Original Jazz Classics (OJC)
![1958 George Lewis - George Lewis Of New Orleans (1994) {Original Jazz Classics} [CD]](/upload/000/u2/e/6/5556af76.jpg "1958 George Lewis - George Lewis Of New Orleans (1994) {Original Jazz Classics} [CD]")
![1956 Claire Austin - Sings When Your Lover Has Gone (1991) {Fantasy, OJC} [CD]](/upload/000/u2/f2/5e/d0adf006.jpg "1956 Claire Austin - Sings When Your Lover Has Gone (1991) {Fantasy, OJC} [CD]")
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tracks 1-4, 6-10 Los Angeles, CA, April 13, 1955, track 5 Los Angeles, CA, February 16, 1956: Claire Austin, vocal; Bob Scobey, trumpet; Stan Wrightsman, piano; Barney Kessel, guitar; Morty Corb, bass; Shelly Manne, drums tracks 11-18 Los Angeles, CA, April 2, 1954: Claire Austin, vocal; Kid Ory, trombone; Don Ewell, piano; Ed Garland, bass; Minor
![1988 Jimmy Heath - Nice People {Riverside, OJC} [16-44,1]](/upload/000/u2/c8/64/a22d96ee.jpg "1988 Jimmy Heath - Nice People {Riverside, OJC} [16-44,1]")
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track 1 - recorded in New York; December 27, 1959 (Original issue Riverside 314 track 2 - recorded in New York; December 7, 1959 (Original issue Riverside 314/1160) monaural/1160 stereo) Bass – Paul Chambers Cornet – Nat Adderley Drums – Albert Heath Piano – Wynton Kelly Trombone – Curtis Fuller 3 - recorded in
![1974 Count Basie encounters Oscar Peterson - Satch and Josh (1998) {OJC-959-2} [CD]](/upload/000/u2/a5/1b/bop-cd-count-basie-encounters-oscar-peterson-satch-and-jos.jpg "1974 Count Basie encounters Oscar Peterson - Satch and Josh (1998) {OJC-959-2} [CD]")
![1958 Cannonball Adderley with Milt Jackson - Things Are Getting Better (2013) {OJC} [CD]](/upload/000/u2/91/f9/26aaed52.jpg "1958 Cannonball Adderley with Milt Jackson - Things Are Getting Better (2013) {OJC} [CD]")
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Cannonball Adderley Composer, Sax (Alto) Art Blakey Drums Percy Heath Bass Jack Higgins Engineer Milt Jackson Composer, Vibraphone Orrin Keepnews Liner Notes, Producer Wynton Kelly Piano Joe Tarantino Digital R
![1955 Barney Kessel - Vol. 3: To Swing or Not to Swing {Contemporary, OJC} [CD]](/upload/000/u2/a3/91/bop-cool-barney-kessel-vol-3-to-swing-or-not-to-swing-1.jpg "1955 Barney Kessel - Vol. 3: To Swing or Not to Swing {Contemporary, OJC} [CD]")
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Barney Kessel (guitar) Harry "Sweets" Edison (trumpet) Jimmy Rowles (piano) Georgie Auld (tenor sax) Bill Perkins (tenor sax) Al Hendrickson (rhythm guitar) Red Mitchell (bass) Irving Cottler (drums) Shelly Manne (drums)
![1973 Joe Henderson - Canyon Lady (1997) {Milestone/OJC 00025218694926} [CD]](/upload/000/u2/fd/8f/49f6dee4.jpg "1973 Joe Henderson - Canyon Lady (1997) {Milestone/OJC 00025218694926} [CD]")
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Francisco Aguabella Congas Oscar Brashear Trumpet Phil Bray Photography Nicholas Ten Broeck Trombone Hadley Caliman Flute, Sax (Tenor) Phil Carroll Art Direction Phil DeLancie Remastering Vince Denham Flut
![1975 Roy Eldridge, Oscar Peterson, Dizzy Gillespie - Jazz Maturity... Where It's Coming From {OJC} [CD]](/upload/000/u2/a5/0a/1975-roy-eldridge-oscar-peterson-dizzy-gillespie-jazz-maturi.jpg "1975 Roy Eldridge, Oscar Peterson, Dizzy Gillespie - Jazz Maturity... Where It's Coming From {OJC} [CD]")
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Roy Eldridge - Trumpet Dizzy Gillespie - Trumpet Oscar Peterson - Piano Ray Brown - Bass Mickey Roker - Drums Produced by Norman Granz. Recorded at RCA Recordings Studios, New York; June 3, 1975 Recording engineer - Bob Simpson Digital remastering, 1994 - Phil De Lancie (Fantasy Studios, Berkeley)
![1975 Oscar Peterson, Clark Terry - Oscar Peterson & Clark Terry {Pablo} [CD]](/upload/000/u2/0b/8f/bop-oscar-peterson-clark-terry-oscar-peterson-amp-clark-t.jpg "1975 Oscar Peterson, Clark Terry - Oscar Peterson & Clark Terry {Pablo} [CD]")
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Phil DeLancie Digital Remastering Norman Granz Producer Benny Green Liner Notes Ed Green Engineer Ed Greene Engineer Eric Miller Assistant Engineer Oscar Peterson Composer, Piano Clark Terry Composer, Trum
![1978 Monty Alexander - Jamento: The Monty Alexander 7 {Pablo, OJC} [CD]](/upload/000/u2/20/e2/86407ded.jpg "1978 Monty Alexander - Jamento: The Monty Alexander 7 {Pablo, OJC} [CD]")
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Monty Alexander (piano); Ernest Ranglin (guitar); Andy Simpkins (bass); Roger Bethelmy, Duffy Jackson (drums); Vince Charles (steel drums); Larry McDonald (percussion).
![1959 Barney Kessel - Some Like It Hot (2001) {OJC} [CD]](/upload/000/u2/7e/90/7df91a97.jpg "1959 Barney Kessel - Some Like It Hot (2001) {OJC} [CD]")
![1979 Art Pepper - Thursday Night at the Village Vanguard (1992) {Contemporary} [CD]](/upload/000/u2/a/9/b7a9fe09.jpg "1979 Art Pepper - Thursday Night at the Village Vanguard (1992) {Contemporary} [CD]")
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Alto Saxophone, Liner Notes – Art PepperBass – George MrazCompiled By, Edited By, Mastered By [Disc Mastering] – John KoenigDesign – George Kershaw (2)Drums – Elvin JonesEngineer [Recording Engineer] – Bob SimpsonEngineer [Second Engineers] – Ronnie Olson*, Tom Brown (2)Liner Notes [January 25, 1980] – Peter KeepnewsPhotography By [Cover Photo], Co
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Lone Hill Jazz, Analogue Productions, JVC Kenwood Victor Entertainment Corporation, West Wind Records, Storyville Records, Shanachie Records, Contemporary Records, Fresh Sound Records, Pacific Jazz Records, Warner Music Group, Prestige Records, Dreyfus Jazz, Original Jazz Classics (OJC), Fantasy Records, Savoy Records, Blue Note Records, Columbia Records
Название альбома, STRAIGHT LIFE — казалось бы, ироничное название, которое, без сомнения, можно отнести к жизни Арта Пеппера. Хотя при жизни он считал себя (и не раз заявлял об этом) одним из величайших альт саксофонистов мира — а это был действитель
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Американский джазовый ударник, один из величайших мастеров своего инструмента в 1950-х, Арт Тэйлор принял участие во множестве хард-боп сессий и джем сейшинов. Его первые важные выступления состоялись в 1948, когда тинэйджером Тэйлор играет на
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Крупнейший американский джазовый пианист, получивший известность благодаря работе в составе квартета Джона Колтрейна (John Coltrane Quartet) и продолжительной сольной карьере. МакКой был старшим из троих детей. Изучать игру на фортепиано начал
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