(Post-Bop, World Fusion) [CD] Amancio D'Silva - Integration - 1969 (2004), FLAC (tracks+.cue), lossless
![(Post-Bop, World Fusion) [CD] Amancio D'Silva - Integration - 1969 (2004), FLAC (tracks+.cue), lossless](/upload/000/u2/f3/02/post-bop-world-fusion-cd-amancio-d-silva-integration-19.jpg "(Post-Bop, World Fusion) [CD] Amancio D'Silva - Integration - 1969 (2004), FLAC (tracks+.cue), lossless")
Amancio D'Silva - Integration
Жанр: Post-Bop, World Fusion
Носитель: CD
Страна-производитель диска (релиза): Великобритания
Год издания: 2004
Издатель (лейбл): Universal (Impressed Re-pressed)
Номер по каталогу: 986 689 3
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 43:12
Источник (релизер): Soniko (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Ganges (D'Silva-Carr) - 6:21
02. Jaipur (D'Silva) - 6:51
03. Integration (D'Silva-Green-Rendell) - 4:22
04. Maharani (D'Silva) - 4:18
05. We Tell You This (D'Silva-Carr) - 7:02
06. Cry Free (Carr) - 7:51
07. Joyce Country (D'Silva) - 6:27
Состав:
Amancio D'Silva - guitar
Ian Carr - trumpet, flugelhorn
Don Rendell - tenor saxophone, soprano saxophone
Dave Green - bass
Trevor Tomkins - drums
Recorded at Landsdowne Studios, London in 1969.
Жанр: Post-Bop, World Fusion
Носитель: CD
Страна-производитель диска (релиза): Великобритания
Год издания: 2004
Издатель (лейбл): Universal (Impressed Re-pressed)
Номер по каталогу: 986 689 3
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 43:12
Источник (релизер): Soniko (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Ganges (D'Silva-Carr) - 6:21
02. Jaipur (D'Silva) - 6:51
03. Integration (D'Silva-Green-Rendell) - 4:22
04. Maharani (D'Silva) - 4:18
05. We Tell You This (D'Silva-Carr) - 7:02
06. Cry Free (Carr) - 7:51
07. Joyce Country (D'Silva) - 6:27
Состав:
Amancio D'Silva - guitar
Ian Carr - trumpet, flugelhorn
Don Rendell - tenor saxophone, soprano saxophone
Dave Green - bass
Trevor Tomkins - drums
Recorded at Landsdowne Studios, London in 1969.
Лог создания рипа
X Lossless Decoder version 20151214 (149.1)
XLD extraction logfile from 2016-03-01 17:27:16 -0800
Amancio D'Silva / Integration
Used drive : HL-DT-ST DVDRW GX50N (revision RR06)
Media type : Pressed CD
Ripper mode : XLD Secure Ripper
Disable audio cache : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction : 6
Max retry count : 20
Gap status : Analyzed, Appended (except HTOA)
TOC of the extracted CD
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---------------------------------------------------------
1 | 00:00:00 | 06:20:53 | 0 | 28552
2 | 06:20:53 | 06:50:50 | 28553 | 59352
3 | 13:11:28 | 04:22:21 | 59353 | 79023
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6 | 28:54:15 | 07:51:29 | 130065 | 165418
7 | 36:45:44 | 06:27:36 | 165419 | 194479
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Track 02 : OK (v2, confidence 2/2)
Track 03 : OK (v2, confidence 2/2)
Track 04 : OK (v2, confidence 2/2)
Track 05 : OK (v2, confidence 2/2)
Track 06 : OK (v2, confidence 2/2)
Track 07 : OK (v2, confidence 2/2)
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All Tracks
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Track 01
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CRC32 hash : 7FA23A0A
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->Accurately ripped (v2, confidence 2/2)
Statistics
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Track 02
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Statistics
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Track 03
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CRC32 hash : 3C193786
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->Accurately ripped (v2, confidence 2/2)
Statistics
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Track 04
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Pre-gap length : 00:02:65
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CRC32 hash : 6257C003
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Statistics
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Track 05
Filename : /Users/Nik/Desktop/Amancio D'Silva - Integration (2004) [FLAC]/05 We Tell You This.flac
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Track 06
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Statistics
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Track 07
Filename : /Users/Nik/Desktop/Amancio D'Silva - Integration (2004) [FLAC]/07 Joyce Country.flac
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Statistics
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No errors occurred
End of status report
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Содержание индексной карты (.CUE)
TITLE "Integration"
PERFORMER "Amancio D'Silva"
CATALOG 0602498668931
REM GENRE "Jazz"
REM DATE "1969"
REM DISCID 510A2107
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REM REPLAYGAIN_ALBUM_PEAK 0.966095
FILE "01 - Ganges.flac" WAVE
TRACK 01 AUDIO
TITLE "Ganges"
ISRC GBEKZ0400194
REM REPLAYGAIN_TRACK_GAIN -6.91 dB
REM REPLAYGAIN_TRACK_PEAK 0.966064
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Jaipur"
ISRC GBEKZ0400197
REM REPLAYGAIN_TRACK_GAIN -6.63 dB
REM REPLAYGAIN_TRACK_PEAK 0.966064
INDEX 00 06:17:63
FILE "02 - Jaipur.flac" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Integration"
ISRC GBEKZ0400196
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INDEX 00 06:47:60
FILE "03 - Integration.flac" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Maharani"
ISRC GBEKZ0400199
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FILE "04 - Maharani.flac" WAVE
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TITLE "We Tell You This"
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FILE "05 - We Tell You This.flac" WAVE
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TITLE "Cry Free"
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FILE "06 - Cry Free.flac" WAVE
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FILE "07 - Joyce Country.flac" WAVE
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Отчет CUETools
[CUETools log; Date: 26.04.2016 17:56:49; Version: 2.1.5]
[CTDB TOCID: p6u1ZV3YiHIe6ST3fzuiYKBHACA-] found.
Track | CTDB Status
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2 | (4/4) Accurately ripped
3 | (4/4) Accurately ripped
4 | (4/4) Accurately ripped
5 | (4/4) Accurately ripped
6 | (4/4) Accurately ripped
7 | (4/4) Accurately ripped
[AccurateRip ID: 000b865b-00453c42-510a2107] found.
Track [ CRC | V2 ] Status
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Review by Chris May
This is a really thrilling, wonderful and profoundly enjoyable album—a trailblazing and stirring adventure in world music and world jazz recorded long before either term was invented.
Made in '69, in London, by Indian guitarist Amancio D'Silva and four of Britain's finest jazzmen, it serves up a chili-rich dish of hard bop, Indian raga, ska, early electric Miles, a little rembetika, Link Wray and Willis Gator Jackson... and Ennio Morricone spaghetti western scores! Reissued as part of Universal's Impressed-Repressed series of long unavailable British jazz masterpieces, the groove today is as irresistible and out of it as it must have sounded three decades ago.
In the late '60s, the British jazz scene was still suffering from the crippling belief that the best jazz could only come out of the USA and that anything made in Britain must, by definition, be derivative and inferior. It was the Indo-jazz movement of the time, spearheaded by London-based Indian composer/arranger John Mayer and West Indian saxman Joe Harriott and their Indo-Jazz Fusions 1 and 2 albums, together with D'Silva, which as much as anything helped overturn this inferiority complex.
More visceral—and more gone—than Mayer's sometimes overly academic and self-conscious multi-cultural constructs, the music on Integration also has little to do with the blissed out sitar sounds then popular within the counter culture. The first three tracks in particular, with saxophonist Don Rendell sharing the solo spotlight with D'Silva, are much more fiery, rough edged and incantatory, closer to the sort of music you'd hear in a Rajastan town square on market day. D'Silva's hard-picked and percussive style, wholly original and uncategorisable, performed throughout the album on electric guitar, references classical sitar and primal Link Wray with a little bit of bouzouki thrown in for good measure, while the horn arrangements evoke both the Skatalites and the Jazz Messengers. Rendell, on tenor for the majestic "Ganges" and "Jaipur," affirms his position as one of the most exciting hard bop saxmen and reveals some gloriously raucous ska and R&B roots.
Rendell drops out for the last four tracks, which foreground D'Silva and Carr and are more measured and reflective than their predecessors—but no less magical. Carr, in '69 almost obsessive in his devotion to Miles (and later, of course, his distinguished biographer), is practically right up there with his hero's In A Silent Way initiatives, and with D'Silva conjures some top ranking early electric Miles. On the closing "Joyce Country," the duo mix Carr's Spanish tinge with D'Silva's "Rumble" moments to evoke Ennio Morricone's spaghetti western soundtracks.
Unforced in its sweeping cultural inclusiveness, and utterly convincing in its execution, Integration is a stone delight from start to finish.
Made in '69, in London, by Indian guitarist Amancio D'Silva and four of Britain's finest jazzmen, it serves up a chili-rich dish of hard bop, Indian raga, ska, early electric Miles, a little rembetika, Link Wray and Willis Gator Jackson... and Ennio Morricone spaghetti western scores! Reissued as part of Universal's Impressed-Repressed series of long unavailable British jazz masterpieces, the groove today is as irresistible and out of it as it must have sounded three decades ago.
In the late '60s, the British jazz scene was still suffering from the crippling belief that the best jazz could only come out of the USA and that anything made in Britain must, by definition, be derivative and inferior. It was the Indo-jazz movement of the time, spearheaded by London-based Indian composer/arranger John Mayer and West Indian saxman Joe Harriott and their Indo-Jazz Fusions 1 and 2 albums, together with D'Silva, which as much as anything helped overturn this inferiority complex.
More visceral—and more gone—than Mayer's sometimes overly academic and self-conscious multi-cultural constructs, the music on Integration also has little to do with the blissed out sitar sounds then popular within the counter culture. The first three tracks in particular, with saxophonist Don Rendell sharing the solo spotlight with D'Silva, are much more fiery, rough edged and incantatory, closer to the sort of music you'd hear in a Rajastan town square on market day. D'Silva's hard-picked and percussive style, wholly original and uncategorisable, performed throughout the album on electric guitar, references classical sitar and primal Link Wray with a little bit of bouzouki thrown in for good measure, while the horn arrangements evoke both the Skatalites and the Jazz Messengers. Rendell, on tenor for the majestic "Ganges" and "Jaipur," affirms his position as one of the most exciting hard bop saxmen and reveals some gloriously raucous ska and R&B roots.
Rendell drops out for the last four tracks, which foreground D'Silva and Carr and are more measured and reflective than their predecessors—but no less magical. Carr, in '69 almost obsessive in his devotion to Miles (and later, of course, his distinguished biographer), is practically right up there with his hero's In A Silent Way initiatives, and with D'Silva conjures some top ranking early electric Miles. On the closing "Joyce Country," the duo mix Carr's Spanish tinge with D'Silva's "Rumble" moments to evoke Ennio Morricone's spaghetti western soundtracks.
Unforced in its sweeping cultural inclusiveness, and utterly convincing in its execution, Integration is a stone delight from start to finish.