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(Bossa nova, Jazz) Roberto Menescal - Pure Bossa Nova - 2005, APE (image+.cue), lossless

Треклист:
Roberto Menescal - Pure Bossa Nova
Жанр: Bossa nova, Jazz
Год выпуска диска: 2005
Производитель диска: Universal Music - Ukraine
Аудио кодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 31.22
Источник рипа: Собственный рип
Трэклист:
01. Rio - Roberto Menescal E Seu Conjunto
02. O Barquinho - Elis Regina
03. Nós E O Mar - Roberto Menescal
04. Ah! Se Eu Pudesse - Tamba Trio
05. Você - Roberto Menescal
06. Amanhecendo - Roberto Menescal E Seu Conjunto
07. Moça Da Praia - Lucio Alves
08. Balansamba - Roberto Menescal
09. Vagamente - Sylvia Telles
10. Errinho À Toa - Leila Pinheiro
11. Telefone - Lucio Alves
12. A Morte De Um Deus De Sal - Roberto Menescal
13. A Volta - Marcia
14. Se Pelo Menos Você Fosse Minha - Emílio Santiago
 
Отчет EAC
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
Отчёт EAC об извлечении, выполненном 15. февраля 2010, 11:30
Roberto Menescal / pure bossa nova
Дисковод: ASUS DVD-E616A Adapter: 0 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
---------------------------------------------------------------------
1 | 0:00.00 | 1:49.13 | 0 | 8187
2 | 1:49.13 | 2:06.40 | 8188 | 17677
3 | 3:55.53 | 2:55.00 | 17678 | 30802
4 | 6:50.53 | 1:55.32 | 30803 | 39459
5 | 8:46.10 | 2:00.73 | 39460 | 48532
6 | 10:47.08 | 2:04.72 | 48533 | 57904
7 | 12:52.05 | 2:23.73 | 57905 | 68702
8 | 15:16.03 | 1:57.10 | 68703 | 77487
9 | 17:13.13 | 1:41.07 | 77488 | 85069
10 | 18:54.20 | 3:09.73 | 85070 | 99317
11 | 22:04.18 | 1:43.65 | 99318 | 107107
12 | 23:48.08 | 2:21.42 | 107108 | 117724
13 | 26:09.50 | 2:41.38 | 117725 | 129837
14 | 28:51.13 | 2:30.46 | 129838 | 141133
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла E:\- MaxSys\Music\- 000\Roberto Menescal - pure bossa nova\Roberto Menescal - pure bossa nova.wav
Пиковый уровень 100.0 %
Качество диапазона 100.0 %
CRC копии 2C826104
Копирование... OK
Ошибок не произошло
Конец отчёта
 
Biography
The composer of bossa nova classics like “O Barquinho,” “Ah, Se Eu Pudesse,” “Errinho à Tôa,” “Nós e o Mar,” “Rio,” “Você,” and “Vagamente,” Roberto Menescal (Roberto Batalha Menescal - 10/25/1937 Vitória, ES) started his professional career in 1957 as Sylvia Telles’ sideman (on guitar) in a tour around Brazil. In 1958, he opened a guitar school in Copacabana (Rio) with Carlos Lyra, having as his pupils Nara Leão and his sister Danuza Leão. In the same year, he formed, with Luís Carlos Vinhas, João Mário, Henrique, and Bebeto, the Conjunto Roberto Menescal, one of the first instrumental groups of bossa nova. The group accompanied Dorival Caymmi, Vinícius de Moraes, Billy Blanco, Maysa, and Telles. Also in 1958, he participated, with Telles, Carlos Lyra, and other artists, in a show at the Clube Hebraica (Rio), when the words “bossa nova” were used (inadvertently, by the club’s secretary) for the first time to advertise the event. Having taken part with his group in the recording of Garotos da Bossa Nova in 1959, he participated in the I Festival de Samba Session at the Teatro de Arena theater of the School of Architecture at the State University of Rio de Janeiro. Such informal venues were important vehicles for bossa nova among the middle-class university people who were more inclined to absorb and disseminate it, and Menescal was instrumental for the promotion of such concerts in 1959, 1960, and 1961. Also in 1959, he had his first recorded composition, “Jura de Pombo” (with Ronaldo Bôscoli), by Alaíde Costa. His “O Barquinho” (with Ronaldo Bôscoli), a bossa nova classic, was simultaneously recorded by Maysa, Perry Ribeiro, and Paulinho Nogueira in 1960. In 1962, he accompanied Maysa in her Argentinean tour and, with Eumir Deodato’s group, he performed in Marlene’s program on TV Rio, having been hired for two years with his own group to back up artists on that TV station. In November 1962, he participated in the historic Bossa Nova Festival at Carnegie Hall in New York, NY, with Tom Jobim, Carlos Lyra, and others, interpreting “O Barquinho” in one of his few performances as a singer. From 1964 to 1968, he worked as an arranger and, invited by André Midani, he started to work as an independent producer and arranger at Polygram. In 1968, he accompanied Elis Regina in her performance at the MIDEM (International Phonographic Market and Music Publishers) in Cannes, France, and in her subsequent European tour, having been Regina’s sideman until 1970, when he became Polygram’s A&R. Already established as a major producer (having worked with Caetano Veloso, Gilberto Gil, Jorge Ben Jor, Gal Costa, Maria Bethânia, and many others), instrumentalist (as a session man he worked with Lúcio Alves, Maysa, Claudette Soares, Nara Leão, Jair Rodrigues, and Elis Regina), he had several compositions of his included in soundtracks of broadly popular TV soap operas and also wrote music for the cinema (Bye Bye Brasil, Joana Francesa, both by Cacá Diegues, and Vai Trabalhar Vagabundo, by Hugo Carvana). In 1985, having accompanied Nara Leão in performances in Brazil and abroad, he launched with her the LP Um Cantinho, Um Violão/Nara Leão e Roberto Menescal. In the next year, he abandoned his career in A&R and dedicated himself to his solo career. He has also been participating in jazz projects, among others with Joe Henderson. In 2001, he participated with Wanda Sá, Danilo Caymmi, and Marcos Valle in the Fare Festival (Pavia, Italy). Menescal also owns the label Albatroz, which released albums by Danilo Caymmi, Emílio Santiago, and others. - by Alvaro Neder - AllMusic
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