Вы используете незарегистрированную версию компонента "Вкладки"!

Поиск

(world music, afro-cuban, vocal jazz, soul) [WEB] Dayme Arocena (Daymé Arocena) - Nueva Era - 2015, FLAC (tracks), lossless

(world music, afro-cuban, vocal jazz, soul) [WEB] Dayme Arocena (Daymé Arocena) - Nueva Era - 2015, FLAC (tracks), lossless
Треклист:
Daymé Arocena / Nueva Era
Жанр: world music, afro-cuban, vocal jazz, soul
Носитель: WEB
Страна-производитель диска (релиза): UK | Cuba
Год издания: 2015
Издатель (лейбл): Brownswood Recordings
Страна исполнителя (группы): Cuba
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 00:38:02
Источник (релизер): вата (благодарности - mondomix) <= qobuz
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Madres (5:46)
02. Drama (3:30)
03. Sin Empezar (2:52)
04. Don't Unplug My Body (4:59)
05. Dust (3:56)
06. Nueva Era (2:44)
07. Crystal (3:53)
08. El Ruso (4:44)
09. Nino (2:37)
10. Come to Me (3:02)
Доп. информация: http://havana-cultura.com/
Видео для аппетита:
 
auCDtect log
-----------------------
DON'T MODIFY THIS FILE
-----------------------
PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 10 Come to Me.flac
Size: 15727077 Hash: 02851854C67BD29D68E57F11A096AF70 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 322F91AB8D13E78E1D23B1CCD22699CD8B141E5A
FILE: 09 Nino.flac
Size: 15558046 Hash: CEF4C554EB8D6648DFA76D9745F837D2 Accuracy: -m0
Conclusion: CDDA 100%
Signature: AC94F98CA96CA1B7CF9121695D9CB2782FC0D2E4
FILE: 08 El Ruso.flac
Size: 28812340 Hash: 67604C55E55B7C16446EAC65E637F7FB Accuracy: -m0
Conclusion: CDDA 100%
Signature: 1EDAD1F6522F6D82766967F428234406746F1A42
FILE: 07 Crystal.flac
Size: 23577752 Hash: 0DCC157E14C943679DF997B9779CB743 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 24380B383317CD1235D73E1FFE34D8D46C93B6E0
FILE: 06 Nueva Era.flac
Size: 16655259 Hash: 18818CE36B14BF6D7933FA6EA92A63EF Accuracy: -m0
Conclusion: CDDA 100%
Signature: 0D40469EACBCA952FB274D781DB405CA3355DAA0
FILE: 05 Dust.flac
Size: 21894191 Hash: 95213FCE0051353F24A1F1FB28934BE1 Accuracy: -m0
Conclusion: CDDA 99%
Signature: 664731580AC77DD8D7A59829D78DAA1D03FDE59E
FILE: 04 Don't Unplug My Body.flac
Size: 33054070 Hash: 45780735E304A6E15708213BE7090B33 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 51BA2C5B489F6F49D1A99DF0955F8AAADD69A4E8
FILE: 03 Sin Empezar.flac
Size: 17405323 Hash: 6BA0881801ED3056DDBEED1D6865505E Accuracy: -m0
Conclusion: CDDA 100%
Signature: C999B0505D3B326E91754A96AD07933A21A6A6A4
FILE: 02 Drama.flac
Size: 21878042 Hash: 9FB69749A62A5C36C5248CBE41FAD959 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 8D89015857C4A9AB171188948F21115A224E2A60
FILE: 01 Madres.flac
Size: 36353202 Hash: 3326CF2DB5F3E5C7C9F68C149D8063FA Accuracy: -m0
Conclusion: CDDA 100%
Signature: 445EF405E49A33D69F722534B8E5D8950693C007
 
Об исполнителе | About Artist
Dayme Arocena displays a rare combination of youthful energy and very adult composure. She has an easy laugh and irradiates warmth, yet the power of her voice and the articulateness of her speech would make you think that she’s much older than twenty-two.
A native of Havana’s Diez de Octubre neighborhood, Dayme underlines the weight of her upbringing in the musician that she is today: “Diez de Octubre has an important Afro-Cuban influence. I was born and lived there all my life, so I have a strong base of the [Afro-Cuban] religion— the chants, the rituals and the celebrations.”
And, as it is often the case in Cuba, music was also a family affair: “When there was a celebration, my mom and my grandmother would sing and my uncles would play tumbadoras—or if there wasn’t one around they would just find a bucket and a stick and throw a great party.” As a child, Dayme was drawn to North American music: “I loved Whitney Houston—she was my idol!” On a very different note, her grandmother had her memorizing boleros from the 1960s and her dad, a huge fan of Louie Bellson, insisted that she discover jazz.
Dayme graduated from the music education system as a choir director. She began singing with Los Primos Big Band, mentored by Joaquín Betancourt, and deepened her connection with jazz: “The first standard that they gave me was My Funny Valentine. It was just handwritten on a sheet of paper and it was the first time I tried something like that. Generally, singers learn songs by listening to other singers. When you don’t know how to grasp the song, you have to sit down and analyze what the lyrics and the music say, how the musicians are accompanying you, and suddenly you’re singing jazz with an interpretation that is your own.”
A few years back, Dayme formed an all-girl jazz band called Alami. “Since I began doing jazz, I noticed that I was always the only girl in the group. So I told myself, ‘What’s up with the women?’ It’s not really feminism; it’s about balancing things out.” Three years ago, Alami was in the middle of a performance at Havana’s Jazz Plaza festival when a mysterious spectator armed with a baritone saxophone yelled, “Long live women!” before joining them for an improv session. As it turned out, Alami had unknowingly shared the stage with Jane Bunnett, a Canadian jazz artist that had been working with Cuban musicians, some of which were related to Dayme, for decades. They stayed in touch and Dayme was eventually invited to play in Canada. An album entitled Maqueque resulted from the collaboration between Jane Bunnet, Dayme and other female jazz musicians from Cuba.
In May 2014, a group of emerging electronic artists traveled to Havana with BBC radio host and globetrotter Gilles Peterson to produce original tracks with Cuban musicians for a new album in the Havana Cultura series. To acquaint them with the voices that they could work with, the producers attended an open mic at the iconic Bertolt Brecht concert space. A few acts into the evenings, a barefoot, white-clad Dayme took the stage and stole the show. “She’s a total knock-out,” says Gilles Peterson. “She could have done that performance on any radio station or TV show in the world!” Not only did she record four tracks with producers from Russia, Chile, South Africa and Switzerland, but she was invited to London to perform at the Havana Cultura Mix: The Soundclash album launch. While she was in town, she also recorded a solo album with Peterson’s label, Brownswood, with an expected release date in early 2015.
“I have a very strong voice, to put it simply. But when I sing, I also want people to appreciate the beauty of nuance and subtlety. I think when I combine both strength and intelligence is when I achieve my actual style as a soloist,” reflects Dayme before breaking into a chant invoking Yemaya, the Yoruba deity of the sea.
http://havana-cultura.com/ru/muzyka/dayme-arocena
 
Об альбоме | About Album
This 22 year old Cuban Jazz singer is surely a star in the making - she writes and performs with an innovative style and incredible vocal technique. Her debut album 'Nueva Era' is released on Brownswood Record Label. Cuban singer, arranger, and composer Daymé Arocena has signed to Gilles Peterson’s Brownswood Recordings. A semi-professional singer since the age of eight, Daymé became lead singer with the big band Los Primos at fourteen and has performed with Winton Marsalis, among others.
“I was knocked out at her professionalism and people connection,” Gilles recalls about first meeting her. “She is so many things—a serious artist who knows exactly what she wants musically. I love her purity—she is deeply spiritual and involved in her Santeria studies. She is also a total laugh! Yes, Daymé is the truth.”
Nueva Era was recorded in just a few days in London and Havana, Cuba, produced by Gilles Peterson, his longtime collaborator Simbad, and Daymé herself. A strong jazz influence is clear throughout the album, as Daymé was advised by her teachers to explore beyond her classical Latin music training and listen to more jazz. “I started to listen to all the old singers even when I didn’t like them,” she says. “I don’t want to sound like an old woman! The first jazz singer I really liked was Ella [Fitzgerald], because she got me crazy when I listened to her scatting.”
 
Состав | Artists
Daymé Arocena - vocal
Oli Savill - percussion
Robert Mitchell - piano
Neil Charles - bass
22-летняя вокалистка и пианистка Дайме Аросена – ярчайшая представительница новой волны афро-кубинского джаза, обладающая инновационным композиторским стилем и невероятной вокальной техникой. В восьмилетнем возрасте Дайме была ведущей солисткой биг-бенда Los Primos, а в четырнадцатилетнем уже выступала на сцене с Уинтоном Марсалисом. Её дебютный альбом Nueva Era («Новая эра») был записан всего за несколько дней в Лондоне и Гаване. Его продюсером стал британский ди-джей, ведущий радиопрограмм BBC 6 Music и Worldwide, основатель лейбла Brownswood Recordings и глава этой компании Жиль Петерсон, который познакомился с Аросеной во время подготовки на Кубе одного из ди-джейских сетов к популярной серии Havana Cultura.
 
скрытый текст
Тем, кто помешан на Кубе, с её песнями, пронизанными яркой мелодикой и заводными ритмами, творчество Аросены придётся по вкусу, остальным следует вести себя осторожно, дабы сохранить ясный ум и не впасть в эндорфиновую зависимость от переизбытка эмоций.
Источник: Знаковые альбомы музыки мира 2015
Any questions - support@pro-jazz.com. Есть вопросы - support@pro-jazz.com
18:46
453
Нет комментариев. Ваш будет первым!