(Vocal, Bossa Nova, Latin Jazz) [WEB] Joyce Moreno - Raiz - 2015, FLAC (tracks), lossless
![(Vocal, Bossa Nova, Latin Jazz) [WEB] Joyce Moreno - Raiz - 2015, FLAC (tracks), lossless (Vocal, Bossa Nova, Latin Jazz) [WEB] Joyce Moreno - Raiz - 2015, FLAC (tracks), lossless](/upload/000/u2/9d/05/vocal-bossa-nova-latin-jazz-web-joyce-moreno-raiz-2015.jpg)
R A I Z
J O Y C E M O R E N O“One of the greatest singers alive” - Antônio Carlos Jobim Жанр: Vocal, Bossa Nova, Latin Jazz
Год издания: 2015
Издатель (лейбл): Far Out Recordings
Номер по каталогу: FARO184
Страна исполнителя (группы): Brazil
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 54:04
Источник (релизер): WEB (спасибо Serp)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Copacabana
02. Meu Piao
03. O Barquinho
04. Tamba
05. Desafinado
06. O Morro Nao Tem Vez
07. Na Baixa Do Sapateiro
08. Cartao De Visita
09. Ceu E Mar
10. Nos E O Mar
11. Medley Caymmi - Vestido De Bolero - Requebre Que Eu Dou Um Doce
12. Tristeza De Nos Dois
13. Canto De Yansan
J O Y C E M O R E N O“One of the greatest singers alive” - Antônio Carlos Jobim Жанр: Vocal, Bossa Nova, Latin Jazz
Год издания: 2015
Издатель (лейбл): Far Out Recordings
Номер по каталогу: FARO184
Страна исполнителя (группы): Brazil
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 54:04
Источник (релизер): WEB (спасибо Serp)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Copacabana
02. Meu Piao
03. O Barquinho
04. Tamba
05. Desafinado
06. O Morro Nao Tem Vez
07. Na Baixa Do Sapateiro
08. Cartao De Visita
09. Ceu E Mar
10. Nos E O Mar
11. Medley Caymmi - Vestido De Bolero - Requebre Que Eu Dou Um Doce
12. Tristeza De Nos Dois
13. Canto De Yansan
Лог проверки качества
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FILE: 13 - Canto De Yansan.flac
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Conclusion: CDDA 100%
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FILE: 12 - Tristeza De Nos Dois.flac
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Conclusion: CDDA 100%
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FILE: 11 - Medley Caymmi - Vestido de Bolero - Requebre Que Eu Dou Um Doceu Um Doce.flac
Size: 13145726 Hash: 98AA64CBC18FAF242AA01D028ABD6F61 Accuracy: -m0
Conclusion: CDDA 99%
Signature: D510868B60BD489FD2E27DA134A661555C9F29C0
FILE: 10 - Nos E O Mar.flac
Size: 31750802 Hash: 0FF7AF90645894E8DBA41BECBF374913 Accuracy: -m0
Conclusion: CDDA 100%
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FILE: 09 - Ceu E Mar.flac
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FILE: 08 - Cartao De Visita.flac
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Conclusion: CDDA 100%
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FILE: 07 - Na Baixa Do Sapateiro.flac
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FILE: 06 - O Morro Nao Tem Vez.flac
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Conclusion: CDDA 99%
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FILE: 05 - Desafinado.flac
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Conclusion: CDDA 100%
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FILE: 04 - Tamba.flac
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Conclusion: CDDA 100%
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FILE: 03 - O Barquinho.flac
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Conclusion: CDDA 100%
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FILE: 02 - Meu Piao.flac
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Conclusion: CDDA 100%
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FILE: 01 - Copacabana.flac
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Conclusion: CDDA 100%
Signature: 3885A8661345EC22D8901096E4C8F17946C82A40
Об альбоме
Raiz marks fifty years of Joyce's imperative involvement in Brazil's rich musical heritage: paying tribute to some of the beautiful Brazilian standards she was listening to around the time she first stepped foot in a recording studio. Joyce's insurmountable talent and unfaltering grace shine as bright as ever on this landmark record.
In 1964, Joyce, aged 15, first stepped into a professional recording studio. Her older brother, also a musician, was a member of Rio's early bossa nova clique: a good friend of Eumir Deodato, Luis Carlos Vinhas and Roberto Menescal (by this point, a notable name in Brazil). Finding a private, home tape recording of Joyce playing guitar and singing, Joyce's brother played it to Roberto Menescal. When Joyce returned home from school to find her secret song exposed, she ran to her room, slammed the door and cried for the rest of the day. But a month later, she received a call from Menescal, asking if she wanted to sing on a record he was producing: an album called 'Sambacana', featuring the music of a little known composer from the state of Minas Gerais.
Joyce excitedly accepted and took her first step into a recording studio, where she realised what she was capable of and what she wanted to do for the rest of her life.
Fifty years later, Raiz (meaning roots) is Joyce's celebration of fifty years since that moment. A fresh recording of some of the beautiful bossa nova and chic Brazilian jazz standards she was listening to and inspired by as an adolescent girl growing up in Rio. The album is a powerfully nostalgic master class in Joyce's inimitable style and her stunning vocals still hold the intimacy and raw talent of a teenage girl's first recording,I but with the prowess and nuance that come with an astounding five-decade career.
It seemed only fitting to Joyce to reciprocate Roberto Menescal's invitation into the studio and Menescal features on Joyce's versions of his 60's bossa classics 'O Barquinho' and 'Nós e o Mar'. Raiz also features a host of extremely distinguished Brazilian musicians: Tutty Moreno (drums) Helio Alves (piano) and Rodolfo Stroeter (bass).
Joyce's celebrated and undeniably distinctive approach to the music of fabled artists such as Tom Jobim, Baden Powell, Ildasio Tavares, Vinicius de Moraes, Ronaldo Boscoli and of course Roberto Menescal, among other Brazilian greats, makes Raiz a truly momentous piece of Brazilian musical history.
In 1964, Joyce, aged 15, first stepped into a professional recording studio. Her older brother, also a musician, was a member of Rio's early bossa nova clique: a good friend of Eumir Deodato, Luis Carlos Vinhas and Roberto Menescal (by this point, a notable name in Brazil). Finding a private, home tape recording of Joyce playing guitar and singing, Joyce's brother played it to Roberto Menescal. When Joyce returned home from school to find her secret song exposed, she ran to her room, slammed the door and cried for the rest of the day. But a month later, she received a call from Menescal, asking if she wanted to sing on a record he was producing: an album called 'Sambacana', featuring the music of a little known composer from the state of Minas Gerais.
Joyce excitedly accepted and took her first step into a recording studio, where she realised what she was capable of and what she wanted to do for the rest of her life.
Fifty years later, Raiz (meaning roots) is Joyce's celebration of fifty years since that moment. A fresh recording of some of the beautiful bossa nova and chic Brazilian jazz standards she was listening to and inspired by as an adolescent girl growing up in Rio. The album is a powerfully nostalgic master class in Joyce's inimitable style and her stunning vocals still hold the intimacy and raw talent of a teenage girl's first recording,I but with the prowess and nuance that come with an astounding five-decade career.
It seemed only fitting to Joyce to reciprocate Roberto Menescal's invitation into the studio and Menescal features on Joyce's versions of his 60's bossa classics 'O Barquinho' and 'Nós e o Mar'. Raiz also features a host of extremely distinguished Brazilian musicians: Tutty Moreno (drums) Helio Alves (piano) and Rodolfo Stroeter (bass).
Joyce's celebrated and undeniably distinctive approach to the music of fabled artists such as Tom Jobim, Baden Powell, Ildasio Tavares, Vinicius de Moraes, Ronaldo Boscoli and of course Roberto Menescal, among other Brazilian greats, makes Raiz a truly momentous piece of Brazilian musical history.
Состав
Joyce Moreno - vocals, guitar
Helio Alves - piano
Rodolfo Stroeter - bass
Tutty Moreno - drums
& Roberto Menescal - guitar (3, 10)
Helio Alves - piano
Rodolfo Stroeter - bass
Tutty Moreno - drums
& Roberto Menescal - guitar (3, 10)