(Avant-Garde Jazz, Modern Composition) [CD] Franz Koglmann (feat. Tony Coe, Roberto Ottaviano, Radu Malfatti, Guillermo Gregorio, Fritz Hauser, Burkhard Stangl) - The Use Of Memory - 1991, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 22. June 2014, 17:29
Franz Koglmann / The Use Of Memory
Used drive  : PIONEER DVD-RW  DVR-115D   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
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        2  |  9:42.62 |  4:36.00 |     43712    |    64411
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        7  | 45:41.62 |  6:24.00 |    205637    |   234436
        8  | 52:05.62 |  6:19.00 |    234437    |   262861
        9  | 58:24.62 |  6:29.13 |    262862    |   292049
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Track  3
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Track  8
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Track  9
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All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum D99FC62779AD65A146931C2BDD7D493F8FBEAA141780CD918920D57D267FBF36 ====

REM GENRE "Modern Composition"
REM DATE 1991
REM DISCID 760F3609
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Franz Koglmann"
TITLE "The Use Of Memory"
FILE "01 - Chateau De Bouges.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Chateau De Bouges"
    PERFORMER "Franz Koglmann"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "For Max"
    PERFORMER "Franz Koglmann"
    INDEX 00 09:40:00
FILE "02 - For Max.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "The Use Of Memory: Bix, Miles And Chet"
    PERFORMER "Franz Koglmann"
    INDEX 00 04:33:13
FILE "03 - The Use Of Memory- Bix, Miles And Chet.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Das Ratsel Eines Tages"
    PERFORMER "Franz Koglmann"
    INDEX 00 07:39:13
FILE "04 - Das Ratsel Eines Tages.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Der Vogel"
    PERFORMER "Franz Koglmann"
    INDEX 00 06:54:13
FILE "05 - Der Vogel.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Uccello"
    PERFORMER "Franz Koglmann"
    INDEX 00 10:12:13
FILE "06 - Uccello.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Monoblue"
    PERFORMER "Franz Koglmann"
    INDEX 00 06:26:13
FILE "07 - Monoblue.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Die Kuhle, Der Duft, Der Glanz"
    PERFORMER "Franz Koglmann"
    INDEX 00 06:21:13
FILE "08 - Die Kuhle, Der Duft, Der Glanz.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Constantin's Dream"
    PERFORMER "Franz Koglmann"
    INDEX 00 06:16:13
FILE "09 - Constantin's Dream.wav" WAVE
    INDEX 01 00:00:00

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. Chateau De Bouges.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. For Max.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. The Use Of Memory- Bix, Miles And Chet.wav]
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This track looks like CDDA with probability 100%
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Processing file: [04. Das Ratsel Eines Tages.wav]
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This track looks like CDDA with probability 100%
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Processing file: [05. Der Vogel.wav]
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This track looks like CDDA with probability 100%
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Processing file: [06. Uccello.wav]
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This track looks like CDDA with probability 100%
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Processing file: [07. Monoblue.wav]
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This track looks like CDDA with probability 100%
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Processing file: [08. Die Kuhle, Der Duft, Der Glanz.wav]
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This track looks like CDDA with probability 100%
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Processing file: [09. Constantin's Dream.wav]
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This track looks like CDDA with probability 85%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

1. dedicated to Alain Resnais
2. dedicated to Max Aichinger
3. quoting from Miles Davis' 'Tune Up', passages from an improvisation by Chet Baker on 'Tune Up' and Larry Shields' 'Clarinet Marmelade'
4. inspired by Giorgio de Chirico
5. dedicated to Jean Cocteau
7. dedicated to Yves Klein
8. hommage a Franz Schubert, dedicated to Ingrid Karl
9. inspired by Piero della Francesca
All compositions by Franz Koglmann
Digital two-track recording by Peter Pfister on October 22-24, 1990 at Theater Westend, Zurich/Switzerland
Cover painting: Helmut Federle, Form des Verhaltnisses in drei Variationen, 1990, oil on canvas, 60x40 cm.
Liner notes: Peter Niklas Wilson, January 1991
Photo: Dany Gignoux
Design: Walter Bosshardt
Produced by Werner Wunderlich, Pia and Werner X. Uehlinger
This live debut of Franz Koglmann's mammoth work The Use of Memory, in nine sections or movements, was heralded not by the triumph of cheers and the awe of applause, but by critical remarks from journalists with hard-line views of what jazz "is" or "isn't." Too bad. Americans have come more and more to view Euro-jazz as its own thing that has little to do with the music of origin but is no less valid, and have also accepted classical music -- including "new music" -- for decades. Apparently, those busy carving out an identity from an inferiority complex find it impossible to hear genius when it is right in front of them, bleating its heart out. The Use of Memory is a stellar achievement, and a great thank you to Hat Hut is warranted for recording this first performance. This is a suite that has all the earmarks of a symphony, or a symphony that has the emotive and improvisatory ability to be a full-blown jazz suite. But it is neither. This work so thoroughly combines jazz, "new music," and Western classical music that it is almost impossible to separate the threads. Praise the lord. Utilizing the gifts of 13 players -- including himself -- and the conducting expertise of Gustav Bauer, Koglmann realized a dream. He created with his Pipetet -- a group that also includes pianos and electric guitars as well as reeds and woodwinds -- a place where music becomes nothing other than itself. It becomes what it recalls as being true from its origins and moves on, picking up along the way other memories as passengers, weaving them into its fabric. Koglmann has his players and audiences moving through everything from Berg to Ellington, Stravinsky, Miles, Gil Evans, George Russell, Schoenberg, Stockhausen, Mahler, Webern, Armstrong, Basie, Beiderbecke, Coltrane, Cowell, Cage, and even Wagner -- and so many more you would have to hear it a thousand times to note them all. This is a love song, ultimately, a swinging yet meditative and tender amorous paean to not only Koglmann's heroes, but to his dream of a music that contains no genres -- only beauty. And on this recording, he's gone further than any of his predecessors to making it a reality.

Franz Koglmann Pipetet:
Mario Arcari: oboe & english horn
Martin Schelling: clarinet & bassclarinet
Tony Coe: clarinet, bassclarinet & tenorsaxophone
Roberto Ottaviano: soprano- & sopraninosaxophone
Guillermo Gregorio: altosaxophone
Franz Koglmann: flugelhorn
Jean-Christophe Mastnak: french horn
Radu Malfatti: trombone
Raoul Herget: tuba
Burkhard Stangl: guitar
Robert M. Weiss: piano
Klaus Koch: bass
Fritz Hauser: drums
Conducted by Gustav Bauer