(Smooth Jazz) Billy Joe Walker, Jr. - life is good - 1995, FLAC (image+.cue) lossless

Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 30. November 2010, 22:49
Billy Joe Walker, Jr. / Life Is Good
Used drive  : ASUS    DRW-1814BLT   Adapter: 2  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 128 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
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        1  |  0:00.00 |  3:47.40 |         0    |    17064
        2  |  3:47.40 |  4:16.62 |     17065    |    36326
        3  |  8:04.27 |  4:14.25 |     36327    |    55401
        4  | 12:18.52 |  3:18.35 |     55402    |    70286
        5  | 15:37.12 |  3:35.18 |     70287    |    86429
        6  | 19:12.30 |  3:24.50 |     86430    |   101779
        7  | 22:37.05 |  2:52.72 |    101780    |   114751
        8  | 25:30.02 |  3:00.15 |    114752    |   128266
        9  | 28:30.17 |  3:30.65 |    128267    |   144081
       10  | 32:01.07 |  4:52.13 |    144082    |   165994
Range status and errors
Selected range
     Filename D:\Jazz Forever\Billy Joe Walker, Jr. - Life Is Good 2.wav
     Peak level 99.2 %
     Extraction speed 0.8 X
     Range quality 100.0 %
     Test CRC 78521703
     Copy CRC 78521703
     Copy OK
No errors occurred
AccurateRip summary
Track  1  cannot be verified as accurate (confidence 1)  [8BDD87D8], AccurateRip returned [C42F4D5E]
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Track  9  cannot be verified as accurate (confidence 1)  [2D093C15], AccurateRip returned [23C826DB]
Track 10  cannot be verified as accurate (confidence 1)  [25B0EF0E], AccurateRip returned [50CE4F6A]
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
End of status report

Billy Joe Walker Jr. is one of the most prolific talents in Nashville. Indeed, it would be easier to list the people Walker hasn’t produced or played with than to try and chronicle all those who have benefited from his expertise.
Walker discovered Bryan White and produced his first three albums, which spawned several No 1s. He produced Pam Tillis’ Greatest Hits, featuring the No. 1 single “All the Good Ones Are Gone,” as well as her Every Time CD. And he produced Travis Tritt’s platinum album Down the Road I Go—garnering a No. 1 with “Best of Intentions,” along with four top-5 singles—as well as his follow-up project, Strong Enough.
Walker has also spearheaded chart toppers for Tracy Byrd; hit singles for Mark Chesnutt and Collin Raye; and albums for Tammy Cochran, Brad Martin and others. He produced Billy Ray Cyrus’ gospel release, The Other Side, which was nominated for a Dove award.
He stays inspired by continuing to create records, saying simply, “I love doing it.” Walker is currently producing a forthcoming album by Byrd and working with new artist Shelley Skidmore.
As a writer, Walker has had over 100 songs recorded, including Eddie Rabbit’s No. 1 “I Wanna Dance with You” and No. 3 “B-B-B Burning Up with Love.” His catalog includes songs by Trisha Yearwood, John Anderson, Van Zant, and Tanya Tucker.
Walker is also a renowned smooth jazz guitarist, having recorded seven instrumental albums for Geffen, MCA and Liberty Records, achieving two adult contemporary No. 1s and several top 10s.
Born and raised in West Texas, Walker taught himself to play guitar and read music at an early age. He left home at 14, honing his chops in lounge bands and country joints in Oklahoma City before moving to Los Angeles. There he worked as a session player for artists such as Glen Campbell, Merle Haggard and the Beach Boys, as well as for Beatles producer George Martin. He also performed on TV and movie soundtracks featuring Clint Eastwood and Burt Reynolds.
At the urging of legendary producer Jimmy Bowen, Walker moved to Nashville and began playing on the albums of country artists including Ray Charles, Hank Williams Jr., Randy Travis and the Dixie Chicks. After contributing his skills to literally hundreds of sessions, Walker recorded his own albums, which naturally led to producing.
With more than three decades in the music business, Walker has witnessed many changes in the industry, but continues to prefer a traditional approach to making records. “Tracks are still cut live in Nashville and that’s a major plus,” he says. “I love recording with faces in a room, instead of stacking tracks, one guy at a time. I want to know what the music’s going to sound like before I leave the studio.”

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