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(World Fusion / Enja) Michy Mano / Bugge Wesseltoft - The Cool Side of the Pillow - 2004, FLAC (image+.cue), lossless

Треклист:
Michy Mano / Bugge Wesseltoft - The Cool Side of the Pillow

Жанр: World Fusion / Enja
Год выпуска диска: 2004
Производитель диска: Germany (Enja 9157)
Аудио кодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 51:20
Источник: Собственный рип с оригинального диска
Michy Mano: vocals, sentir, loops, keyboards
Bugge Wesseltoft: keyboards, programming, harmonium, organ
Abderrahim Tobi: vocals
Issa Tobi: backing vocals, violin
Oystein Trollsas: ney flute, soprano saxophone
Dozzy Njava: guitar
Paolo Vinaccia: percussion, loops
Hassan Shoukat: tabla
Aleco Bielenberg Ivanovich: vocals, guitar
Nikak Bielenberg Ivanovich: guitar solo
Audun Erlien: electric bass
Bendik Hofseth: tenor saxophone
1. Casatana
2. Gherbelize It
3. Tellement Gadjo Que Je Suis Gypsy
4. Bangosali
5. Music Is Bigger Than Me
6. Salla Nabi
7. Shkoun Li Mes' Oul
8. Wa Moulana

 
AAJ Review
The Cool Side of the Pillow brings together singer and sentir player Michy Mano and Oslo DJ Bugge Wesseltoft to create a work of musical fusion that is accomplished, hip, witty, but ultimately less than the sum of its parts. Those parts—Moroccan popular styles and Norwegian electronica—do not mix as readily as you might suppose.
Start with electronica. Worldly approaches like Wesseltoft's derive texture, variety, even irony from sampling previously recorded performances. The effect is to smooth out differences between, say, a bass line taken from a commercially recorded R&B session from the 1970s and a documentary field recording of a religious ceremony in a remote desert sanctuary. Splicing both samples into the same track treats all of these objets trouvés as equivalent, as sounds on tape. It's disorienting but engaging in a vaguely postmodern way.
The Moroccan music that influences this record is based on performance, not on post-performance collage. Listen to the sentir that ushers in a performance by the Master Musicians of Jajouka: it communicates an attitude and a time signature to the musicians, marking the beat every bit as insistently as Count Basie's piano in the opening measures of "Jumpin' at the Woodside. (Mano introduces "Salla nabi with a mellower sentir prelude.)
Why don't these two styles fit together? Because the Moroccan musical performance that is at the heart of this record is too handmade and live to be flattened into an oversized "sample, while the smooth electronic vibe is too mechanized and monochromatic to hold its own in this setting. Better to (a) have an all-live Moroccan record; or (b) let Wesseltoft do it all himself, choosing any sample he likes.
But either of these solutions is too easy: Mano may be Moroccan by birth and in his musical sensibilities, but he is a Norwegian musician now, and this record is evidence of an attempt to craft an artistic vision in his new home. He and Wesseltoft are to be congratulated for attempting this marriage of styles. Let's hope that they, and other like-minded enthusiasts of mongrel, hybrid aesthetics continue to grapple with the differing world views of Moroccan chaabi and electronica.
In the meantime, we listeners can marvel at the many great moments that pepper this record: Mano's plaintive vocal on "Music is bigger than me ; the juxtaposition of laid-back Franco-Brazilian guitar (if you're familiar with Henri Salvador, you'll know what I mean) and French-language rapping on "Tellement gadjo que je suis gypsy —the words are included in the liner notes; and Hassan Shoukat's cool tabla on "Gherbelize it. These joys are no small consolation. ~ Jeff Dayton-Johnson, AAJ
 
EAC Report
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 27. September 2009, 12:37
Michy Mano / The Cool Side of the Pillow
Used drive : TSSTcorpCD/DVDW SH-S182M Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -6" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 6:10.59 | 0 | 27808
2 | 6:10.59 | 6:44.55 | 27809 | 58163
3 | 12:55.39 | 4:58.28 | 58164 | 80541
4 | 17:53.67 | 8:49.32 | 80542 | 120248
5 | 26:43.24 | 6:04.52 | 120249 | 147600
6 | 32:48.01 | 7:06.15 | 147601 | 179565
7 | 39:54.16 | 6:07.74 | 179566 | 207164
8 | 46:02.15 | 5:18.02 | 207165 | 231016
Range status and errors
Selected range
Filename C:\Documents and Settings\Igor\My Documents\My Music\eac\Michy Mano - The Cool Side of the Pillow.wav
Peak level 100.0 %
Range quality 100.0 %
Test CRC A98CE440
Copy CRC A98CE440
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 1) [2631035D]
Track 2 accurately ripped (confidence 1) [6567FBBE]
Track 3 accurately ripped (confidence 1) [F819EF07]
Track 4 accurately ripped (confidence 1) [DB945651]
Track 5 accurately ripped (confidence 1) [321B0EA0]
Track 6 accurately ripped (confidence 1) [C2970A69]
Track 7 accurately ripped (confidence 1) [DEF25EAC]
Track 8 accurately ripped (confidence 1) [A0F10DB1]
All tracks accurately ripped
End of status report
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