(Avant-Garde Jazz) [CD] Daunik Lazro, Jean Bolcato, Christian Rollet - A.H.O And His Orchestra - 1997, FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 14. February 2014, 12:14
Daunik Lazro / A.H.O. And His Orchestra
Used drive  : Optiarc DVD RW AD-7170A   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 320 kBit/s
Quality                         : High
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Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
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        1  |  0:00.32 |  7:40.60 |        32    |    34591
        2  |  7:41.17 |  9:44.40 |     34592    |    78431
        3  | 17:25.57 |  9:24.35 |     78432    |   120766
        4  | 26:50.17 |  7:44.33 |    120767    |   155599
        5  | 34:34.50 |  6:31.22 |    155600    |   184946
        6  | 41:05.72 |  7:05.73 |    184947    |   216894
        7  | 48:11.70 |  4:26.05 |    216895    |   236849
Range status and errors
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     Filename K:\ЕАС\Daunik Lazro - A.H.O. And His Orchestra.wav
     Peak level 100.0 %
     Extraction speed 1.9 X
     Range quality 99.9 %
     Test CRC 8289C9F5
     Copy CRC 8289C9F5
     Copy OK
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Track  7  accurately ripped (confidence 1)  [69F651FF]  (AR v2)
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==== Log checksum 941BC6ADCCF74950074ABE53859707F52C46D61E7846C1CBA2F10FE332C71C6B ====

REM GENRE Jazz
REM DATE 1997
REM DISCID 5D0C5607
REM COMMENT "ExactAudioCopy v1.0b2"
CATALOG 0000000000000
PERFORMER "Daunik Lazro"
TITLE "A.H.O. And His Orchestra"
FILE "Daunik Lazro - A.H.O. And His Orchestra.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Hornet "
    PERFORMER "Daunik Lazro"
    ISRC 000000000000
    INDEX 00 00:00:00
    INDEX 01 00:00:32
  TRACK 02 AUDIO
    TITLE "Paesaaggi "
    PERFORMER "Daunik Lazro"
    ISRC 000000000000
    INDEX 00 07:36:07
    INDEX 01 07:41:17
  TRACK 03 AUDIO
    TITLE "Kitty Malone "
    PERFORMER "Daunik Lazro"
    ISRC 000000000000
    INDEX 00 17:19:62
    INDEX 01 17:25:57
  TRACK 04 AUDIO
    TITLE "Hardes "
    PERFORMER "Daunik Lazro"
    ISRC 000000000000
    INDEX 00 26:44:47
    INDEX 01 26:50:17
  TRACK 05 AUDIO
    TITLE "Saga Of The Outlaws"
    PERFORMER "Daunik Lazro"
    ISRC 000000000000
    INDEX 00 34:29:20
    INDEX 01 34:34:50
  TRACK 06 AUDIO
    TITLE "Chaboud Jarret "
    PERFORMER "Daunik Lazro"
    ISRC 000000000000
    INDEX 00 41:00:40
    INDEX 01 41:05:72
  TRACK 07 AUDIO
    TITLE "Bel Ascoltare "
    PERFORMER "Daunik Lazro"
    ISRC 000000000000
    INDEX 00 48:06:45
    INDEX 01 48:11:70

A confusing title for a trio, perhaps, and God only knows what it means, but it doesn't make a bit of difference, as this set by Lazro and his cohorts is a wonder of free and post-free jazz fire and humor. It begins with "Hornet," with its funk backbeat played on an upright bass by Bolcato with requisite howling and yelling, which becomes an Ornette Coleman-like study on repetitive melody lines that open up the inside intervals for free improvisation. On Steve Lacy's "Kitty Malone," the band plays through Lacy's graceful melody -- which is in its opening bars reminiscent of "My Favorite Things" -- until it inverts the line and intervals, leaving the empty ones -- usually the fourths and ninths -- for space-like mediation by the rhythm section. As Lazro begins his solo ascent from the bottom triad of the scale, he articulates Lacy's actual voice on the alto and then moves toward building a solo embedded in the mode for the rhythm section to move against in the same way they would blues changes. And on it goes, with masks being ripped off harmonic stasis, screaming arpeggios creating new melodic and harmonic lines from old -- especially on Charles Tyler's "The Outlaws" -- and a complete re-examination of Christian Rollet's drums as a rhythm instrument. This is one of Lazro's strongest and fiercest outings.

Alto Saxophone, Baritone Saxophone – Daunik Lazro
Double Bass, Voice – Jean Bolcato
Drums – Christian Rollet