(Avant-Garde Jazz, Contemporary Jazz, Modern Composition) [CD] Chris Dahlgren & Lexicon (feat. Gebhard Ullmann) - Mystic Maze - 2010, FLAC (tracks+.cue), lossless
Chris Dahlgren & Lexicon (feat. Gebhard Ullmann) / Mystic Maze
Жанр: Avant-Garde Jazz, Contemporary Jazz, Modern Composition
Носитель: CD
Страна-производитель диска: Germany
Год издания: 2010
Издатель (лейбл): Jazzwerkstatt
Номер по каталогу: jw088
Страна: Germany
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 55:19
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. A Mystic Maze 4:45
2. Repetition Unit 1 2:46
3. 'Painless Dentistry' No. 1 10:25
4. Great Desires Of The Modernists 1:33
5. Reminiscences On The Fourth Quartet Of Bela Bartok 6:44
6. It Was As If Two People Were Improvising Against Each Other 3:39
7. Mesto 1:55
8. 'Painless Dentistry' No. 2 7:15
9. The Composer Promenading The Keyboard In His Boots 4:40
10. Bitter Champagne 2:57
11. Repetition Unit 2 2:19
12. 'Painless Dentistry' No. 3 5:48
Доп. информация:
Жанр: Avant-Garde Jazz, Contemporary Jazz, Modern Composition
Носитель: CD
Страна-производитель диска: Germany
Год издания: 2010
Издатель (лейбл): Jazzwerkstatt
Номер по каталогу: jw088
Страна: Germany
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 55:19
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. A Mystic Maze 4:45
2. Repetition Unit 1 2:46
3. 'Painless Dentistry' No. 1 10:25
4. Great Desires Of The Modernists 1:33
5. Reminiscences On The Fourth Quartet Of Bela Bartok 6:44
6. It Was As If Two People Were Improvising Against Each Other 3:39
7. Mesto 1:55
8. 'Painless Dentistry' No. 2 7:15
9. The Composer Promenading The Keyboard In His Boots 4:40
10. Bitter Champagne 2:57
11. Repetition Unit 2 2:19
12. 'Painless Dentistry' No. 3 5:48
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 21. April 2014, 0:14
Chris Dahlgren & Lexicon / Mystic Maze
Used drive : PIONEER DVD-RW DVR-115D Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 4:51.39 | 0 | 21863
2 | 4:51.39 | 2:49.44 | 21864 | 34582
3 | 7:41.08 | 10:27.49 | 34583 | 81656
4 | 18:08.57 | 1:33.45 | 81657 | 88676
5 | 19:42.27 | 6:44.45 | 88677 | 119021
6 | 26:26.72 | 3:45.52 | 119022 | 135948
7 | 30:12.49 | 2:00.56 | 135949 | 145004
8 | 32:13.30 | 7:15.08 | 145005 | 177637
9 | 39:28.38 | 4:42.21 | 177638 | 198808
10 | 44:10.59 | 3:01.16 | 198809 | 212399
11 | 47:12.00 | 2:21.59 | 212400 | 223033
12 | 49:33.59 | 5:45.61 | 223034 | 248969
Track 1
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Accurately ripped (confidence 2) [A6A62F5A] (AR v1)
Copy OK
Track 2
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Accurately ripped (confidence 2) [98CB7E63] (AR v1)
Copy OK
Track 3
Filename D:\zzz\03 - 'Painless Dentistry' No.1.wav
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Accurately ripped (confidence 2) [442A4F70] (AR v1)
Copy OK
Track 4
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Copy OK
Track 5
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Track 6
Filename D:\zzz\06 - It Was As If Two People Were Improvising Against Each Other.wav
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Accurately ripped (confidence 2) [9DC2DFFC] (AR v1)
Copy OK
Track 7
Filename D:\zzz\07 - Mesto.wav
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Accurately ripped (confidence 2) [5D817BD8] (AR v1)
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Track 8
Filename D:\zzz\08 - 'Painless Dentistry' No.2.wav
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Track 9
Filename D:\zzz\09 - The Composer Promenading The Keyboard In His Boots.wav
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Track 10
Filename D:\zzz\10 - Bitter Champagne.wav
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Track 11
Filename D:\zzz\11 - Repetition Unit 2.wav
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Track 12
Filename D:\zzz\12 - 'Painless Dentistry' No.3.wav
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All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 19E5D5ECC710F4FE3F525A4385AF45982C5772797073CD79D00296DA3BA208F6 ====
Содержание индексной карты (.CUE)
REM GENRE "Avant-Garde Jazz"
REM DATE 2010
REM DISCID AE0CF70C
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Chris Dahlgren & Lexicon"
TITLE "Mystic Maze"
FILE "01 - A Mystic Maze.wav" WAVE
TRACK 01 AUDIO
TITLE "A Mystic Maze"
PERFORMER "Chris Dahlgren & Lexicon"
FLAGS DCP
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Repetition Unit 1"
PERFORMER "Chris Dahlgren & Lexicon"
FLAGS DCP
INDEX 00 04:48:48
FILE "02 - Repetition Unit 1.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "'Painless Dentistry' No.1"
PERFORMER "Chris Dahlgren & Lexicon"
FLAGS DCP
INDEX 00 02:47:53
FILE "03 - 'Painless Dentistry' No.1.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Great Desires Of The Modernists"
PERFORMER "Chris Dahlgren & Lexicon"
FLAGS DCP
INDEX 00 10:23:58
FILE "04 - Great Desires Of The Modernists.wav" WAVE
INDEX 01 00:00:00
FILE "05 - Reminiscences On The Fourth Quartet of Bela Bartok.wav" WAVE
TRACK 05 AUDIO
TITLE "Reminiscences On The Fourth Quartet of Bela Bartok"
PERFORMER "Chris Dahlgren & Lexicon"
FLAGS DCP
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "It Was As If Two People Were Improvising Against Each Other"
PERFORMER "Chris Dahlgren & Lexicon"
FLAGS DCP
INDEX 00 06:42:53
FILE "06 - It Was As If Two People Were Improvising Against Each Other.wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Mesto"
PERFORMER "Chris Dahlgren & Lexicon"
FLAGS DCP
INDEX 00 03:39:60
FILE "07 - Mesto.wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "'Painless Dentistry' No.2"
PERFORMER "Chris Dahlgren & Lexicon"
FLAGS DCP
INDEX 00 01:54:64
FILE "08 - 'Painless Dentistry' No.2.wav" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "The Composer Promenading The Keyboard In His Boots"
PERFORMER "Chris Dahlgren & Lexicon"
FLAGS DCP
INDEX 00 07:13:17
FILE "09 - The Composer Promenading The Keyboard In His Boots.wav" WAVE
INDEX 01 00:00:00
TRACK 10 AUDIO
TITLE "Bitter Champagne"
PERFORMER "Chris Dahlgren & Lexicon"
FLAGS DCP
INDEX 00 04:40:30
FILE "10 - Bitter Champagne.wav" WAVE
INDEX 01 00:00:00
TRACK 11 AUDIO
TITLE "Repetition Unit 2"
PERFORMER "Chris Dahlgren & Lexicon"
FLAGS DCP
INDEX 00 02:58:24
FILE "11 - Repetition Unit 2.wav" WAVE
INDEX 01 00:00:00
TRACK 12 AUDIO
TITLE "'Painless Dentistry' No.3"
PERFORMER "Chris Dahlgren & Lexicon"
FLAGS DCP
INDEX 00 02:19:67
FILE "12 - 'Painless Dentistry' No.3.wav" WAVE
INDEX 01 00:00:00
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. A Mystic Maze.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. Repetition Unit 1.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. 'Painless Dentistry' No.1.wav]
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This track looks like CDDA with probability 100%
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Processing file: [04. Great Desires Of The Modernists.wav]
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This track looks like CDDA with probability 100%
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Processing file: [05. Reminiscences On The Fourth Quartet of Bela Bartok.wav]
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This track looks like CDDA with probability 100%
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Processing file: [06. It Was As If Two People Were Improvising Against Each Other.wav]
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This track looks like CDDA with probability 100%
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Processing file: [07. Mesto.wav]
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This track looks like CDDA with probability 100%
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Processing file: [08. 'Painless Dentistry' No.2.wav]
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This track looks like CDDA with probability 100%
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Processing file: [09. The Composer Promenading The Keyboard In His Boots.wav]
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This track looks like CDDA with probability 100%
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Processing file: [10. Bitter Champagne.wav]
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This track looks like CDDA with probability 100%
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Processing file: [11. Repetition Unit 2.wav]
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This track looks like CDDA with probability 99%
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Processing file: [12. 'Painless Dentistry' No.3.wav]
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This track looks like CDDA with probability 100%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%
Album Info & AAJ Review
All compositions (C)2008 by R. Chris Dahlgren except 7. by Bela Bartok, arrangement by R. Chris Dahlgren
Recorded June 3, 2008 at Traumton Studios, Berlin
Engineer: Markus Mittermeyer
Vocal tracking and mixing by Peter Liljeqvist and Chris Dahlgren at Height Mansion Studios, 2008, Berlin
Mastering: Studio Von Buktu, Wuppertal
Produced by Chris Dahlgren
Executive producer: Ulli Blobel
Artwork: Chris Hinze
Photos (C)2009 by Wolfgang Siesing
Design: wppt:kommunikation, Klaus Untiet
Liner notes: Tobias Richtsteig, Chris Dahlgren
Critics don't always get it right. Surprisingly, their keen critical faculties can desert them and, sooner or later, they are left looking and sounding foolish. In the first half of the twentieth century music critics were routinely dismissive of Hungarian composer Béla Bartók's work, often with a level of vitriol rarely seen in these enlightened times. Somewhat belatedly (for Bartók, who died in 1945), Lexicon, led by the Berlin-based American bassist Chris Dahlgren, has taken up the cudgels on the composer's behalf, seeking revenge on the terrific Mystic Maze.
Musician and composer Nicholas Slominsky collected some of the worst (or best) critical tirades in his 1947 book, Lexicon Of Musical Invective. Many of these tirades were directed at Bartók's work, and Dahlgren uses six of his most outlandish as the lyrics (if that's what they can be called) for half a dozen of the tunes on Mystic Maze. He chose wisely, for the writings are not only extreme but they are also exceptionally inventive and at times hilarious.
All of the chosen texts are by American or British critics. Dahlgren delivers the words in a voice that crosses the vocal on Will Powers' hit tune "Kissing With Confidence" with the tone of a slightly annoyed android. It's a pity that the critics are not able to collect some well-deserved royalties. A 1945 letter from Alan Dent to fellow drama critic James Agate provides the words to "Reminiscences On The Fourth Quartet of Béla Bartók," describing the Allegro as "the belly rumblings of a little boy acutely ill after a raid on an orchard." Frederick Corder's splendid 1915 critique in the Musical Quarterly gives "The Composer Promenading the Keyboard in His Boots" its title and its closing phrase—a description of Bartók's work as "mere ordure" which Dahlgren delivers with as much contempt as any man could muster.
The quality of the music consistently matches the inventiveness and imagery of the words—which is no easy task. Reed players Gebhard Ullmann and Christian Weidner are the key to the music's somewhat archaic and other-worldly beauty. Dahlgren's bass playing prowls and lopes under the melodies, working in partnership with Eric Shaefer's excellent percussion. Shaefer, drummer with the outstanding German trio [em], is especially adept at using his cymbals and hi-hat to both drive the tunes and create a lightness of mood: his partnership with Dahlgren is particularly strong on the delightfully fractured "Repetition Unit 2."
The instrumental pieces are full of inventive playing, the musicians taking full advantage of the opportunities Dahlgren gives for improvisation. "'Painless Dentistry' No 1" showcases the skills of every one of the musicians, "It Was As If Two People Were Improvising Against Each Other" is much prettier than its title suggests, while the single, short Bartók composition—"Mesto"—is a beautifully reflective piece.
As an instrumental album, Mystic Maze would come highly recommended. Dahlgren's combination of words and music makes it one of the most innovative and entertaining albums of the year: revenge is sweet.
Recorded June 3, 2008 at Traumton Studios, Berlin
Engineer: Markus Mittermeyer
Vocal tracking and mixing by Peter Liljeqvist and Chris Dahlgren at Height Mansion Studios, 2008, Berlin
Mastering: Studio Von Buktu, Wuppertal
Produced by Chris Dahlgren
Executive producer: Ulli Blobel
Artwork: Chris Hinze
Photos (C)2009 by Wolfgang Siesing
Design: wppt:kommunikation, Klaus Untiet
Liner notes: Tobias Richtsteig, Chris Dahlgren
Critics don't always get it right. Surprisingly, their keen critical faculties can desert them and, sooner or later, they are left looking and sounding foolish. In the first half of the twentieth century music critics were routinely dismissive of Hungarian composer Béla Bartók's work, often with a level of vitriol rarely seen in these enlightened times. Somewhat belatedly (for Bartók, who died in 1945), Lexicon, led by the Berlin-based American bassist Chris Dahlgren, has taken up the cudgels on the composer's behalf, seeking revenge on the terrific Mystic Maze.
Musician and composer Nicholas Slominsky collected some of the worst (or best) critical tirades in his 1947 book, Lexicon Of Musical Invective. Many of these tirades were directed at Bartók's work, and Dahlgren uses six of his most outlandish as the lyrics (if that's what they can be called) for half a dozen of the tunes on Mystic Maze. He chose wisely, for the writings are not only extreme but they are also exceptionally inventive and at times hilarious.
All of the chosen texts are by American or British critics. Dahlgren delivers the words in a voice that crosses the vocal on Will Powers' hit tune "Kissing With Confidence" with the tone of a slightly annoyed android. It's a pity that the critics are not able to collect some well-deserved royalties. A 1945 letter from Alan Dent to fellow drama critic James Agate provides the words to "Reminiscences On The Fourth Quartet of Béla Bartók," describing the Allegro as "the belly rumblings of a little boy acutely ill after a raid on an orchard." Frederick Corder's splendid 1915 critique in the Musical Quarterly gives "The Composer Promenading the Keyboard in His Boots" its title and its closing phrase—a description of Bartók's work as "mere ordure" which Dahlgren delivers with as much contempt as any man could muster.
The quality of the music consistently matches the inventiveness and imagery of the words—which is no easy task. Reed players Gebhard Ullmann and Christian Weidner are the key to the music's somewhat archaic and other-worldly beauty. Dahlgren's bass playing prowls and lopes under the melodies, working in partnership with Eric Shaefer's excellent percussion. Shaefer, drummer with the outstanding German trio [em], is especially adept at using his cymbals and hi-hat to both drive the tunes and create a lightness of mood: his partnership with Dahlgren is particularly strong on the delightfully fractured "Repetition Unit 2."
The instrumental pieces are full of inventive playing, the musicians taking full advantage of the opportunities Dahlgren gives for improvisation. "'Painless Dentistry' No 1" showcases the skills of every one of the musicians, "It Was As If Two People Were Improvising Against Each Other" is much prettier than its title suggests, while the single, short Bartók composition—"Mesto"—is a beautifully reflective piece.
As an instrumental album, Mystic Maze would come highly recommended. Dahlgren's combination of words and music makes it one of the most innovative and entertaining albums of the year: revenge is sweet.
Состав
Antonis Anissegos: piano, wurlitzer, sampler, voice
Chris Dahlgren: double bass, voice narration
Eric Schaeffer: drums, percussion, voice, glockenspiel, sampler
Gebhard Ullmann: tenor & soprano saxophone, bass clarinet
Christian Weidner: alto saxophone
Chris Dahlgren: double bass, voice narration
Eric Schaeffer: drums, percussion, voice, glockenspiel, sampler
Gebhard Ullmann: tenor & soprano saxophone, bass clarinet
Christian Weidner: alto saxophone
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777