(Avant-Garde Jazz, Nine Winds) The Vinny Golia Octet - Low And Inside; (Close Call Anyway...) Music For Baritone Saxophone - 2009, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 13. November 2013, 23:04
The Vinny Golia Octet / Low And Inside; (Close Call Anyway...) Music For Baritone Saxophone
Used drive  : PIONEER DVD-RW  DVR-115D   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
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TOC of the extracted CD
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        1  |  0:00.00 |  6:53.43 |         0    |    31017
        2  |  6:53.43 |  0:59.53 |     31018    |    35495
        3  |  7:53.21 |  6:35.54 |     35496    |    65174
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        8  | 50:20.05 |  7:42.17 |    226505    |   261171
        9  | 58:02.22 |  9:05.74 |    261172    |   302120
       10  | 67:08.21 |  8:23.21 |    302121    |   339866
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Track  2
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Track  3
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Track  4
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Track  5
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Track  7
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Track  8
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Track  9
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Track 10
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum E970C02DB9A6DE051315F8D10200CE3617F3E8ADE06D830CA18C3A12984AA666 ====

REM GENRE "Avant-Garde Jazz"
REM DATE 2009
REM DISCID 8811B30A
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "The Vinny Golia Octet"
TITLE "Low And Inside; (Close Call Anyway...) Music For Baritone Saxophone"
FILE "01 - The Return Of The Post-Marathon Man.wav" WAVE
  TRACK 01 AUDIO
    TITLE "The Return Of The Post-Marathon Man"
    PERFORMER "The Vinny Golia Octet"
    FLAGS DCP
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Prolouge"
    PERFORMER "The Vinny Golia Octet"
    FLAGS DCP
    INDEX 00 06:52:09
FILE "02 - Prolouge.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Mr & Mrs Sam Wells Check Into The Hotel In Bombay"
    PERFORMER "The Vinny Golia Octet"
    FLAGS DCP
    INDEX 00 00:57:37
FILE "03 - Mr & Mrs Sam Wells Check Into The Hotel In Bombay.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "You Don't Like Beethoven"
    PERFORMER "The Vinny Golia Octet"
    FLAGS DCP
    INDEX 00 06:33:25
FILE "04 - You Don't Like Beethoven.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "And These People Drive Too! (Subterranean)"
    PERFORMER "The Vinny Golia Octet"
    FLAGS DCP
    INDEX 00 08:26:48
FILE "05 - And These People Drive Too! (Subterranean).wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Velature"
    PERFORMER "The Vinny Golia Octet"
    FLAGS DCP
    INDEX 00 08:16:07
FILE "06 - Velature.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Answer; Coined The Word Boheeka"
    PERFORMER "The Vinny Golia Octet"
    FLAGS DCP
    INDEX 00 09:41:25
FILE "07 - Answer; Coined The Word Boheeka.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Attack Of The People Named Frank Johnson"
    PERFORMER "The Vinny Golia Octet"
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    INDEX 00 09:16:59
FILE "08 - Attack Of The People Named Frank Johnson.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "An Anticipation Of Only Catastrophe"
    PERFORMER "The Vinny Golia Octet"
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FILE "09 - An Anticipation Of Only Catastrophe.wav" WAVE
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  TRACK 10 AUDIO
    TITLE "Swing Plane"
    PERFORMER "The Vinny Golia Octet"
    FLAGS DCP
    INDEX 00 09:03:74
FILE "10 - Swing Plane.wav" WAVE
    INDEX 01 00:00:00

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. The Return Of The Post-Marathon Man.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. Prolouge.wav]
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Processing file: [03. Mr & Mrs Sam Wells Check Into The Hotel In Bombay.wav]
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Processing file: [04. You Don't Like Beethoven.wav]
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Processing file: [05. And These People Drive Too! (Subterranean).wav]
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This track looks like CDDA with probability 100%
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Processing file: [06. Velature.wav]
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Processing file: [07. Answer; Coined The Word Boheeka.wav]
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Processing file: [08. Attack Of The People Named Frank Johnson.wav]
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Processing file: [09. An Anticipation Of Only Catastrophe.wav]
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Processing file: [10. Swing Plane.wav]
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

All compositions and arrangements by Vinny Golia
Art + Design: Kio Griffith
Recorded by Jon Baffa 5/20/2009, Roy O Disney Hall, California Institute Of The Arts, Valencia, California
Mixed by Jon Baffa & Vinny Golia, TV Tray Studios, 5/17&29/2009, Simi Valley, California
Woodwind multi-instrumentalist Vinny Golia has been both the beacon and a touchstone for the West Coast free improvising community, particularly in Los Angeles, for over 30 years. Golia started his Nine Winds label in 1977, as a vehicle for distributing his own music, then expanded its mission statement around 1980 to document music from Canada to Mexico that wasn't being heard. Some 200 releases later, Nine Winds is still on the cutting edge, still exposing adventurous musicians to discerning listeners.
Golia has been making terrific records for eons, but even amongst his excellent catalog, Music For Baritone Saxophone is a highlight achievement.
For starters, the octet assembled is loaded with virtuoso players interpreting very creative music with exquisite arrangements. Somehow Golia has managed to produce one of his most accessible records in years without compromising a bit on his originality.
Due to a snafu in the CD printing, e-flat and bass clarinetist Brian Walsh was left off the octet personnel in the liner notes; unfortunate, because he's one of the reasons this disc works so well. The brass section of Daniel Rosenboom on trumpet and George McMullen on trombone are key—especially Rosenboom, who gets the lion-share of solo space. An intriguing component is Alex Noyce on electric guitar. He favors a John McLaughlin type overdriven tone on much of this album, circa Inner Mounting Flame (Columbia, 1970). He knows how to ramp up the tension, and, amazingly, his rock-ish timbre fits perfectly with the horns. Gavin Templeton on alto saxophone gets a good deal of improv time—he's got an updated sense of Eric Dolphy in his performances. The veteran Ken Filiano is never less than compelling on doublebass, and Matt Mayhall on drums is fiery and disruptive in the best possible sense—he keeps this music surging forward.
Golia himself redefines the notion of what is possible on the baritone saxophone, and, on several cuts, takes that one step further on his custom-made Tubax, a refinement of the contrabass saxophone. His solos on either one have all the fluidity and acceleration of much smaller horns—there's never an urge to describe either as "lumbering," because in his hands they are not. On "And These People Drive Too!" Golia's Tubax hits the ground running with long, quicksilver lines that dart from low to high with astonishing precision The full band enters at about the 4:00 mark, after a crisp drum solo. Rosenboom's, tart, clarion-call trumpet emerges, expands, then yields to a distorted, caterwauling guitar solo. Throughout, the horn ensemble wraps Anthony Braxton-esque counterpoint around the soloists.
Ever imagine what saxophonists John Coltrane or Dolphy might have sounded like on the baritone? "Answer" and "Coined The Word Boheeka," with it's loping bass vamp and rollicking drums, set the stage for a manic Golia demonstration. Like many of the tunes on this disc, there is an episodic feel at work, with "Answer" settling into a rock beat toward its conclusion, after exploring several moods and themes.
Golia is very generous with the solo space, yielding to the individual genius of his sidemen often. On "An Anticipation Of Only Catastrophe," Templeton's alto leads off with a swirling, squealing statement followed by an amazing bass clarinet cadenza from Walsh, racing though the registers with equal gravitas. Noyce cycles around waves of skronk before settling in with wicked distortion over Mayhall's asymmetrical rolls and snare drum explosions.
Trombonist McMullen gets a nice spot on "Return Of The Post Marathon Man," soloing simultaneously with Noyce's overdriven guitar. Golia's baritone sax soars above dark clouds of drawn horn textures and the constantly surging drums, before unveiling "Prologue," a short piece featuring Rosenboom alone.
Balance is a key to the success of this impressive effort. The writing and arranging for the group is breathtaking in its scope, as a result the octet often sounds much larger, as on the finale, "Swing Plane," which has the horns swinging hard in a peek-a-boo dynamic, opening up for a show-stopping arco solo from Filiano, (think Paul Chambers meets Barry Guy), and razor sharp features for Rosenboom, Walsh and Noyce.
Anyone who appreciates tight, creative ensemble work and virtuosic soloing should give Music For Baritone Saxophone a listen. Golia is something of a baseball enthusiast, hence the album subtitle: Low and Inside; (close call anyway...).To carry the baseball metaphor one step further, on this masterpiece, Golia swings for the fences...and clears them.

Vinny Golia: baritone saxophone & tubax (contrabass saxophone)
Gavin Templeton: alto saxophone
Brian Walsh: bass clarinet (uncredited on CD)
Dan Rosenboom: trumpet
George McMullen: trombone & bass trombone
Alex Noyce: electric guitar & effects
Ken Filiano: acoustic bass & effects
Matt Mayhall: drums