(Avant-Garde, Free Improvisation) Moe! Staiano Moe!Kestra! - Two Forms Of Multitudes: Conducted Improvisations - 2003, FLAC (tracks+.cue), lossless
Треклист:
Moe! Staiano Moe!Kestra! / Two Forms Of Multitudes: Conducted Improvisations
Жанр: Avant-Garde, Free Improvisation
Страна-производитель диска: US
Год издания: 2003
Издатель (лейбл): Dephine Knormal / Pax Recordings / Edgetone Record
Номер по каталогу: DKM06 / PR90261 / EDT4021
Страна: US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 77:22
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1.-6. Conducted Improvisation Piece No. 5 37:19
7.-11. Conducted Improvisation Piece No. 4 40:05
Доп. информация:
Жанр: Avant-Garde, Free Improvisation
Страна-производитель диска: US
Год издания: 2003
Издатель (лейбл): Dephine Knormal / Pax Recordings / Edgetone Record
Номер по каталогу: DKM06 / PR90261 / EDT4021
Страна: US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 77:22
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1.-6. Conducted Improvisation Piece No. 5 37:19
7.-11. Conducted Improvisation Piece No. 4 40:05
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 18. November 2013, 21:16
Moe! Staiano's Moe!Kestra! / Two Forms Of Multitudes: Conducted Improvisations
Used drive : PIONEER DVD-RW DVR-115D Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 10:41.48 | 0 | 48122
2 | 10:41.48 | 2:56.13 | 48123 | 61335
3 | 13:37.61 | 5:02.60 | 61336 | 84045
4 | 18:40.46 | 8:31.60 | 84046 | 122430
5 | 27:12.31 | 4:40.31 | 122431 | 143461
6 | 31:52.62 | 5:26.13 | 143462 | 167924
7 | 37:19.00 | 6:02.51 | 167925 | 195125
8 | 43:21.51 | 6:06.71 | 195126 | 222646
9 | 49:28.47 | 12:45.69 | 222647 | 280090
10 | 62:14.41 | 9:12.20 | 280091 | 321510
11 | 71:26.61 | 5:55.41 | 321511 | 348176
Track 1
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Track not present in AccurateRip database
Copy OK
Track 2
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Track 3
Filename D:\zzz\03 - Conducted Improvisation Piece No. 5 III.wav
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Track quality 99.9 %
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Copy CRC 4F8693AD
Track not present in AccurateRip database
Copy OK
Track 4
Filename D:\zzz\04 - Conducted Improvisation Piece No. 5 IV.wav
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Track quality 100.0 %
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Copy CRC 29F7107F
Track not present in AccurateRip database
Copy OK
Track 5
Filename D:\zzz\05 - Conducted Improvisation Piece No. 5 V.wav
Peak level 39.7 %
Extraction speed 6.9 X
Track quality 100.0 %
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Copy CRC E3FD8504
Track not present in AccurateRip database
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Track 6
Filename D:\zzz\06 - Conducted Improvisation Piece No. 5 VI.wav
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Track 7
Filename D:\zzz\07 - Conducted Improvisation Piece No. 4 I.wav
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Track quality 100.0 %
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Track not present in AccurateRip database
Copy OK
Track 8
Filename D:\zzz\08 - Conducted Improvisation Piece No. 4 II.wav
Peak level 98.8 %
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Track quality 100.0 %
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Track not present in AccurateRip database
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Track 9
Filename D:\zzz\09 - Conducted Improvisation Piece No. 4 III.wav
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Track 10
Filename D:\zzz\10 - Conducted Improvisation Piece No. 4 IV.wav
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Extraction speed 9.4 X
Track quality 100.0 %
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Copy CRC 1ED1F105
Track not present in AccurateRip database
Copy OK
Track 11
Filename D:\zzz\11 - Conducted Improvisation Piece No. 4 V.wav
Peak level 98.8 %
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Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum C03AD5727066B4980A895BB0D793380B9A586FE340C265DB6D7F92631BE9040E ====
Содержание индексной карты (.CUE)
REM GENRE "Free Improvisation"
REM DATE 2003
REM DISCID 9312220B
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Moe! Staiano's Moe!Kestra!"
TITLE "Two Forms Of Multitudes: Conducted Improvisations"
FILE "01 - Conducted Improvisation Piece No. 5 I.wav" WAVE
TRACK 01 AUDIO
TITLE "Conducted Improvisation Piece No. 5 I"
PERFORMER "Moe! Staiano's Moe!Kestra!"
INDEX 01 00:00:00
FILE "02 - Conducted Improvisation Piece No. 5 II.wav" WAVE
TRACK 02 AUDIO
TITLE "Conducted Improvisation Piece No. 5 II"
PERFORMER "Moe! Staiano's Moe!Kestra!"
INDEX 01 00:00:00
FILE "03 - Conducted Improvisation Piece No. 5 III.wav" WAVE
TRACK 03 AUDIO
TITLE "Conducted Improvisation Piece No. 5 III"
PERFORMER "Moe! Staiano's Moe!Kestra!"
INDEX 01 00:00:00
FILE "04 - Conducted Improvisation Piece No. 5 IV.wav" WAVE
TRACK 04 AUDIO
TITLE "Conducted Improvisation Piece No. 5 IV"
PERFORMER "Moe! Staiano's Moe!Kestra!"
INDEX 01 00:00:00
FILE "05 - Conducted Improvisation Piece No. 5 V.wav" WAVE
TRACK 05 AUDIO
TITLE "Conducted Improvisation Piece No. 5 V"
PERFORMER "Moe! Staiano's Moe!Kestra!"
INDEX 01 00:00:00
FILE "06 - Conducted Improvisation Piece No. 5 VI.wav" WAVE
TRACK 06 AUDIO
TITLE "Conducted Improvisation Piece No. 5 VI"
PERFORMER "Moe! Staiano's Moe!Kestra!"
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Conducted Improvisation Piece No. 4 I"
PERFORMER "Moe! Staiano's Moe!Kestra!"
INDEX 00 05:16:13
FILE "07 - Conducted Improvisation Piece No. 4 I.wav" WAVE
INDEX 01 00:00:00
FILE "08 - Conducted Improvisation Piece No. 4 II.wav" WAVE
TRACK 08 AUDIO
TITLE "Conducted Improvisation Piece No. 4 II"
PERFORMER "Moe! Staiano's Moe!Kestra!"
INDEX 01 00:00:00
FILE "09 - Conducted Improvisation Piece No. 4 III.wav" WAVE
TRACK 09 AUDIO
TITLE "Conducted Improvisation Piece No. 4 III"
PERFORMER "Moe! Staiano's Moe!Kestra!"
INDEX 01 00:00:00
FILE "10 - Conducted Improvisation Piece No. 4 IV.wav" WAVE
TRACK 10 AUDIO
TITLE "Conducted Improvisation Piece No. 4 IV"
PERFORMER "Moe! Staiano's Moe!Kestra!"
INDEX 01 00:00:00
FILE "11 - Conducted Improvisation Piece No. 4 V.wav" WAVE
TRACK 11 AUDIO
TITLE "Conducted Improvisation Piece No. 4 V"
PERFORMER "Moe! Staiano's Moe!Kestra!"
INDEX 01 00:00:00
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. Conducted Improvisation Piece No. 5 I.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. Conducted Improvisation Piece No. 5 II.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. Conducted Improvisation Piece No. 5 III.wav]
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This track looks like CDDA with probability 100%
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Processing file: [04. Conducted Improvisation Piece No. 5 IV.wav]
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This track looks like CDDA with probability 100%
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Processing file: [05. Conducted Improvisation Piece No. 5 V.wav]
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This track looks like CDDA with probability 100%
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Processing file: [06. Conducted Improvisation Piece No. 5 VI.wav]
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This track looks like CDDA with probability 100%
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Processing file: [07. Conducted Improvisation Piece No. 4 I.wav]
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This track looks like CDDA with probability 100%
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Processing file: [08. Conducted Improvisation Piece No. 4 II.wav]
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This track looks like CDDA with probability 100%
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Processing file: [09. Conducted Improvisation Piece No. 4 III.wav]
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This track looks like CDDA with probability 99%
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Processing file: [10. Conducted Improvisation Piece No. 4 IV.wav]
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This track looks like CDDA with probability 100%
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Processing file: [11. Conducted Improvisation Piece No. 4 V.wav]
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This track looks like CDDA with probability 100%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%
Album Info & AMG Review
All compositions conducted & arranged by Moe! Staiano
Produced, mastered and edited by Dan Rathbun, 9 April 2003, at Polymorph Studios, Oakland, CA
Recorded live in performance by Jeff Wilson, 13 April 2002 at Appreciation Hall, Foothill College, Los Altos Hills, CA (No.4); and by Michael Zelner, 21 November 2002 at the Oakland Metro, CA (No. 5)
Live photo collage by Matthew Hartman from the Oakland Metro performance.
Moe! conduction photo by Alan Anzalone from a different performance.
Cover photo and other photos by Loris Gardner, 1940's.
Graphic assistance and design by Alan Anzalone
Graphic assistance and design policing by Moe! Staiano
Taking a cue from Lawrence "Butch" Morris, Moe! Staiano (he actually writes his first name with an exclamation point) conducts two 40-minute pieces on this album. Recorded on separate occasions, and with different troops, the two pieces share the same sets of prepared written notations and hand cues, but the results are quite different. Staiano approaches large ensemble "conduction" as both a way to sculpt shapes in masses of sounds, and as a way to stage melodic and rhythmical fragments. The two ensembles consist of musicians from the Bay Area. On "Piece No. 5", there is a hefty brass section, a mismatched string section (no cellos, but both double bass and electric bass), theremin, one drum set, and seven percussionists (including William Winant). For "Piece No. 4," the brass section shrinks considerably, a flute is added, the strings section is developed (now including cellos and five guitarists), piano, four drummers, four percussionists, and a singer. Well, Jesse Quattro is both a singer and screamer, active in the death metal group Saint Of Killers, and in the experimental/improv collective The Abstractions, together with guitarist Ernesto Diaz-Infante, cellist Bob Marsh, and sax player Rent Romus, all present for this session. At times the music sounds thoroughly prepared, at others it becomes very chaotic, but Staiano keeps things under control, and the music has a gripping drive that compensates for the lack of detail in sound quality (recording a 30-piece orchestra with little to no budget presents certain risks). Highlights are found in Part Three of "Piece No. 5," where a percussive locomotive propels a melody jumping around from instrument to instrument, while sustained brass clusters are being shaped, and in Part Four of "Piece No. 4," where Robert Silverman's theremin gets an unexpected feature spot backed by droning guitars.
Produced, mastered and edited by Dan Rathbun, 9 April 2003, at Polymorph Studios, Oakland, CA
Recorded live in performance by Jeff Wilson, 13 April 2002 at Appreciation Hall, Foothill College, Los Altos Hills, CA (No.4); and by Michael Zelner, 21 November 2002 at the Oakland Metro, CA (No. 5)
Live photo collage by Matthew Hartman from the Oakland Metro performance.
Moe! conduction photo by Alan Anzalone from a different performance.
Cover photo and other photos by Loris Gardner, 1940's.
Graphic assistance and design by Alan Anzalone
Graphic assistance and design policing by Moe! Staiano
Taking a cue from Lawrence "Butch" Morris, Moe! Staiano (he actually writes his first name with an exclamation point) conducts two 40-minute pieces on this album. Recorded on separate occasions, and with different troops, the two pieces share the same sets of prepared written notations and hand cues, but the results are quite different. Staiano approaches large ensemble "conduction" as both a way to sculpt shapes in masses of sounds, and as a way to stage melodic and rhythmical fragments. The two ensembles consist of musicians from the Bay Area. On "Piece No. 5", there is a hefty brass section, a mismatched string section (no cellos, but both double bass and electric bass), theremin, one drum set, and seven percussionists (including William Winant). For "Piece No. 4," the brass section shrinks considerably, a flute is added, the strings section is developed (now including cellos and five guitarists), piano, four drummers, four percussionists, and a singer. Well, Jesse Quattro is both a singer and screamer, active in the death metal group Saint Of Killers, and in the experimental/improv collective The Abstractions, together with guitarist Ernesto Diaz-Infante, cellist Bob Marsh, and sax player Rent Romus, all present for this session. At times the music sounds thoroughly prepared, at others it becomes very chaotic, but Staiano keeps things under control, and the music has a gripping drive that compensates for the lack of detail in sound quality (recording a 30-piece orchestra with little to no budget presents certain risks). Highlights are found in Part Three of "Piece No. 5," where a percussive locomotive propels a melody jumping around from instrument to instrument, while sustained brass clusters are being shaped, and in Part Four of "Piece No. 4," where Robert Silverman's theremin gets an unexpected feature spot backed by droning guitars.
Состав
Phillip Greenlief: soprano saxophone (1-6)
Michael Zelner: alto saxophone (1-6), saxophone (7-11), clarinet (7-11)
Alan Anzalone: tenor saxophone (1-6), saxophone (7-11)
Henry Kuntz: tenor saxophone (1-6)
Michael Cooke: tenor saxophone (1-6)
Rent Romus: saxophone (7-11)
Colin Stetson: saxophone (7-11)
Jason Ditzian: clarinet (1-6)
Richard E. Barber: clarinet (7-11)
Matt Ingalls: clarinet (7-11)
Tom Bickley: recorder (7-11)
Erica Fallin: flute (7-11)
Tom Djll: trumpet (1-6)
Freddi Price: trumpet (1-6)
Matt Volla: trumpet (1-6)
Jennifer Baker: trombone (1-6)
Jeff Hobbs: violin
Joan Ling-Zwissler: violin (1-6)
Cheryl E. Leonard: viola
Jorge Boehringer: viola (1-6)
Merlin Coleman: cello (7-11)
Bob Marsh: cello (7-11)
Bobby Todd: contrabass (1-6)
Matt Lebofsky: electric guitar (1-6)
Alwyn Quebideaux: electric guitar
Michael de la Cuesta: electric guitar (7-11)
Eli Good: electric guitar (7-11)
Sue Hutchinson: electric guitar (7-11)
Rick Rees: electric guitar (7-11)
Ernesto Diaz-Infante: electric acoustic guitar (7-11)
Peter Conheim: electric bass (1-6)
Tom Corboline: electric bass (7-11)
Jonathan Segel: electric bass (7-11)
Robert Silverman: theremin
Scott Looney: piano (7-11)
Tyler Cox: drums
Mat Kolenmainen: drums (7-11)
Thomas Scandura: electronic drum pad (1-6), drums (7-11)
Chris Sipe: drums (7-11)
Michael Guarino: percussion, all-sorts
Suki O'Kane: percussion, all-sorts
Ali Tabatabai: percussion, all-sorts (1-6)
Peter Valsamis: percussion, all-sorts (1-6)
Phil Williams: percussion, all-sorts (1-6)
William Winant: percussion, all-sorts (1-6)
Tim Bolling: percussion, all-sorts (7-11)
Garth Powell: percussion, all-sorts (7-11)
Jesse Quattro: voice (7-11)
Moe! Staiano: conductor, percussion (1-6)
+ hand claps from most members of the orchestra
Michael Zelner: alto saxophone (1-6), saxophone (7-11), clarinet (7-11)
Alan Anzalone: tenor saxophone (1-6), saxophone (7-11)
Henry Kuntz: tenor saxophone (1-6)
Michael Cooke: tenor saxophone (1-6)
Rent Romus: saxophone (7-11)
Colin Stetson: saxophone (7-11)
Jason Ditzian: clarinet (1-6)
Richard E. Barber: clarinet (7-11)
Matt Ingalls: clarinet (7-11)
Tom Bickley: recorder (7-11)
Erica Fallin: flute (7-11)
Tom Djll: trumpet (1-6)
Freddi Price: trumpet (1-6)
Matt Volla: trumpet (1-6)
Jennifer Baker: trombone (1-6)
Jeff Hobbs: violin
Joan Ling-Zwissler: violin (1-6)
Cheryl E. Leonard: viola
Jorge Boehringer: viola (1-6)
Merlin Coleman: cello (7-11)
Bob Marsh: cello (7-11)
Bobby Todd: contrabass (1-6)
Matt Lebofsky: electric guitar (1-6)
Alwyn Quebideaux: electric guitar
Michael de la Cuesta: electric guitar (7-11)
Eli Good: electric guitar (7-11)
Sue Hutchinson: electric guitar (7-11)
Rick Rees: electric guitar (7-11)
Ernesto Diaz-Infante: electric acoustic guitar (7-11)
Peter Conheim: electric bass (1-6)
Tom Corboline: electric bass (7-11)
Jonathan Segel: electric bass (7-11)
Robert Silverman: theremin
Scott Looney: piano (7-11)
Tyler Cox: drums
Mat Kolenmainen: drums (7-11)
Thomas Scandura: electronic drum pad (1-6), drums (7-11)
Chris Sipe: drums (7-11)
Michael Guarino: percussion, all-sorts
Suki O'Kane: percussion, all-sorts
Ali Tabatabai: percussion, all-sorts (1-6)
Peter Valsamis: percussion, all-sorts (1-6)
Phil Williams: percussion, all-sorts (1-6)
William Winant: percussion, all-sorts (1-6)
Tim Bolling: percussion, all-sorts (7-11)
Garth Powell: percussion, all-sorts (7-11)
Jesse Quattro: voice (7-11)
Moe! Staiano: conductor, percussion (1-6)
+ hand claps from most members of the orchestra