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(Avant-Garde Jazz, Free Improvisation) [CD] Ingar Zach & Ivar Grydeland - You Should Have Seen Me Before We First Met - 2004, FLAC (tracks+.cue), lossless

(Avant-Garde Jazz, Free Improvisation) [CD] Ingar Zach & Ivar Grydeland - You Should Have Seen Me Before We First Met - 2004, FLAC (tracks+.cue), lossless
Треклист:
Ingar Zach & Ivar Grydeland / You Should Have Seen Me Before We First Met
Жанр: Avant-Garde Jazz, Free Improvisation
Носитель: CD
Страна-производитель диска: Norway
Год издания: 2004
Издатель (лейбл): Sofa Music
Номер по каталогу: SOFA 515
Страна: Norway
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 48:14
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. 01 In Geneva 29:52
2. 02 In Oslo 18:22
 
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 17. March 2014, 21:53
Ingar Zach & Ivar Grydeland / You Should Have Seen Me Before We First Met
Used drive : PIONEER DVD-RW DVR-115D Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 29:52.38 | 0 | 134437
2 | 29:52.38 | 18:22.02 | 134438 | 217089
Track 1
Filename D:\zzz\01 - 01 In Geneva.wav
Pre-gap length 0:00:02.00
Peak level 88.6 %
Extraction speed 6.1 X
Track quality 100.0 %
Test CRC D21448D1
Copy CRC D21448D1
Accurately ripped (confidence 1) [611A19B0] (AR v2)
Copy OK
Track 2
Filename D:\zzz\02 - 02 In Oslo.wav
Pre-gap length 0:00:05.64
Peak level 89.1 %
Extraction speed 8.0 X
Track quality 100.0 %
Test CRC 31D8A22F
Copy CRC 31D8A22F
Accurately ripped (confidence 1) [47552675] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 2A952DE56E64EA052EF64DBB2160D72116CE735A59B364CCE0B39F5D7F81311E ====
 
Содержание индексной карты (.CUE)
REM GENRE "Free Improvisation"
REM DATE 2004
REM DISCID 170B4E02
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Ingar Zach & Ivar Grydeland"
TITLE "You Should Have Seen Me Before We First Met"
FILE "01 - 01 In Geneva.wav" WAVE
TRACK 01 AUDIO
TITLE "01 In Geneva"
PERFORMER "Ingar Zach & Ivar Grydeland"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "02 In Oslo"
PERFORMER "Ingar Zach & Ivar Grydeland"
INDEX 00 29:46:49
FILE "02 - 02 In Oslo.wav" WAVE
INDEX 01 00:00:00
 
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. 01 In Geneva.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [02. 02 In Oslo.wav]
------------------------------------------------------------
This track looks like CDDA with probability 87%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
Доп. информация:
 
Album Info & AMG Review
Music by Zach & Grydeland
Produced by Zach & Grydeland
1. recorded at Cave 12, Geneva, October 27, 2003
2. recorded at State Academy of Music in Oslo, May 7, 2003 by Ivar Grydeland
Mastered by Helge Sten
Cover design: Stoffer Ganes
This production was funded in part by Fond for Lyd og Bilde
You Should Have Seen Me (Before We First Met) is our duo's second release on SOFA. Three years since we released our first CD, the music is now very different. The two pieces on this CD are recorded live in Geneva and Oslo. Somehow, these two pieces contain much of the same elements, although they were recorded over 5 months apart. We find it interesting that the musical form and expression of the two pieces are different, despite the similarity of elements.
Co-founders of the Sofa label, Ingar Zach and Ivar Grydeland here push their musical association further. You Should Have Seen Me Before We First Met is generally a stronger offering than Visiting Ants, released in 2000. Where the first album consisted of several short pieces, some of them solo features, this one presents two extended improvisations. The playfulness displayed earlier has given way to something different but no less impressive. The focus has been moved from stamina to texture. Certain stretches feature the guitarist and the percussionist playing hypnotic drones (mechanical devices are being used, probably a hand-held fan in Grydeland's case). Zach displays a lot of invention, adding a few tricks of his own to the usual cymbal bowing and scrap-metal tossing to create unusual textures sounding somewhere between vibrating surfaces and guitar. Grydeland switches between acoustic and electric guitar, prepared and unprepared. Track one, "In Geneva," is the longest and most interesting of the two. For 30 minutes, the duo locks in and doesn't let go, letting the music unfold slowly through seguing episodes of dynamic free improvisation, meditative microsonics, and gentle acoustic guitar playing. In comparison, "In Oslo" lacks a bit of cohesion. Ideas are slow to come in and are introduced somewhat clumsily (Grydeland's electric guitar halfway through, Zach's sudden switch from sustained textures to hitting). The fragmented flow of the piece should be grabbing the listener's attention, but it sounds too arbitrary to succeed. Luckily, that's not enough to lessen the appeal of the first improvisation.
 
Состав
Ingar Zach: percussion, sruti box
Ivar Grydeland: acoustic & electric guitars
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