(Post-Bop, World Fusion) Oregon - Oregon (ECM 1258) - 1983, FLAC (image+.cue), lossless

Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
EAC extraction logfile from 6. August 2008, 3:17
Oregon / Oregon
Used drive  : ASUS    DRW-1608P3S   Adapter: 2  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Used output format : Monkey's Audio Lossless Encoder v3.99 DLL
Sample format      : Normal Lossless Compression
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.32 |  8:29.63 |        32    |    38269
        2  |  8:30.20 |  2:56.50 |     38270    |    51519
        3  | 11:26.70 |  6:15.32 |     51520    |    79676
        4  | 17:42.27 |  4:26.05 |     79677    |    99631
        5  | 22:08.32 |  6:29.13 |     99632    |   128819
        6  | 28:37.45 |  7:19.47 |    128820    |   161791
        7  | 35:57.17 |  1:19.08 |    161792    |   167724
        8  | 37:16.25 |  7:51.70 |    167725    |   203119
Range status and errors
Selected range
     Filename D:\copia cd\Oregon-Oregon Towner McCandless Walcott Moore\Oregon - Oregon.ape
     Peak level 97.3 %
     Range quality 100.0 %
     Copy CRC CAEE9523
     Copy OK
No errors occurred
AccurateRip summary
Track  1  accurately ripped (confidence 4)  [3E89859F]
Track  2  accurately ripped (confidence 4)  [252201BB]
Track  3  accurately ripped (confidence 4)  [5643A13E]
Track  4  accurately ripped (confidence 4)  [B1C55E20]
Track  5  accurately ripped (confidence 4)  [A6FC383D]
Track  6  accurately ripped (confidence 4)  [25393629]
Track  7  accurately ripped (confidence 4)  [33070B75]
Track  8  accurately ripped (confidence 4)  [1DAC8412]
All tracks accurately ripped
End of status report

REM GENRE Jazz
REM DATE 1983
REM DISCID 640A9408
REM COMMENT "ExactAudioCopy v0.99pb3"
CATALOG 0042281171123
PERFORMER "Oregon"
TITLE "Oregon"
FILE "Oregon - Oregon.wav" WAVE
  TRACK 01 AUDIO
    TITLE "The Rapids"
    PERFORMER "Oregon"
    INDEX 00 00:00:00
    INDEX 01 00:00:32
  TRACK 02 AUDIO
    TITLE "Beacon"
    PERFORMER "Oregon"
    INDEX 00 08:25:53
    INDEX 01 08:30:20
  TRACK 03 AUDIO
    TITLE "Taos"
    PERFORMER "Oregon"
    INDEX 00 11:22:40
    INDEX 01 11:26:70
  TRACK 04 AUDIO
    TITLE "Beside a Brook"
    PERFORMER "Oregon"
    INDEX 00 17:38:03
    INDEX 01 17:42:27
  TRACK 05 AUDIO
    TITLE "Arianna"
    PERFORMER "Oregon"
    INDEX 00 22:01:30
    INDEX 01 22:08:32
  TRACK 06 AUDIO
    TITLE "There Was No Moon that Night"
    PERFORMER "Oregon"
    INDEX 00 28:34:18
    INDEX 01 28:37:45
  TRACK 07 AUDIO
    TITLE "Skyline"
    PERFORMER "Oregon"
    INDEX 00 35:55:41
    INDEX 01 35:57:17
  TRACK 08 AUDIO
    TITLE "Impending Bloom"
    PERFORMER "Oregon"
    INDEX 00 37:15:41
    INDEX 01 37:16:25

[CUETools log; Date: 18.11.2012 0:24:42; Version: 2.1.4]
Pregap length 00:00:32.
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Track | CTDB Status
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  2   | (2/2) Accurately ripped
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  4   | (2/2) Accurately ripped
  5   | (2/2) Accurately ripped
  6   | (2/2) Accurately ripped
  7   | (2/2) Accurately ripped
  8   | (2/2) Accurately ripped
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Track   [  CRC   |   V2   ] Status
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 08     [1dac8412|da1c99b1] (34+11/76) Accurately ripped
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 02     [28f97eca] (21/81) Accurately ripped
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 04     [8b8de21b] (22/84) Accurately ripped
 05     [cc12ccaa] (22/84) Accurately ripped
 06     [3f8653d9] (21/81) Accurately ripped
 07     [7e581a41] (22/82) Accurately ripped
 08     [9686b927] (20/76) Accurately ripped
Offsetted by -1010:
 01     [2dcfa279] (11/83) Accurately ripped
 02     [00ac2f21] (10/81) Accurately ripped
 03     [35ddad14] (00/81) No match (V2 was not tested)
 04     [82e68ec6] (10/84) Accurately ripped
 05     [7e9c0505] (10/84) Accurately ripped
 06     [222232d3] (10/81) Accurately ripped
 07     [310e98e2] (10/82) Accurately ripped
 08     [179081a5] (09/76) Accurately ripped
Track Peak [ CRC32  ] [W/O NULL] [  LOG   ]
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 08   70,0 [F892120D] [4C7A9735]

In 1983, the ubiquitous composers' collective known as Oregon left its old homestead of Vanguard Records and moved over to Manfred Eicher's ECM. It was also one of the final recordings the band did with multi-instrumentalist Collin Walcott; he was killed in a car accident a year later. Here's the strange thing about this date: Since the early '70s, Oregon had been an acoustic, chamber jazz/improvisational group. ECM had seemed like a proper home to Oregon from the beginning -- especially since Ralph Towner, the group's guitarist and pianist -- had done tons of solo work for the label. So what's the first thing that appears on ECM? Towner playing a Prophet 5 synthesizer on "The Rapids," a track that belongs firmly in the Pat Metheny Group's canon -- even though he composed it. If he were trying for an imitation, he could never have gotten closer. With its crescendos, Paul McCandless' swirling soprano lines lyrically cascading over the top, and the Nana Vasconcelos-like percussion from Walcott, it is identical in compositional structure to anything from Offramp. The group improvisation "Beacon" is more in line with the band's musical aims, featuring Glen Moore on viola and McCandless on oboe, but Towner still holds fast to the synth instead of a guitar or piano. The piece is a study in textures and contrasts, with both Towner and Moore providing tonal drones for McCandless to move through and around. Of the rest, only "Taos" and "There Was No Moon That Night" are reminiscent of Oregon's ingenious musical past. The rest are loosely knit improvisations that seem to go nowhere; they're shoddy studies in dynamics and color with scant traces of microtonal ambiences seeming to be literally thrown in for good measure. If this disc was supposed to signal a new direction in the band's development, somewhere along the line they slipped off track, and despite the use of a Prophet 5, went backwards.