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(Avant-Garde Jazz / Free Improvisation) [CD] Henry P. Warner / Earl Freeman / Philip Spigner - "Freestyle Band" - 2012, rec. 1984, FLAC (tracks+.cue), lossless

(Avant-Garde Jazz / Free Improvisation) [CD] Henry P. Warner / Earl Freeman / Philip Spigner - "Freestyle Band" - 2012, rec. 1984, FLAC (tracks+.cue), lossless
Henry P. Warner / Earl Freeman / Philip Spigner "Freestyle Band"
Жанр: Avant-Garde Jazz / Free Improvisation
Носитель: CD
Страна-производитель диска: Lithuania
Год издания: 2012
Год записи: 1984
Издатель (лейбл): NoBusiness Records
Номер по каталогу: NBCD 41
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:00:01
Источник (релизер): nnm, Джаз Клуб, 14 марта, 2014 / спасибо mishka1981
Наличие сканов в содержимом раздачи: да / *.jpg (300 dpi)
1. Dr. Nunez (04:13)
2. The Roach Approach (13:04)
3. Beef Thrust (11:43)
4. Pelican (21:06)
5. Bird Knows! (10:09)
Доп. информация:
HENRY P. WARNER - b-flat clarinet, alto clarinet
EARL FREEMAN - bass guitar, piano
PHILIP SPIGNER - hand drums
All tracks recorded in 1984 at Sorcerer Sound, New York, recording engineer David Avidor
Tracks 1, 2 and 4 were originally released only on LP as Freestyle Band by Adeyeme Productions Unlimited in 1984 and produced by Marie C. Noto
Tracks 3 and 5 have never been issued before and they all now released in their original order
This release also contains an essay written by Ed Hazell, rare photos and flyers
© 2012, NoBusiness Records
HENRY P. WARNER / EARL FREEMAN / PHILIP SPIGNER "Freestyle Band" nobusinessrecords.com
HENRY P. WARNER / EARL FREEMAN / PHILIP SPIGNER "Freestyle Band" allaboutjazz.com
HENRY P. WARNER Official Site
... back ...
... reviews ...
The Freestyle Band never courted fame, but they never welcomed obscurity either. The choices they made to follow their individual muses and to independently document their efforts were conscious ones. The musicians made this music in the faith - perhaps certainty is a better word - that its power and integrity would ultimately triumph over shortsighted commercial pressures and America’s racist attitudes toward black artists. Perhaps this reissue does a little bit to validate that faith.
Ed Hazell ~ nobusinessrecords.com
* * *
The Lithuania-based No Business label might seem an unlikely champion for the loft jazz of late '70s/early '80s New York City, but its track record speaks for itself. Rescued from obscurity, Freestyle Band follows on from 2010's acclaimed Muntu Recordings Box,Commitment: The Complete Recordings 1980-1983 and 2011's splendid Black Man's Blues / New York Collage. Originally self-released on vinyl in 1984, the album was little known at the time, featuring three of the Lower East Side's more unsung heroes: clarinetist Henry P. Warner, bassist Earl Freeman and drummer Phil Spigner.
This rerelease was sourced from a mint copy of the original LP, supplemented by two pieces from the same session Warner had on a cassette. As with previous issues, Ed Hazell's informative liner notes provide background on the participants and set the music in its cultural context. They allow a fuller picture of Warner in particular. A shadowy figure, sparsely documented on bassistWilliam Parker's Through Acceptance of the Mystery Peace (Eremite, 1998) and violinistBilly Bang's Outline No. 12 (Celluloid, 1982) and New York Collage (Anima Records, 1978), Warner's keening clarinets are all over these five seemingly improvised cuts. He shows a strong affinity for the falsetto register, wailing emotively with an initially off-putting, wavering tone on B-flat clarinet, but more fulsome and measured on alto clarinet.
At times it seems as if everyone is playing independently of each other. Certainly when Freeman drops out on "Dr. Nunez," the others barely falter in their trajectories. Neither Spigner nor Freeman is well served by the slightly muddy sound, but their combined approach is unique. Spigner uses only hand drums, meaning that even at faster tempos the pace is relaxed and conversational. He handles the bottom end, which leaves Freeman's fat, submerged bass guitar to cruise contrapuntally, often creating a slowly tugging undercurrent without touching on anything which might be expected of a regular bassist. After the first two cuts, one might wonder what all the fuss is about, but everything comes together on the lengthy "Pelican." It begins with a sequence of brief cameos: Freeman's brooding bass guitar, Warner's muezzinian alto clarinet holler, and an extended emphatic turn for Spigner's hand drums. The drummer then settles into a loping cadence and Warner essays a biting melancholy, the journey taking on an epic grandeur before rippling piano coloration from Freeman signals the conclusion.
Freestyle Band is another fascinating artifact helping to fill in a few more of the blanks on the NYC scene at the tail end of the loft era.
John Sharpe ~ allaboutjazz.com
Лог создания рипа
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 14. March 2014, 13:05
Warner/Freeman/Spiner / Freestyle Band
Used drive : Optiarc DVD RW AD-7710H Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %j--picture="%i"%j %s -o %d
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
1 | 0:00.00 | 4:12.25 | 0 | 18924
2 | 4:12.25 | 13:03.04 | 18925 | 77653
3 | 17:15.29 | 11:43.13 | 77654 | 130391
4 | 28:58.42 | 21:05.33 | 130392 | 225299
5 | 50:04.00 | 10:09.66 | 225300 | 271040
Track 1
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Test CRC 09E74193
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Accurately ripped (confidence 1) [7FAB6FB7]
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Track 2
Filename C:\MY RIPS\02 - The Roach Approach.wav
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Accurately ripped (confidence 1) [43C759D3]
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Track 3
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Accurately ripped (confidence 1) [E71F6FC3]
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Track 4
Filename C:\MY RIPS\04 - Pelican.wav
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Accurately ripped (confidence 1) [FC14E0B4]
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Track 5
Filename C:\MY RIPS\05 - Bird Knows!.wav
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Accurately ripped (confidence 1) [1DFA163B]
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All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum D8C9214ECE73D4134D11B8C35B7E1C30EF1CE79AEDD65D61E683AF2A6584C3B7 ====
Содержание индексной карты (.CUE)
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TITLE "Freestyle Band"
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PERFORMER "Warner/Freeman/Spiner"
INDEX 01 00:00:00
TITLE "The Roach Approach"
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INDEX 00 04:09:25
FILE "02 - The Roach Approach.wav" WAVE
INDEX 01 00:00:00
TITLE "Beef Thust"
PERFORMER "Warner/Freeman/Spiner"
INDEX 00 13:00:04
FILE "03 - Beef Thust.wav" WAVE
INDEX 01 00:00:00
TITLE "Pelican"
PERFORMER "Warner/Freeman/Spiner"
INDEX 00 11:40:13
FILE "04 - Pelican.wav" WAVE
INDEX 01 00:00:00
TITLE "Bird Knows!"
PERFORMER "Warner/Freeman/Spiner"
INDEX 00 21:02:33
FILE "05 - Bird Knows!.wav" WAVE
INDEX 01 00:00:00
auCDtect Task Manager
PERFORMER: auCDtect Task Manager, ver. 1.5.1RC6 build
Copyright (c) 2008-2010 y-soft. All rights reserved
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 05 - Bird Knows!.flac
Size: 59906832 Hash: 87AFDD89CFC92DC090F4AFF7815E0D3A Accuracy: -m0
Conclusion: CDDA 100%
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FILE: 03 - Beef Thust.flac
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FILE: 02 - The Roach Approach.flac
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Conclusion: CDDA 100%
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FILE: 01 - Dr. Nunez.flac
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Conclusion: CDDA 99%
Signature: F91F1BF1A9D045C73CCBFC7D5B3ABC49B0440BFA
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