(Afro-Cuban Jazz, Contemporary, Latin) [WEB] Yosvany Terry - New Throned King - 2014, FLAC (tracks), lossless

(Afro-Cuban Jazz, Contemporary, Latin) [WEB] Yosvany Terry - New Throned King - 2014, FLAC (tracks), lossless
Yosvany Terry
New Throned King Жанр: Afro-Cuban Jazz, Contemporary, Latin
Год издания: 2014
Издатель (лейбл): 5Passion
Номер по каталогу: 5P-025
Страна исполнителя (группы): Cuba/USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 62:00
Источник (релизер): WEB (спасибо Popcat)
Наличие сканов: front
1. Reuniendo La Nacion
2. New Throned King
3. Walking over Wave
4. Laroko
5. Ojun Degara
6. Mase Nadodo
7. Thunderous Passage
8. Healing Power
9. Dance Transformation
10. Ilere
Лог проверки качества
PERFORMER: auCDtect Task Manager, ver. 1.5.1RC6 build
Copyright (c) 2008-2010 y-soft. All rights reserved
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 10 Ilere.flac
Size: 43472359 Hash: 9F66339A176373C6CA737485114CFA9F Accuracy: -m0
Conclusion: CDDA 100%
Signature: AB71FA4CFE66AE66D31A1CF84055958D530BB23E
FILE: 09 Dance Transformation.flac
Size: 54071399 Hash: 601AC8B74DF837C76B400D5F474EC04C Accuracy: -m0
Conclusion: CDDA 99%
Signature: A02B481BDDF508B27B9D37A24BAD1E381CC4E5E9
FILE: 08 Healing Power.flac
Size: 58149564 Hash: 7DE157AA3A8126EC45A585C4A4090A5D Accuracy: -m0
Conclusion: CDDA 100%
Signature: 9B270989C8890B918B49ADA1694190A23E8E6DB8
FILE: 07 Thunderous Passage.flac
Size: 27495691 Hash: A9555BCE70821A1340609EB6C9FC51DC Accuracy: -m0
Conclusion: CDDA 100%
Signature: E9A878C3B96D95299E3E5547B67009AD26E0E44E
FILE: 06 Mase Nadodo.flac
Size: 50719731 Hash: AF4164E5FBEDB9AB7B3088F8EE7FEB44 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 58A64B9DC0A8C450E5DEB246C426C520854F5FC0
FILE: 05 Ojun Degara.flac
Size: 47894600 Hash: E30316FCF2DCABCB750E826A15123305 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 1B300F2568823A36B0C7A4BC2F7D1F77075CA4DD
FILE: 04 Laroko.flac
Size: 24868030 Hash: 576D0BE89B6192DD95AFB9FDC33A6694 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 4982C211EE3CB38C9AA94E64355086519BEE69A6
FILE: 03 Walking Over Wave.flac
Size: 42932383 Hash: 3EBE84F7AB070F6A13D9DFC9C402AC4A Accuracy: -m0
Conclusion: CDDA 100%
Signature: A8879292379710D9E5BEFB570657034DC8290B1C
FILE: 02 New Throned King.flac
Size: 52333090 Hash: C9F1BB511D2CCE6863C6A26BC5B52D62 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 0071A6F69F9821AF06A901DF9151E8B9BD8A979E
FILE: 01 Reuniendo La Nación.flac
Size: 19691269 Hash: B43CCDCB60EF2C6821A292B645985977 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 236AC9EE8641C1FFBAA92A50F8F9544379B5CE6C
Об альбоме
Yosvany Terry is part of the new wave of young Cuban players who have come to these shores during the last decade and established a solid presence based on their artistry and virtuosity. What has distinguished Terry from his counterparts, however, is that while most of the Cubans are either pianists or drummers, his instruments of choice have been the alto and soprano sax. In the meantime, Terry, who is the scion of one of Cuba's musical first families, Los Terry, has been a mainstay on the New York jazz scene playing with the likes of Eddie Palmieri, Roy Hargrove, Dave Douglas, and Jeff "Tain" Watts.
While operating in the U.S., Terry has maintained a personal interest in the richly varied musical and religious cultures of his island. Terry was born and raised in the town of Matanzas, a recognized as a repository of traditional African culture and religion. He was raised in the Lucumi (Yoruba) tradition of his family, but recently developed an interest in another more esoteric spiritual/ tradition known as Arara, which came to Cuba with Africans who came from the Dahomey region. As his mother is descended from Haitians who practiced this, Terry made a conscious decision to study Arara rituals and music, eventually becoming initiated into the Arara community in Mantanzas.
Terry's new recording New Throned King (5Passion Records) is the musical culmination of his spiritual exploration, and one of the most creative recordings of the year. The entire set is comprised of music Terry composed, based on Arara "cantos" and rhythms, which for the most part have never been performed outside of Matanzas.
To insure the cultural authenticity of this project, Terry recruited top flight Afro-Cuban players and formed a group which he named Ye-De Gbe, which means " with the approval of the spirits" in Fon, the traditional Arara language. In this group are bassist Yunior Terry Cabrera who besides having solid Afro-Cuban cred is Terry's brother, pianist Osmany Paredes, African guitarist Dominck Kanza, drummer Justin Brown, who has been keeping time for Terence Blanchard, and a percussion battery comprised of, perhaps, the best Afro-Cuban drummers in the States, Roman Diaz , Pedro "Pedrito" Martinez, and Terry's homie from Matanzas, Sandy Perez, a member of the family clan which founded the legendary ensembles Los Munequitos and Grupo Afrocuba.
Terry opens the set with a ceremonial piece titled "Reuniendo La Nacion," (Reuniting The Nation) which begins with a mashup of Haitian and Arara drumming. Terry lays down an angular melody, joined by a haunting piano riff from guest Jason Moran. The title tune, an invocation to Asojano/Babaluaiye, starts off with a chorus by Martinez, Diaz, and Perez laid over a rhythmic piano vamp by Paredes, with a swingin' Shorter-esque solo by Terry. Terry makes things interesting with variations on the instrumentation. On "Laroko," dedicated to Elegua, Terry simply uses chants and clapping, interspersed with a sinuous soprano response. He also shows mad chekere skills to open the traditional ceremonial piece.
Other cuts of note are "Nase Nadodo," which includes a poem by Ishmael Reed dedicated to the African Amazons women warriors, and "Thunderous Passage," dedicated to Chango, a straight drum/percussion set. Terry eschews his horn and plays the ceremonial Arara drums known as wewe. The recording concludes with "Ile Ire." (House of Joy) which starts with vocals by Martinez and poetic meditations by Diaz, intertwined with hypnotic solos by Terry and Paredes on piano.
With New Throned King Terry has managed to take what might have been a pedantic scholarly work and created music which is at once powerful and revelatory. His ensemble is more than up to the task. Terry has shown to be a highly creative saxman. Paredes is schooled in both Afro-Cuban and bop/swing idioms, so his solos veritably dance through each composition, while Brown is adept at handling highly complex rhythm patterns. With this project Terry has created music of the highest order, redefined definitions of what constitutes so-called "Latin Jazz," and made arguably one of the best releases this year.
5/5 stars
(Steve Bryant)
Of all the young Cuban-born musicians and music that springs out of New York, few are as exciting as Elio Villafranca and Yosvany Terry. Both have released new albums. Both are exciting, Both have produced exquisite and significant albums. The latter’s is under review and is called New Throned King. This album truly is a very important addition to the literature of music. In it Yosvany Terry has awoken the spirit of the Arará tradition long held sacred by the people of Dahomey (now Benin), who were carried in slave ships to the Caribbean—Haiti and principally Cuba—where they settled in the Matanzas region and practiced worshipful chants for over one hundred years. Of course Arará is much older than that—perhaps a thousand years old and more. Its practitioners have a deep communion with God; Gnawas who also have the power to heal not only through their practice, but also through their spirit, even when they depart from this world. Two such persons were Dean Badarou, Yosvany Terry’s inspiration from Benin and Maño the majestic spiritualist who was born into the Cabildo Arará Sabalú de Matanzas. Maño was instrumental in acting as Mr. Terry’s spiritual director. He was introduced to Mr. Terry by musician and friend Sandy Pérez, when the saxophonist was struggling to bring these musical ideas to fruition. With Maño’s inspirational assistance the magic began to unfold and New Throned King, a name suggested to Mr. Terry by Mr. Badarou, and with rousing from Sandy Pérez and chiefly Maño the music began to unfold.
From the very outset, this music sounds wholly different from anything on this planet. It is percussive—most mystically so—yet when Yosvany Terry begins to blow his alto horn, it becomes highly evocative, tremendously melodic and also with a unique bass line melody that is poured out like a libation upon the various songs in the suite. Arará drums are thunderous. They may be played chiefly with sticks and they sound as if they would wake up the slumbering gods; much more so summon them to earth. Mr. Terry was born into this tradition coming from the region that practiced Arará worship. But he was confirmed into the faith by Maño at the time of struggling to compose this music and come to grips with the chants. But it would be wrong to suggest that Mr. Terry has only come to the attention of the cognoscenti with this recording. 2011, Criss Cross Jazz album, Today’s Opinion is a masterpiece in its own right. It was from then that Mr. Terry established his vision; one that swept across Cuba and the mighty continents of the Americas and Europe. As an alto saxophonist, Mr. Terry’s voice is informed by a deep sense of tradition and it is constantly also looking forward. This is why it is possible to detect the secrets of Charlie Parker in the singularity of his alto saxophone that is played with such rhythmic intensity that it can sometimes leave the head in a dizzying spin.
This is why this record is so special: it combines the intensity of the spiritual with premonitions of future music that are, at times so phenomenal that this music sounds almost paranormal. Mr. Terry wails and dances and spins with his horn like a true master. But he is not the only significant musician on the record. His brother and bassist, Yunior Terry, is special too. He plays with sublime technique and great invention and he keeps the spirit of the music alive with passion that is only equalled by Yosvany Terry and of course the insouciant Pedrito Martinez, who reappears as magically as he does on Michele Rosewoman’s recording. Here, however, Mr. Martinez is wildly different. His chants and supplications in the Arará tradition are powerful and shoot up to the heavens like spiritual arrows aimed at the Throne of God. In return, this God reveals his majesty and mystical power in the music that Mr. Terry has composed. Yet he is also a mysterious God; as mysterious as the title of the recording as well. Still, the enchantment and superior intellect of the music and the musicians shine through this principal character in the mighty realm of the heavens. If Mr. Terry is aware of this he remains inscrutable. This adds to the magnificent mystery of the music, its musicians and the recording as a whole. It bears mention that this package is also superbly enhanced by the illustrations of the multi-talented Bobby Carcassés, also known for his growlingly marvelous vocals and the unique howl of his trumpet. And there are also significant contributions form guiding spiritualist Román Diaz, the wonderful guitarist Dominick Kanza and the other guiding light Sandy Pérez, as well as the narration by the remarkable poet Ishmael Reed.
However, this is Yosvany Terry’s record. It is headed for stellar regions in music and will surely add to the growing reputation of its creator, who will, no doubt be decorated for his unbridled ingenuity.
5/5 stars
(Raul da Gama)
Yosvany Terry - saxophones, chekeré, coro, wewé (5)
Osmany Paredes - piano
Yunior Terry - bass, coro
Pedrito Martinez - lead vocalist, opitli
Sandy Pérez - yonofo, akotó
Román Diaz - wewé, coro
Dominick Kanza - guitar
Justin Brown - drumset
Gema Corredera - coro (4, 5, 6, 8)
Jason Moran - piano (1)
Val Jeanty - sound design, DJ (1, 8)
Ishmael Reed - poetry (6)
Альбом номинирован на Grammy-2015 в категории "BEST LATIN JAZZ ALBUM", хотя, на мой взгляд, хорош именно тем, что не зациклен на этнике.
Нет комментариев. Ваш будет первым!