(Post-Bop, World Fusion, Contemporary Jazz) [CD] Gilad Atzmon & The Orient House Ensemble - Refuge - 2007, FLAC (tracks+.cue), lossless
![(Post-Bop, World Fusion, Contemporary Jazz) [CD] Gilad Atzmon & The Orient House Ensemble - Refuge - 2007, FLAC (tracks+.cue), lossless](/upload/000/u2/6f/2b/post-bop-world-fusion-contemporary-jazz-cd-gilad-atzmon-a.jpg "(Post-Bop, World Fusion, Contemporary Jazz) [CD] Gilad Atzmon & The Orient House Ensemble - Refuge - 2007, FLAC (tracks+.cue), lossless")
Gilad Atzmon & The Orient House Ensemble - Refuge
Жанр: Post-Bop, World Fusion, Contemporary Jazz
Носитель: CD
Страна-производитель диска (релиза): Германия
Год издания: 2007
Издатель (лейбл): Enja Records/Tiptoe
Номер по каталогу: TIP-888 849 2
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 55:03
Источник (релизер): IGITIHI (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Autumn in Baghdad (Atzmon) - 6:41
02. Spring in New York (Atzmon) - 7:40
03. In the Small Hours (Atzmon) - 5:14
04. The Burning Bush (Atzmon) - 12:57
05. Her Smile (Atzmon) - 2:10
06. Her Tears (Atzmon) - 5:34
07. My Refuge (Atzmon) - 4:09
08. Just Another Prayer for Peace (Atzmon) - 10:38
Состав:
Gilad Atzmon - alto saxophone, soprano saxophone, clarinet, electronics, shabbaabeh flute, piccolo, vocals
Frank Harrison - piano, Fender Rhodes, electronics, Farfisa organ, Juno 6, harmonium
Yaron Stavi - double bass, electric bass
Asaf Sirkis - drums
Paul Jayasinha - trumpet (#4,7)
Recorded at Eastcost Studios, London.
Жанр: Post-Bop, World Fusion, Contemporary Jazz
Носитель: CD
Страна-производитель диска (релиза): Германия
Год издания: 2007
Издатель (лейбл): Enja Records/Tiptoe
Номер по каталогу: TIP-888 849 2
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 55:03
Источник (релизер): IGITIHI (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Autumn in Baghdad (Atzmon) - 6:41
02. Spring in New York (Atzmon) - 7:40
03. In the Small Hours (Atzmon) - 5:14
04. The Burning Bush (Atzmon) - 12:57
05. Her Smile (Atzmon) - 2:10
06. Her Tears (Atzmon) - 5:34
07. My Refuge (Atzmon) - 4:09
08. Just Another Prayer for Peace (Atzmon) - 10:38
Состав:
Gilad Atzmon - alto saxophone, soprano saxophone, clarinet, electronics, shabbaabeh flute, piccolo, vocals
Frank Harrison - piano, Fender Rhodes, electronics, Farfisa organ, Juno 6, harmonium
Yaron Stavi - double bass, electric bass
Asaf Sirkis - drums
Paul Jayasinha - trumpet (#4,7)
Recorded at Eastcost Studios, London.
Лог создания рипа
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 20. September 2011, 18:10
Gilad Atzmon & The Orient House Ensemble / Refuge
Used drive : TSSTcorpCDDVDW SH-S223C Adapter: 3 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 697
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
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TOC of the extracted CD
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2 | 6:40.42 | 7:40.22 | 30042 | 64563
3 | 14:20.64 | 5:14.27 | 64564 | 88140
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7 | 40:17.22 | 4:08.41 | 181297 | 199937
8 | 44:25.63 | 10:37.74 | 199938 | 247786
Track 1
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Test CRC 163E0A3F
Copy CRC 163E0A3F
Accurately ripped (confidence 8) [42943EC3] (AR v1)
Copy OK
Track 2
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Test CRC EEB4AD44
Copy CRC EEB4AD44
Accurately ripped (confidence 8) [589A8F4A] (AR v1)
Copy OK
Track 3
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Accurately ripped (confidence 8) [77C92262] (AR v1)
Copy OK
Track 4
Filename C:\Rips\Gilad Atzmon & The Orient House Ensemble - Refuge [flac]\04 The Burning Bush.wav
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Extraction speed 3.4 X
Track quality 100.0 %
Test CRC AE03ADD8
Copy CRC AE03ADD8
Accurately ripped (confidence 8) [92FDC756] (AR v1)
Copy OK
Track 5
Filename C:\Rips\Gilad Atzmon & The Orient House Ensemble - Refuge [flac]\05 Her Smile.wav
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Test CRC DEF445B2
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Accurately ripped (confidence 8) [AB65AA45] (AR v1)
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Track 6
Filename C:\Rips\Gilad Atzmon & The Orient House Ensemble - Refuge [flac]\06 Her Tears.wav
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Accurately ripped (confidence 8) [10ECE606] (AR v1)
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Track 7
Filename C:\Rips\Gilad Atzmon & The Orient House Ensemble - Refuge [flac]\07 My Refuge.wav
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Accurately ripped (confidence 8) [8D8DE2C2] (AR v1)
Copy OK
Track 8
Filename C:\Rips\Gilad Atzmon & The Orient House Ensemble - Refuge [flac]\08 Just Another Prayer For Peace.wav
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All tracks accurately ripped
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End of status report
==== Log checksum 9E3A3F9F0C010536E2B43B7A7788BD27D238C727ABFB3AA291AE17A4300C685C ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2007
REM DISCID 6F0CE708
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Gilad Atzmon & The Orient House Ensemble"
TITLE "Refuge"
FILE "01 - Autumn in Baghdad.wav" WAVE
TRACK 01 AUDIO
TITLE "Autumn in Baghdad"
PERFORMER "Gilad Atzmon & The Orient House Ensemble"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Spring in New York"
PERFORMER "Gilad Atzmon & The Orient House Ensemble"
INDEX 00 06:38:43
FILE "02 - Spring in New York.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "In the Small Hours"
PERFORMER "Gilad Atzmon & The Orient House Ensemble"
INDEX 00 07:38:00
FILE "03 - In the Small Hours.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "The Burning Bush"
PERFORMER "Gilad Atzmon & The Orient House Ensemble"
INDEX 00 05:11:24
FILE "04 - The Burning Bush.wav" WAVE
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PERFORMER "Gilad Atzmon & The Orient House Ensemble"
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TITLE "Her Tears"
PERFORMER "Gilad Atzmon & The Orient House Ensemble"
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "My Refuge"
PERFORMER "Gilad Atzmon & The Orient House Ensemble"
INDEX 00 05:30:49
FILE "07 - My Refuge.wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Just Another Prayer for Peace"
PERFORMER "Gilad Atzmon & The Orient House Ensemble"
INDEX 00 04:01:61
FILE "08 - Just Another Prayer for Peace.wav" WAVE
INDEX 01 00:00:00
Отчет CUETools
[CUETools log; Date: 09.06.2015 19:58:29; Version: 2.1.5]
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4 | (8/8) Accurately ripped
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7 | (8/8) Accurately ripped
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Review by Chris May
Something of a polymath amongst the general corpus of jazz musicians, Israeli-born reed player Gilad Atzmon, London-based since 1994, is not only a prolific performer and recording artist, but also a novelist, political essayist and campaigning anti-Zionist. Atzmon's books—his most recent, My One And Only Love (Saqi Books, 2004), is a comic satire about a Jewish trumpet player who becomes ensnared in an Israeli spying operation—have been enthusiastically received on the literary pages. His fiery and outspoken political activities are more controversial.
Onstage, Atzmon and the Orient House Ensemble have a reputation for giving performances as in your face and uncompromising as Atzmon's anti-Zionism. By contrast, the band's albums—Refuge is the fifth—have tended to be more measured affairs, placing Atzmon's visceral mix of bop, free-bop, fusion, Jewish and Arabic musics in a more finely nuanced context.
Some listeners have welcomed Orient House's approach to studio albums; others have found it uninvolving. Personally, I love it. If I want to be beaten about the ears with sonic excess, I'd sooner volunteer for the experience in a club than in my own home. But what shouldn't be in dispute is the quality of Refuge, which is certainly Atzmon and Orient House's most assured recorded outing to date, and one of the most satisfying jazz albums to come out of the UK so far in 2007.
All the tunes are Atzmon originals and, as some of the titles suggest, politics continue to drive his music, though here subtly so. "Autumn In Baghdad," a lovely, wistful ballad with an Arabic flavor, alludes to happier, less murderous times in that ancient city of culture and scholarship. "Spring In New York," the most heated and fusionesque track, powered by a heavy electric bass ostinato, all speed and frenetic energy, is ironic in title, a bedmate perhaps of Mel Brooks' "Springtime For Hitler" in The Producers. "The Burning Bush" is overtly Middle Eastern in feel, and at just under thirteen minutes the longest track, in which Atzmon weaves first tremulous clarinet, then vibrant alto saxophone through a soundscape of distant Arabic singing and vaguely unsettling electronic effects.
Ballads dominate the album. "In The Small Hours" could have been written by Billy Strayhorn, and Atzmon's glissing alto inevitably, and gloriously, evokes Johnny Hodges. "Her Smile," performed without drums over Yaron Stavi's bowed bass, is another gorgeous alto showcase. Stavi shines further on "Her Tears," again playing with a bow, his instrument gently weeping. "My Refuge" sets Atzmon's delicate shabbaabeh flute against Asaf Sirkis' insistent tribal beats, played with brushes on the snare drum. The closing "Prayer For Peace" is as meditative as the title suggests.
Far from being "only" a refined version of Orient House's live performances, Refuge is, instead, a more profound expression of it, a brilliantly navigated combination of gentle, sensitive lyricism and precisely focused passion.
Onstage, Atzmon and the Orient House Ensemble have a reputation for giving performances as in your face and uncompromising as Atzmon's anti-Zionism. By contrast, the band's albums—Refuge is the fifth—have tended to be more measured affairs, placing Atzmon's visceral mix of bop, free-bop, fusion, Jewish and Arabic musics in a more finely nuanced context.
Some listeners have welcomed Orient House's approach to studio albums; others have found it uninvolving. Personally, I love it. If I want to be beaten about the ears with sonic excess, I'd sooner volunteer for the experience in a club than in my own home. But what shouldn't be in dispute is the quality of Refuge, which is certainly Atzmon and Orient House's most assured recorded outing to date, and one of the most satisfying jazz albums to come out of the UK so far in 2007.
All the tunes are Atzmon originals and, as some of the titles suggest, politics continue to drive his music, though here subtly so. "Autumn In Baghdad," a lovely, wistful ballad with an Arabic flavor, alludes to happier, less murderous times in that ancient city of culture and scholarship. "Spring In New York," the most heated and fusionesque track, powered by a heavy electric bass ostinato, all speed and frenetic energy, is ironic in title, a bedmate perhaps of Mel Brooks' "Springtime For Hitler" in The Producers. "The Burning Bush" is overtly Middle Eastern in feel, and at just under thirteen minutes the longest track, in which Atzmon weaves first tremulous clarinet, then vibrant alto saxophone through a soundscape of distant Arabic singing and vaguely unsettling electronic effects.
Ballads dominate the album. "In The Small Hours" could have been written by Billy Strayhorn, and Atzmon's glissing alto inevitably, and gloriously, evokes Johnny Hodges. "Her Smile," performed without drums over Yaron Stavi's bowed bass, is another gorgeous alto showcase. Stavi shines further on "Her Tears," again playing with a bow, his instrument gently weeping. "My Refuge" sets Atzmon's delicate shabbaabeh flute against Asaf Sirkis' insistent tribal beats, played with brushes on the snare drum. The closing "Prayer For Peace" is as meditative as the title suggests.
Far from being "only" a refined version of Orient House's live performances, Refuge is, instead, a more profound expression of it, a brilliantly navigated combination of gentle, sensitive lyricism and precisely focused passion.