(World Fusion, Afro-Cuban Jazz, New York Salsa) Eddie Palmieri, Lalo Rodriguez - Unfinished Masterpiece - 1990, WavPack (image+.cue), lossless
Eddie Palmieri, Lalo Rodriguez / Unfinished Masterpiece
Жанр: World Fusion, Afro-Cuban Jazz, New York Salsa
Страна-производитель диска: USA
Год издания диска: 1990
Издатель (лейбл): Musical Productions
Номер по каталогу: MPPK 5-6259
Страна: USA New York, NY
Аудиокодек: WavPack (*.wv)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:38:27
Источник (релизер): bINkI
Наличие сканов в содержимом раздачи: да
Треклист:
01. Un Puesto Vacante [04:01]
02. Kinkamache [05:42]
03. Oyelo Que Te Conviene [06:35]
04. Cobarde [10:53]
05. Random Thoughts [06:21]
06. Resemblance [04:52]
Жанр: World Fusion, Afro-Cuban Jazz, New York Salsa
Страна-производитель диска: USA
Год издания диска: 1990
Издатель (лейбл): Musical Productions
Номер по каталогу: MPPK 5-6259
Страна: USA New York, NY
Аудиокодек: WavPack (*.wv)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:38:27
Источник (релизер): bINkI
Наличие сканов в содержимом раздачи: да
Треклист:
01. Un Puesto Vacante [04:01]
02. Kinkamache [05:42]
03. Oyelo Que Te Conviene [06:35]
04. Cobarde [10:53]
05. Random Thoughts [06:21]
06. Resemblance [04:52]
Лог создания рипа
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 5. February 2011, 15:31
Eddie Palmieri / Unfinished Masterpiece
Used drive : HL-DT-STDVD-RAM GH22NP20 Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.33 | 4:01.22 | 33 | 18129
2 | 4:01.55 | 5:42.23 | 18130 | 43802
3 | 9:44.03 | 6:35.05 | 43803 | 73432
4 | 16:19.08 | 10:53.62 | 73433 | 122469
5 | 27:12.70 | 6:21.68 | 122470 | 151112
6 | 33:34.63 | 4:52.10 | 151113 | 173022
Range status and errors
Selected range
Filename D:\R\Eddie Palmieri - Lalo Rodriguez - Unfinished Masterpiece\Eddie Palmieri - Unfinished Masterpiece.wav
Peak level 98.9 %
Range quality 100.0 %
Test CRC 81DEEBF9
Copy CRC 81DEEBF9
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [3291C18F]
Track 2 accurately ripped (confidence 3) [6A247A78]
Track 3 accurately ripped (confidence 3) [C65976C3]
Track 4 accurately ripped (confidence 3) [116837E4]
Track 5 accurately ripped (confidence 3) [F77C3979]
Track 6 accurately ripped (confidence 3) [35D5B132]
All tracks accurately ripped
End of status report
Содержание индексной карты (.CUE)
REM GENRE Salsa
REM DATE 1973
REM DISCID 47090206
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Eddie Palmieri"
TITLE "Unfinished Masterpiece"
FILE "Eddie Palmieri - Unfinished Masterpiece.wav" WAVE
TRACK 01 AUDIO
TITLE "Un Puesto Vacante"
PERFORMER "Eddie Palmieri"
INDEX 00 00:00:00
INDEX 01 00:00:33
TRACK 02 AUDIO
TITLE "Kinkamache"
PERFORMER "Eddie Palmieri"
INDEX 00 03:57:55
INDEX 01 04:01:55
TRACK 03 AUDIO
TITLE "Oyelo Que Te Conviene"
PERFORMER "Eddie Palmieri"
INDEX 00 09:41:18
INDEX 01 09:44:03
TRACK 04 AUDIO
TITLE "Cobarde"
PERFORMER "Eddie Palmieri"
INDEX 00 16:15:68
INDEX 01 16:19:08
TRACK 05 AUDIO
TITLE "Random Thoughts"
PERFORMER "Eddie Palmieri"
INDEX 00 27:09:73
INDEX 01 27:12:70
TRACK 06 AUDIO
TITLE "Resemblance"
PERFORMER "Eddie Palmieri"
INDEX 00 33:31:68
INDEX 01 33:34:63
Об исполнителе (группе)
by Richard S. Ginell
Eddie Palmieri is one of the foremost Latin jazz pianists of the last half of the 20th century, blessed with a technique that fuses such ubiquitous jazz influences as the styles of Herbie Hancock, Thelonious Monk, and McCoy Tyner into a Latin context. No purist, he has also shown a welcome willingness to experiment with fusions of Latin and non-Latin music. However, despite a number of stints with major labels and numerous industry awards and nominations, he has yet to break into the American record scene in a big way.
Like his older brother Charlie, Eddie started playing at an early age (eight) and studied classical piano while also playing drums. He made his professional debut with Johnny Sequi's orchestra in 1955 and eventually joined Tito Rodriguez's popular band in 1958-1960. In 1961, Palmieri formed his highly influential band la Perfecta, whose flute and twin- or triple-trombone front line made American jazz musicians like Herbie Mann take notice; he also scored heavily in an excellent 1966 collaboration with Cal Tjader, El Sonido Nuevo (Verve). After la Perfecta split up in 1968 due to financial problems, Palmieri played with the Tico and Fania All-Stars, recorded with Alfredo "Chocolat" Armenteros, Cachao, and Justo Betancourt, and, like his brother, cut some Latin boogaloo sessions. Around the mid-'60s, Palmieri began formal studies of arranging, and the Monk influence became more pronounced in his piano work. While recording for the Latin Coco label in the mid-'70s, Palmieri started to mix salsa with R&B, pop, rock, Spanish vocals, and jazz improvisation. Brief affiliations with Columbia in the late '70s and Capitol (in league with David Sanborn) in the late '80s failed to produce an American breakthrough hit, though the latter attempt was aimed squarely at the burgeoning "jazz-lite" market. While much of his output as a leader remains out of print in American catalogs, several of his older albums are available on CD; Palmieri has also remained active in the 1990s, recording the jazz-oriented Palmas (1993) for the normally classical Nonesuch label, as well as a series of albums for the RMM label. He returned to his La Perfecta days in April 2002 with La Perfecta II on the Concord Jazz label. Two more albums for Concord followed, Rimo Caliente in 2003 and Listen Here in 2005.
Eddie Palmieri is one of the foremost Latin jazz pianists of the last half of the 20th century, blessed with a technique that fuses such ubiquitous jazz influences as the styles of Herbie Hancock, Thelonious Monk, and McCoy Tyner into a Latin context. No purist, he has also shown a welcome willingness to experiment with fusions of Latin and non-Latin music. However, despite a number of stints with major labels and numerous industry awards and nominations, he has yet to break into the American record scene in a big way.
Like his older brother Charlie, Eddie started playing at an early age (eight) and studied classical piano while also playing drums. He made his professional debut with Johnny Sequi's orchestra in 1955 and eventually joined Tito Rodriguez's popular band in 1958-1960. In 1961, Palmieri formed his highly influential band la Perfecta, whose flute and twin- or triple-trombone front line made American jazz musicians like Herbie Mann take notice; he also scored heavily in an excellent 1966 collaboration with Cal Tjader, El Sonido Nuevo (Verve). After la Perfecta split up in 1968 due to financial problems, Palmieri played with the Tico and Fania All-Stars, recorded with Alfredo "Chocolat" Armenteros, Cachao, and Justo Betancourt, and, like his brother, cut some Latin boogaloo sessions. Around the mid-'60s, Palmieri began formal studies of arranging, and the Monk influence became more pronounced in his piano work. While recording for the Latin Coco label in the mid-'70s, Palmieri started to mix salsa with R&B, pop, rock, Spanish vocals, and jazz improvisation. Brief affiliations with Columbia in the late '70s and Capitol (in league with David Sanborn) in the late '80s failed to produce an American breakthrough hit, though the latter attempt was aimed squarely at the burgeoning "jazz-lite" market. While much of his output as a leader remains out of print in American catalogs, several of his older albums are available on CD; Palmieri has also remained active in the 1990s, recording the jazz-oriented Palmas (1993) for the normally classical Nonesuch label, as well as a series of albums for the RMM label. He returned to his La Perfecta days in April 2002 with La Perfecta II on the Concord Jazz label. Two more albums for Concord followed, Rimo Caliente in 2003 and Listen Here in 2005.
Об альбоме (сборнике)
by John Storm Roberts
The late-'70s Unfinished Masterpiece caused a huge quarrel because he couldn't or wouldn't get it done to his own satisfaction (Coco finally put it out anyway, thus the title). Unfinished or no, it's classic Palmieri from his late Golden Age and long unavailable.
The late-'70s Unfinished Masterpiece caused a huge quarrel because he couldn't or wouldn't get it done to his own satisfaction (Coco finally put it out anyway, thus the title). Unfinished or no, it's classic Palmieri from his late Golden Age and long unavailable.
Состав
Alto Saxophone – Lou Marini
Arranged By – Rene Hernandez
Baritone Saxophone, Flute – Ronnie Cuber
Baritone Saxophone, Tenor Saxophone – Mario Rivera (2)
Bass – Andy Gonzalez
Bongos – Tommy "Chuckie" Lopez, Jr.
Congas – Eladio Perez, Jerry Gonzalez
Engineer – Irv Greenbaum
French Horn – Peter Gordon
Lead Vocals – Lalo Rodriguez
Mastered By – Al Brown (5)
Percussion [Coro] – Ismael Quintana, Jimmy Sabater, Willie Torres
Producer – Harvey Averne
Tenor Saxophone – Lou Orenstein
Timbales, Percussion – Nicky Marrero
Trombone – Barry Rogers
Trumpet – Victor Paz
Tuba – Tony Price (2)
Violin – Alfredo De La Fe*
Arranged By – Rene Hernandez
Baritone Saxophone, Flute – Ronnie Cuber
Baritone Saxophone, Tenor Saxophone – Mario Rivera (2)
Bass – Andy Gonzalez
Bongos – Tommy "Chuckie" Lopez, Jr.
Congas – Eladio Perez, Jerry Gonzalez
Engineer – Irv Greenbaum
French Horn – Peter Gordon
Lead Vocals – Lalo Rodriguez
Mastered By – Al Brown (5)
Percussion [Coro] – Ismael Quintana, Jimmy Sabater, Willie Torres
Producer – Harvey Averne
Tenor Saxophone – Lou Orenstein
Timbales, Percussion – Nicky Marrero
Trombone – Barry Rogers
Trumpet – Victor Paz
Tuba – Tony Price (2)
Violin – Alfredo De La Fe*