(Post-Bop, World Fusion) [CD] Joe Harriott & Amancio D'Silva Quartet - Hum Dono - 1969 (2014), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 5. January 2015, 9:31
Joe Harriott & Amancio D'Silva / Hum Dono [2014 Reissue]
Used drive  : TSSTcorpDVD-ROM TS-U333B   Adapter: 0  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
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        1  |  0:01.00 |  8:13.13 |        75    |    37062
        2  |  8:14.13 |  1:57.13 |     37063    |    45850
        3  | 10:11.26 |  7:43.42 |     45851    |    80617
        4  | 17:54.68 |  3:41.57 |     80618    |    97249
        5  | 21:36.50 |  6:54.19 |     97250    |   128318
        6  | 28:30.69 |  8:07.39 |    128319    |   164882
Track  1
     Filename C:\EAC Rips\01 - Stephano's Dance.wav
     Pre-gap length  0:00:03.00
     Peak level 68.4 %
     Extraction speed 3.1 X
     Track quality 100.0 %
     Test CRC 9B9BD45F
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     Track not present in AccurateRip database
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Track  2
     Filename C:\EAC Rips\02 - Spring Low, Sweet Harriott.wav
     Pre-gap length  0:00:00.60
     Peak level 68.1 %
     Extraction speed 2.0 X
     Track quality 99.9 %
     Test CRC 61CFBB7B
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Track  3
     Filename C:\EAC Rips\03 - Ballad For Goa.wav
     Pre-gap length  0:00:02.13
     Peak level 69.9 %
     Extraction speed 3.7 X
     Track quality 100.0 %
     Test CRC E6830B2A
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Track  4
     Filename C:\EAC Rips\04 - N.N.N.T..wav
     Pre-gap length  0:00:02.33
     Peak level 73.4 %
     Extraction speed 3.0 X
     Track quality 99.9 %
     Test CRC ABB0A097
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     Track not present in AccurateRip database
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Track  5
     Filename C:\EAC Rips\05 - Hum Dono.wav
     Pre-gap length  0:00:01.85
     Peak level 78.8 %
     Extraction speed 4.2 X
     Track quality 100.0 %
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Track  6
     Filename C:\EAC Rips\06 - Jaipur.wav
     Pre-gap length  0:00:01.84
     Peak level 68.9 %
     Extraction speed 4.6 X
     Track quality 100.0 %
     Test CRC 9EC46D4B
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum 0CF624585D0F878D9AD7357A4B6DC3DF73E56FD048FD0A01D28E9F17353A5516 ====

REM GENRE Jazz
REM DATE 1969
REM DISCID 4D089506
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Joe Harriott & Amancio D'Silva"
TITLE "Hum Dono"
FILE "01 - Stephano's Dance.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Stephano's Dance"
    PERFORMER "Joe Harriott & Amancio D'Silva"
    PREGAP 00:01:00
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Spring Low, Sweet Harriott"
    PERFORMER "Joe Harriott & Amancio D'Silva"
    INDEX 00 08:12:43
FILE "02 - Spring Low, Sweet Harriott.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Ballad for Goa"
    PERFORMER "Joe Harriott & Amancio D'Silva"
    INDEX 00 01:55:03
FILE "03 - Ballad for Goa.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "N.N.N.T."
    PERFORMER "Joe Harriott & Amancio D'Silva"
    INDEX 00 07:41:17
FILE "04 - N.N.N.T..wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Hum Dono"
    PERFORMER "Joe Harriott & Amancio D'Silva"
    INDEX 00 03:39:68
FILE "05 - Hum Dono.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Jaipur"
    PERFORMER "Joe Harriott & Amancio D'Silva"
    INDEX 00 06:52:31
FILE "06 - Jaipur.wav" WAVE
    INDEX 01 00:00:00

All credit to Dutton Vocalion for making Hum Dono available again. It's open to question, of course, whether the record should be seen as a Harriott date at all. The Goan guitarist, Amancio D'Silva, is certainly more than a junior partner here and provides five of the record's six tunes, as well as shaping its whole vibe. The only track credited to Harriott is the short improvised duet with drummer Bryan Spring, "Sping Low, Sweet Harriott." Perhaps Hum Dono is better seen as a partner to D'Silva's own, and truly lovely, Integration, which features members of the Rendell-Carr Quintet.
D'Silva had a unique style. Imagine if Wes Montgomery, or maybe Tal Farlow, had played sitar rather than guitar and you may have some idea of his sound. He died in 1996 and it seems tragic that he left so little recorded music behind. It is that, as much as Harriott's superlative playing, that makes Hum Dono so very special.
"Stephano's Dance," written for the guitarist's son -also a guitarist, who provides some highly informative sleeve notes—opens with an underlying 4/4 pulse but with a counter rhythm in 6/8 on top. The flavour is immediately that of the sub-continent, its sense of exoticism amplified by Norma Winstone's wordless vocals. Spring and bassist Dave Green provide a rapid, propulsive beat before Harriott enters with a solo that tugs away at the melody relentlessly. Ian Carr's trumpet seems more in line with the raga-like melody but the contrast between his playing and Harriott's provides the tune with its dynamic force. The tune is three-quarters over before D'Silva takes his solo. His presence has been evident throughout comping in the background but now he spins out long, twisting melodies rich in invention and eastern swing.
The guitarist starts "Ballad For Goa" with a brief cadenza before stating the melancholy rhythm with gently stroked chords. Then it shifts pace, as it opens out with a blues-tinged contribution from Harriott. Winstone picks up beautifully from Harriott's final notes, as her voice seems to span both the occident and orient, one moment bluesy and jazzy, the next something more folk-like. D'Silva's solo is almost a duet with Dave Green, with intriguing out of time passages before the group returns to the opening theme. "N.N.N.T." is quite different and were it not for the uniqueness of D'Silva's east-meets-west stylistic approach would count as pure bebop. It's the least Indian-influenced piece here, delivered at a fast pace and with a different intensity compared to the other tracks.
Both "N.N.N.T." and the title track features the quartet on its own. "Hum Dono" itself makes you wish that Harriott and D'Silva had had more opportunities to record together, as the saxophonist achieves a level of empathy with the music that he never quite achieved with John Mayer and Indo-Jazz Fusions. It's best described as a wild, swirling dance with Harriott and the guitarist circling each other against a background that seems to include hand drums from Bryan Spring. D'Silva's own solo builds on both the tune's raga scale and on a repeated motif. Simply, it's a tour de force and exemplifies an approach to the instrument that fuses both the Indian and jazz influences perfectly.
And finally, there is the much-sampled "Jaipur" with both Winstone and Carr added and in great voice. I can never listen to this track without imagining the scene in the recording studio. First, D'Silva's spidery lines spun from his guitar, then the sheer delight that must have resulted from Carr and Winstone's bravura duet over the bouncing, pulsating rhythms of Green and Spring and then Harriott playing not just for himself but for the band and, as always, for the music. "Jaipur" is one for that "desert island" list and as the theme returns just imagine these six musicians knowing instinctively that this was a genuinely special date. Five stars? I'll give it six!