(Avant-Garde Jazz) [CD] Tiago Sousa, Pedro Sousa, Travassos - Pao - 2012, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 28. March 2014, 23:42
Pedro Sousa, Tiago Sousa, Tavassos / Pao
Used drive  : Optiarc DVD RW AD-5280S   Adapter: 1  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 128 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\FLAC\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  6:36.66 |         0    |    29765
        2  |  6:36.66 | 13:39.69 |     29766    |    91259
        3  | 20:16.60 | 23:53.29 |     91260    |   198763
Track  1
     Filename C:\Pedro Sousa, Tiago Sousa, Tavassos (2012) - Pao\01 - Gods wait do delight in you.wav
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     Extraction speed 5.3 X
     Track quality 100.0 %
     Test CRC A20E8792
     Copy CRC A20E8792
     Accurately ripped (confidence 1)  [FF90D2C7]  (AR v2)
     Copy OK
Track  2
     Filename C:\Pedro Sousa, Tiago Sousa, Tavassos (2012) - Pao\02 - Dyson Tree.wav
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     Test CRC 5493E91D
     Copy CRC 5493E91D
     Accurately ripped (confidence 1)  [FE85C381]  (AR v2)
     Copy OK
Track  3
     Filename C:\Pedro Sousa, Tiago Sousa, Tavassos (2012) - Pao\03 - It was all downhill after the sling.wav
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     Accurately ripped (confidence 1)  [54730755]  (AR v2)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 08926FE2B8C82F5D0269F54BBDB4427FFBAAB42044457E7DFA47C49AFAFAA4F8 ====

REM DISCID 220A5A03
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Pedro Sousa, Tiago Sousa, Tavassos"
TITLE "Pao"
FILE "01 - Gods wait do delight in you.wav" WAVE
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    TITLE "Gods wait do delight in you"
    PERFORMER "Pedro Sousa, Tiago Sousa, Tavassos"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Dyson Tree"
    PERFORMER "Pedro Sousa, Tiago Sousa, Tavassos"
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    INDEX 00 06:34:66
FILE "02 - Dyson Tree.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "It was all downhill after the sling"
    PERFORMER "Pedro Sousa, Tiago Sousa, Tavassos"
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    INDEX 00 13:37:69
FILE "03 - It was all downhill after the sling.wav" WAVE
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Recorded at Golden Pony Studios by Pedro Magalhães, November 2011

The first released document by the trio PÃO is an invaluable addition to the present day vitality of the creative music scene in the city, illustrating the recent but increasingly focused collaboration between three of Lisbon’s finest music makers of today. Travassos (on electronics, tapes and object manipulation) has been, for the past years, one of the pivotal agitators in the local improvised music scene, both as a performer and as an organizer, while Tiago Sousa (organ, harmonium) has been steadily building a fantastic career as a composer and pianist, pushing forth the boundaries between improvisation and composition, between (non) academic classicism and do-it-yourself expression. Pedro Sousa (tenor sax), in its turn, is hailed as one of the last few years’ revelations, his fiery blowing in the duo with drummer and percussionist Gabriel Ferrandini standing out amongst his many collaborations. The trio’s music is a sound continuum falling somewhere between the intersection of La Monte Young’s brand of eternal music and the tense interplay and occasional outbursts present in many of European free-improvisation’s landmarks, all the while permeated by a sense of expansion and peaking, and by the constant addition and subtraction of elements over an always present layer of silent crudity. There is a strong melodic feel, though, courtesy of the foundational presence of the harmonium and the restraint displayed almost throughout by Pedro Sousa’s tenor, coupled with the textured, organic layers coming out from Travasso’s electronics. Melody, though somber and occasionally harsh, is indeed a key concept in these three long tracks that point out interesting new directions for drone music, near-silence improvisation and free-form jazz-infused explorations. Pão’s language, though subject, due to its openness, to future change and development, is already serenely but powerfully established. ~ tiagosousa.org

Pedro Sousa - tenor saxophone
Tiago Sousa - keyboards, harmonium, percussion
Travassos - tapes, amplified objects, circuit bending, zx 150, voice