, Trombone Jazz) Raul de Souza - Colors - 1999, APE (image+.cue), lossless

Raul de Souza / Colors
Жанр: Brazilian Jazz, Trombone Jazz
Страна-производитель диска: USA
Год издания диска: 1999
Издатель (лейбл): Milestone/OJC
Номер по каталогу: OJCCD-1025-2
Страна: Rio De Janeiro, Brazil
Аудиокодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:40:50
Источник (релизер): hqshare(dreadbull)
Наличие сканов в содержимом раздачи: да
01. Nana [03:54]
02. Canto de ossanha [03:55]
03. Water buffalo [04:46]
04. Dr. honoris causa [07:13]
05. Festival [04:46]
06. Crystal silence [11:23]
07. Chants to burn [04:53]
Лог создания рипа
EAC extraction logfile from 5. February 2009, 13:38 for CD
Raul de Souza / Colors
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Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface
Range status and errors
Selected range
Filename E:\Donkey Files\Raul De Souza - Colors (1975, Milestone-OJC 1999) [eac-ape-scans]\CDImage.wav
Peak level 100.0 %
Range quality 100.0 %
CRC C15B5175
Copy OK
No errors occured
End of status report
Содержание индексной карты (.CUE)
PERFORMER "Raul de Souza"
TITLE "Colors"
FILE "CDImage.wav" WAVE
TITLE "Nana"
PERFORMER "Raul de Souza"
INDEX 01 00:00:00
TITLE "Canto de ossanha"
PERFORMER "Raul de Souza"
INDEX 00 03:51:57
INDEX 01 03:54:10
TITLE "Water buffalo"
PERFORMER "Raul de Souza"
INDEX 01 07:49:37
TITLE "Dr. honoris causa"
PERFORMER "Raul de Souza"
INDEX 00 12:32:02
INDEX 01 12:36:17
TITLE "Festival"
PERFORMER "Raul de Souza"
INDEX 00 19:44:52
INDEX 01 19:49:25
TITLE "Crystal silence"
PERFORMER "Raul de Souza"
INDEX 00 24:33:10
INDEX 01 24:36:10
TITLE "Chants to burn"
PERFORMER "Raul de Souza"
INDEX 00 35:56:65
INDEX 01 35:59:32
Об исполнителе (группе)
by Alex Henderson
Boasting a distinctive and highly appealing tone, Raul de Souza was a Brazilian trombonist who kept busy in the '70s but faded into obscurity in the '80s. De Souza, although essentially a jazz artist, was quite versatile -- he played his share of fusion, pop-jazz, and Brazilian jazz, but could also handle funk and disco. Born in Rio de Janeiro, Brazil, on August 23, 1934, de Souza was employed as a sideman by some of Brazil's musical heavyweights in the '70s, including Sergio Mendez, Flora Purim, Airto Moreira, and Milton Nascimento. The trombonist, who also appeared on '70s albums by Sonny Rollins and Cal Tjader, signed with Capitol in 1976, and his first Capitol session, Sweet Lucy, was released the following year. Both Sweet Lucy and de Souza's second Capitol date, Don't Ask My Neighbors, were produced by George Duke. But de Souza changed producers on his next album, 'Til Tomorrow Comes, which was produced by Arthur Wright and found the Rio native jumping on the disco bandwagon. Devoid of jazz, the 1979 release is pure disco. 'Til Tomorrow Comes was his last album for Capitol -- after that, he faded into obscurity. All three of de Souza's Capitol albums are out of print, although his 1974 recording, Colors, is available on CD as part of Fantasy's Original Jazz Classics series.
Об альбоме (сборнике)
by Richard S. Ginell
This nearly forgotten Brazilian trombonist -- a protégé of Airto Moreira and Flora Purim who made a moderate impact in the U.S. in the '70s only to mysteriously give it up and return to Brazil and subsequent obscurity -- resurfaces on a CD reissue of a star-studded session from 1974. Producer Airto, who appears frequently on percussion (never mind the camouflaged percussion credits "Kenneth Nash and others; " one shake and you know it's Airto), succeeded in enlisting J.J. Johnson to make the horn arrangements and getting the polyrhythmic drums of Jack DeJohnette to drive the session. Cannonball Adderley makes one of his last appearances on record (he died nine months later), his alto sax burning in an otherwise cluttered stab at Baden Powell's "Canto de Ossanha," and venturing on the outside on "Chants to Burn." The most noteworthy track is Joe Zawinul's "Dr. Honoris Causa," which gets a fascinating Brazilian/jazz/rock arrangement straight out of the mid-'70s. Although the occasionally overloaded arrangements sometimes get in the way of the rhythm section, Raul turns in some capable, swinging, breathlessly phrased performances, perhaps excited by the non-playing presence of the great Johnson.
Raul De Souza - trombone;
Ted Lo - keyboards;
Richard Davis - bass;
Jack DeJohnette - drums;
Kenneth Nash, Airto Moreira - percussion;
horns (expt #3):
Snooky Young, Oscar Brashear - trumpets;
George Bohanon, Don Waldrop - trombones, baritone horns;
Jerome Richardson, Sahib Shihab - reeds;
J.J. Johnson - horns arranger & conductor;
Cannonball Adderley - guest solo appearance (#2,7)
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