(world fusion, afro-cuban jazz) [WEB] Alune Wade & Harold Lopez-Nussa - Havana Paris Dakar - 2015, FLAC (tracks), lossless

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Solar and swinguant hyphen between Africa and Cuba, their album will delight both fused jazz piano as the enchanted Africa.
Alune Wade is senegalese but his star is everywhere. He knows what it owes to the land of his own, but he has basically the nomadic spirit. If he has a day cast its anchor in Paris, it was to cross all the worlds with his bass. His music sparkles with its desires opening, it carries in it the echo of his beautiful encounters, Dakar, Paris or elsewhere. Warm and inviting, smooth and radiant, she says its difference. After "Mbolo" (published in 2006 on Tinkiso – Rue Stendhal), his first solo album, and then "Ayo Nene", his second proposal, finalized in 2011, he had another idea in mind.
It was formed at the favour of his meeting with the cuban pianist Harold Lopez Nussa, Germany, where he was asked to replace his bass player in a jazz club, in April 2012. "I remember that, in this concert, without having to bother repeated, everything was fluid, as if we had already played together several times," confided Harold. The feeling, human and music is so well spent that 8 months later Alune takes the path of Cuba with the idea to offer him fun to recreate some of the standards of the soundtrack of Africa. To resume and to arrange some of the titles sounding Latin or to put a strand of cubanité, with, red wire to the rhythm of the rumba, in compositions that spoke to him and had accompanied him to a moment of his life, in Senegal or in Paris.
"Independence Cha Cha", the "tube" of the years of Independence, composed by Joseph Kabasele "Small Country", one of the success of Cesaria Evora, for which he is going to propose to Sara Tavares sing a duet with him, by way of "Ya rayah", the standard of the chaabi or "Aminata", one of the highlights of his compatriot Labah Sosseh, who was one of the great vocalists of the salsa "made in Dakar". Surrounded by musicians or singers, cuban top flight (Orquesta Aragon, to the background vocals!), Alune and Harold record these beads unforgettable studio Abdala, Havana, cuba, adding a few new. The guitars (including Hervé Samb, the travelling companion of Alune, within the University of Gnawa, the small band of Aziz Sahmaoui), will be added later in Paris.
Light-footed pianist and latin jazz, revealed in 2005 in Montreux, including Chucho Valdes said that he "is at the forefront of a new generation of musicians", "has a subtle, brilliant ideas and a unique musical style", Harold Lopez Nussa is said that Alune, in making his proposal, "offered him the opportunity to open their eyes and discover a panorama of african music, unfortunately, few listened to Cuba." Despite that Cuba must to Africa in his music. Delicate weaving of colors, Havana Paris Dakar recalls with magnificence the link of evidence linking these two lands very musical.

In the world-jazz project called Havana-Paris-Dakar, to be published by World Village, the magic happens instinctively around jazz and a human and musical feeling closer Senegalese singer and bassist Wade Alune the young Cuban pianist Harold Lopez-Nussa , Africa, Latin America, the rhythms of the cha cha cha, rumba and the Cuban salsa from those of the Cape Verdean morna or Chaabi magrébin among other influences Senegalese, Malian and Cameroonian. Together they develop a scintillating and unifying blending of styles, with artists around them pair off, a bodyguard composed of Ruy on drums, percussion Adel Gonzalez and Reinaldo Melian on trumpet and prestigious guests such as choirs of the Orquesta Aragon, guitarists Hervé Samb and Amen Viena or the Cape Verdean singer Sara Tavares.

Alune Wade - bass, vocal
Harold Lopez-Nussa - piano
Ruy Adrian Lopez-Nussa - drums, bongos
Hervé Samb - guitar
Amen Viena - guitar
Adel Gonzalez - percussion
Reinaldo Melian - trumpet
Sara Tavares - vocal
Choirs of the Orquesta Aragon
Released on the World Village label on 18 May