(Avant-Garde Jazz, Free Improvisation) [CD] Kirk Knuffke - Arms & Hands - 2015, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 4 from 7. December 2014
EAC extraction logfile from 21. March 2015, 12:59
Kirk Knuffke / Arms & Hands
Used drive  : SlimtypeeNAU508   5   Adapter: 1  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
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       15  | 56:16.50 |  6:04.68 |    253250    |   280617
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Track  9
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Track 11
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Track 15
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
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[CTDB TOCID: 5ZDHk4YGh5nYGF6SkpgJApQOz6o-] disk not present in database
Submit result: 5ZDHk4YGh5nYGF6SkpgJApQOz6o- has been uploaded
==== Log checksum 06752F141A49BDF329C3AA40F85ACD9073633AAD08E77D3950CF6106E4234666 ====

REM GENRE Jazz
REM DATE 2015
REM DISCID CE0E9D0F
REM COMMENT "ExactAudioCopy v1.0b4"
PERFORMER "Kirk Knuffke"
TITLE "Arms & Hands"
FILE "01 - Safety Shoes.wav" WAVE
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    PERFORMER "Kirk Knuffke"
    ISRC USME31400877
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FILE "02 - Bright Light.wav" WAVE
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FILE "03 - Root.wav" WAVE
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FILE "04 - Pepper.wav" WAVE
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FILE "07 - Notwithstanding.wav" WAVE
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FILE "08 - Next.wav" WAVE
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FILE "09 - Arms & Hands.wav" WAVE
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FILE "10 - Elevator.wav" WAVE
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FILE "11 - Bonderizer.wav" WAVE
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FILE "12 - Tuesday.wav" WAVE
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FILE "13 - Use.wav" WAVE
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FILE "14 - Atessa.wav" WAVE
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    ISRC USME31400890
    INDEX 01 00:00:00
FILE "15 - Thanks a Lot.wav" WAVE
  TRACK 15 AUDIO
    TITLE "Thanks a Lot"
    PERFORMER "Kirk Knuffke"
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[CUETools log; Date: 20.07.2015 20:16:46; Version: 2.1.5]
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Sometime, watch children as they eat the M&Ms. They will separate the colors into several piles—green, red, brown, yellow, orange, and blue. It's not that each color tastes different, except for maybe blue—I don't remember ever seeing that color before. Nonetheless, they go about savoring each color batch as an independent experience. Those little candies come to mind while attending to cornetist Kirk Knuffke's release Arms & Hands. The disc (released as both CD and LP) is a trio recording with Knuffke's newest band of bassist Mark Helias and drummer Bill Goodwin, but it also features three guest musicians; saxophonists Daniel Carter and Jeff Lederer and trombonist Brian Drye. Like the little candies, the guest appearances and the trio pieces are cut from the same clothe, but there is a tempting urge to divide up this recording.
Maybe that's because Knuffke has spliced his career into so many different directions. He has braided his horn into the bands of Matt Wilson, Allison Miller, Jeff Lederer, Andrew D'Angelo, and David Ullmann bands, plus his own groups Ideal Bread, Sifter (with Wilson and Mary Halvorson) and duo outings with Jesse Stacken, Mike Pride, and Brian Drye. He also works with this trio's partners in the separate bands, Helias' quartet and Goodwin's Ornette project.
The trio music here is dazzling. The combination of Helias' bass, which has kept time for Anthony Braxton and Cecil Taylor, and Goodwin's drums which have backed Phil Woods and Art Pepper, fuses the out and the in. Tricky, off-kilter pieces like "Root" and "Tuesday" satisfy those seeking challenging compositions, yet the groove is so inviting. Knuffke's cornet playing is (as always) flawless. He can deliver burning runs, slur and chirp notes, all with full command of his most demanding instrument.
Add the guests and the music doesn't taste better, it is just coated differently. Drye's trombone flavors the opening track "Safety Shoes," a meter-shifting feel good (no great) piece. Carter swoops upon "Bright Light" and "Atessa" with a notion that it is hip to be inside Knuffke's conceptions. Lederer's appearance with soprano honors Steve Lacy on "Chirp" and his tenor gives a nod to Sonny Rollins' appreciation of cornball. The band turns a potentially clichéd tune like Ernest Tubbs' country song "Thanks a Lot" into a very hip swinger.