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(Avant-Garde Jazz, Big Band) [CD] Mark Harvey & The Aardvark Jazz Orchestra - Paintings For Jazz Orchestra - 1995, FLAC (tracks+.cue), lossless

(Avant-Garde Jazz, Big Band) [CD] Mark Harvey & The Aardvark Jazz Orchestra - Paintings For Jazz Orchestra - 1995, FLAC (tracks+.cue), lossless
Треклист:
Mark Harvey & The Aardvark Jazz Orchestra / Paintings For Jazz Orchestra
Жанр: Avant-Garde Jazz, Big Band
Носитель: CD
Страна-производитель диска: UK
Год издания: 1995
Издатель (лейбл): Leo Lab
Номер по каталогу: CD 014
Страна: US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 66:20
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
Paintings For Jazz Orchestra 48:14
1. Swing Landscape 7:54
2. Blips And Ifs 3:49
3. Report From Rockport 4:55
4. The Mellow Pad 9:06
5. Rapt At Rappaport's 11:39
6. Hot Still-Scape For Six Colors - Seventh Avenue Style 10:50
7. Convergences 18:00
 
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 26. November 2013, 21:40
Mark Harvey & The Aardvark Jazz Orchestra / Paintings For Jazz Orchestra
Used drive : PIONEER DVD-RW DVR-115D Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.32 | 7:54.28 | 32 | 35609
2 | 7:54.60 | 3:49.00 | 35610 | 52784
3 | 11:43.60 | 4:55.15 | 52785 | 74924
4 | 16:39.00 | 9:06.35 | 74925 | 115909
5 | 25:45.35 | 11:39.22 | 115910 | 168356
6 | 37:24.57 | 10:54.50 | 168357 | 217456
7 | 48:19.32 | 18:01.13 | 217457 | 298544
Track 1
Filename D:\zzz\01 - Swing Landscape.wav
Pre-gap length 0:00:02.32
Peak level 98.9 %
Extraction speed 5.3 X
Track quality 100.0 %
Test CRC B647B447
Copy CRC B647B447
Accurately ripped (confidence 2) [D389FE8D] (AR v1)
Copy OK
Track 2
Filename D:\zzz\02 - Blips And Ifs.wav
Peak level 13.9 %
Extraction speed 5.4 X
Track quality 100.0 %
Test CRC 7D424F7A
Copy CRC 7D424F7A
Accurately ripped (confidence 2) [24787615] (AR v1)
Copy OK
Track 3
Filename D:\zzz\03 - Report From Rockport.wav
Peak level 98.8 %
Extraction speed 6.0 X
Track quality 100.0 %
Test CRC 0BB525D6
Copy CRC 0BB525D6
Accurately ripped (confidence 2) [FB1D8028] (AR v1)
Copy OK
Track 4
Filename D:\zzz\04 - The Mellow Pad.wav
Peak level 99.4 %
Extraction speed 6.5 X
Track quality 99.9 %
Test CRC 45DCD135
Copy CRC 45DCD135
Accurately ripped (confidence 2) [E15F770A] (AR v1)
Copy OK
Track 5
Filename D:\zzz\05 - Rapt At Rappaport's.wav
Peak level 100.0 %
Extraction speed 7.8 X
Track quality 100.0 %
Test CRC 92239E38
Copy CRC 92239E38
Accurately ripped (confidence 2) [A991032D] (AR v1)
Copy OK
Track 6
Filename D:\zzz\06 - Hot Still-Scape For Six Colors - Seventh Avenue Style.wav
Peak level 98.8 %
Extraction speed 8.0 X
Track quality 99.9 %
Test CRC E9EFAD20
Copy CRC E9EFAD20
Accurately ripped (confidence 2) [7A23C639] (AR v1)
Copy OK
Track 7
Filename D:\zzz\07 - Convergences.wav
Pre-gap length 0:00:03.27
Peak level 100.0 %
Extraction speed 9.5 X
Track quality 100.0 %
Test CRC FD3FA4CF
Copy CRC FD3FA4CF
Accurately ripped (confidence 2) [EA96210F] (AR v1)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 8B34737D788DBCB4B9DBB0438E03AB2C16A49BAF2804634D849146B1D49B6A5A ====
 
Содержание индексной карты (.CUE)
REM GENRE "Big Band"
REM DATE 1995
REM DISCID 4C0F8C07
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Mark Harvey & The Aardvark Jazz Orchestra"
TITLE "Paintings For Jazz Orchestra"
FILE "01 - Swing Landscape.wav" WAVE
TRACK 01 AUDIO
TITLE "Swing Landscape"
PERFORMER "Mark Harvey & The Aardvark Jazz Orchestra"
PREGAP 00:00:32
INDEX 01 00:00:00
FILE "02 - Blips And Ifs.wav" WAVE
TRACK 02 AUDIO
TITLE "Blips And Ifs"
PERFORMER "Mark Harvey & The Aardvark Jazz Orchestra"
INDEX 01 00:00:00
FILE "03 - Report From Rockport.wav" WAVE
TRACK 03 AUDIO
TITLE "Report From Rockport"
PERFORMER "Mark Harvey & The Aardvark Jazz Orchestra"
INDEX 01 00:00:00
FILE "04 - The Mellow Pad.wav" WAVE
TRACK 04 AUDIO
TITLE "The Mellow Pad"
PERFORMER "Mark Harvey & The Aardvark Jazz Orchestra"
INDEX 01 00:00:00
FILE "05 - Rapt At Rappaport's.wav" WAVE
TRACK 05 AUDIO
TITLE "Rapt At Rappaport's"
PERFORMER "Mark Harvey & The Aardvark Jazz Orchestra"
INDEX 01 00:00:00
FILE "06 - Hot Still-Scape For Six Colors - Seventh Avenue Style.wav" WAVE
TRACK 06 AUDIO
TITLE "Hot Still-Scape For Six Colors - Seventh Avenue Style"
PERFORMER "Mark Harvey & The Aardvark Jazz Orchestra"
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Convergences"
PERFORMER "Mark Harvey & The Aardvark Jazz Orchestra"
INDEX 00 10:51:23
FILE "07 - Convergences.wav" WAVE
INDEX 01 00:00:00
 
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. Swing Landscape.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [02. Blips And Ifs.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03. Report From Rockport.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. The Mellow Pad.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05. Rapt At Rappaport's.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06. Hot Still-Scape For Six Colors - Seventh Avenue Style.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [07. Convergences.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
Доп. информация:
 
Album Info & AMG Review
Music by Mark S. Harvey
Recorded in live performance, Kresge Auditorium, MIT, Cambridge, MA on 3 April, 1993 and 8 April, 1994
Recording engineer: David Broderick
Mastering: Dr. Toby Mountain, Northeastern Digital Recording, Inc.
Produced by Mark S. Harvey and Leo Feigin
HOT STILL-SCAPE FOR SIX COLORS - SEVENTH AVENUE STYLE, Stuart Davis, 1940, oil on canvas, 36x45 in; gift of the William H. Lane Foundation and the M. and M. Karolik Collection, by exchange; courtesy the Museum of Fine Arts, Boston (C)1995 Estate of Stuart Davis / Licenced by VAGA, New York, NY
Mark Harvey has been knocking around Boston and MIT for a long, long time. He has also been composing for big bands longer than a lot of younger players have been on the scene. He is an adept, even virtuous trumpet player with a killer ear for new harmonic possibilities. He is also a gifted arranger. This set from 1995 offers two different compositions: a large work called Paintings for Jazz Orchestra; a suite in six parts based on the abstract paintings of American artist Stuart Davis; and a shorter but no-less-ambitious work that centers its heart on improvisation, called "Convergences." The two poles for Harvey's unique combination of jazz and classical styles come from Duke Ellington and Charles Ives: Ellington's gracious sense of tight yet broad-colored harmony, and Ives' notion of all organized sound being rife with the possibilities for being turned inside out. So, with a 22-piece band behind him, Harvey sets out to reinvent the big band orchestral palette by having it swing in tandem with diatonic deconstructions and chromatic inventions of a particularly complex nature. Where the orchestral swing in expanded harmonic dualities is reflected in "Swing Landscape;" its inverse is showcased in "Blips and Ifs;" where all orchestral speech is held to a minimum and instruments speak in whispered tonal nuances -- if they speak at all. Harmony is still present, but its force has been de-centered by counterpoint. In "Report From Rockport," Ives' idea of the vanguard is placed center stage and brief, hushed tonal clusters give way to huge brass shouts off of a muted pianissimo melodic idea. Behind it all, the bassist John Funkhouser is riffing like mad in pizzicato yet off mic. "Convergences" is a different entity indeed. Resolution here is not an issue. Brief compositional ideas are placed at all poles of the orchestras and then filled in by the band. Rhythms and time signatures change frequently; pitch is a random assessment of where everybody is at that moment;, and the improvisational arc swings wide to allow everybody their role in shaping a series of color palettes that all meld into one another midway through the piece and then fragment into separate streams, only to join together once more at the work's end. The overall feeling is a kind of cross between Anthony Braxton's 1976 Creative Orchestra Music and Miles Davis' live performances. The rhythm section here, composed of drummer Harry Wellott; Ken Filano; electric bassist Jerry Edwards; and percussionist Craig Ellis, should be applauded. The only thing that keeps this disc from being an overall classic is the usual Leo Feigin problem: shoddy mixing and mastering which hamper the more subtle dynamics of this band -- dynamics that would really show how much they stand out from the rest of the crop.
 
Состав
Arni Cheatham, Peter Bloom, Phil Scarff, Brad Jones, Eric Hipp (1), Joel Springer (1), Tom Hall (2): saxophones & woodwinds
Jeanne Snodgrass, K.C. Dunbar (2): trumpets
Marshall Sealy (1), John Patton (2): french horns
Bob Pilkington, Jay Keyser: trombones
Jeff Marsanskis: bass trombone
Richard Nelson: guitar
Ken Filiano (2): bass
John Funkhouser: bass, piano
Jerry Edwards: el. bass
Harry Wellott: drums
Craig Ellis: percussion
Donna Hewitt-Didham: vocal
Mark Harvey: trumpet, piano, conductor, liner notes
(1) "Paintings" only (2) "Convergences" only
Any questions -> support@pro-jazz.com. По всем вопросам пишите -> support@pro-jazz.com
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