(world fusion) [CD] Joe Harriott Double Quintet (dir. John Mayer, feat. Kenny Wheeler) - Indo-Jazz Suite (1967) - 2014, FLAC (image+.cue), lossless

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Joe Harriott Double Quintet / Indo-Jazz Suite
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REM GENRE Jazz
REM DATE 1966
REM DISCID 30084804
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Joe Harriott Double Quintet"
TITLE "Indo-Jazz Suite"
FILE "Joe Harriott Double Quintet - Indo-Jazz Suite.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Overture"
    PERFORMER "Joe Harriott Double Quintet"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Contrasts"
    PERFORMER "Joe Harriott Double Quintet"
    INDEX 00 08:05:22
    INDEX 01 08:07:22
  TRACK 03 AUDIO
    TITLE "Raga Megha"
    PERFORMER "Joe Harriott Double Quintet"
    INDEX 00 17:29:52
    INDEX 01 17:31:34
  TRACK 04 AUDIO
    TITLE "Raga Gaud-Saranga"
    PERFORMER "Joe Harriott Double Quintet"
    INDEX 00 26:08:73
    INDEX 01 26:11:18

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Review by Thom Jurek -
At long last, Caribbean saxophonist Joe Harriott's classic collaboration with Calcutta composer and conductor John Mayer is back in print on this Koch CD reissue of the original Atlantic LP from 1967. In England in the 1960s, Harriott was something of a vanguard wonder on the order of Ornette Coleman. And while the comparisons flew fast and furious and Harriott was denigrated as a result, the two men couldn't have been more different. For one thing, Harriott was never afraid to swing. This work, written and directed by Mayer, offered the closest ever collaboration and uniting of musics East and West. Based almost entirely in the five-note raga -- or tonic scale that Indian classical music emanates from -- and Western modalism, the four ragas that make up the suite are a wonder of tonal invention and modal complexity, and a rapprochement to Western harmony. The band Harriott assembled here included his own group -- pianist Pat Smythe, bassist Coleridge Goode, and drummer Allan Ganley -- as well as trumpeter Kenny Wheeler, flutist Chris Taylor, Diwan Mothar on sitar, Chandrahas Paiganka on tamboura, and Keshan Sathe on tabla, with Mayer playing violin and Harriott on his alto. Of the four pieces, the "Overture" and "Contrasts" are rooted in blues and swing, though they move from one set of ascending and descending notes to the other, always ending on the tonic, and involve more than the five, six, or seven notes of Indian classical music, while the latter two -- "Raga Megha" and "Raga Gaud-Saranga" -- are out to lunch in the Western musical sensibility and throw all notions of Western harmony out the window. The droning place of the tamboura and the improvising sitar and alto shift the scalar notions around until they reflect one another in interval and mode, creating a rich, mysterious tapestry of sonic inquiry that all but folds the two musics into one another for good. Amazing.

Allan Ganley Drums
Coleridge Goode Bass
Joe Harriott Alt-Sax
John Mayer Composer, Director, Violin
Pat Smythe Piano
Chris Taylor Flute
Kenny Wheeler Trumpet
Recording Date: October 10, 1966