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(Post-Bop, Avant-Garde, Contemporary, Saxophone) James Carter (feat. Lester Bowie, Hamiet Bluiett, Craig Taborn etc) - Conversin' With The Elders {Atlantic 82908-2, USA} - 1996, FLAC (image+.cue) lossless

(Post-Bop, Avant-Garde, Contemporary, Saxophone) James Carter (feat. Lester Bowie, Hamiet Bluiett, Craig Taborn etc) - Conversin' With The Elders {Atlantic 82908-2, USA} - 1996, FLAC (image+.cue) lossless
Треклист:
James Carter - Conversin' With The Elders
Жанр: Post-Bop, Avant-Garde, Contemporary, Saxophone
Страна-производитель диска: USA
Год издания диска: 1996
Издатель (лейбл): Atlantic
Номер по каталогу: 82908-2
Аудио кодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 01:02:18
Источник (релизер): собственный рип с оригинального фирменного CD (Darkman)
Наличие сканов в содержимом раздачи: да (полный комплект, 300 dpi + альтернативный комплект сканов, by Andre_sax)
Треклист:
1. FreeReggaeHiBop - 08:10
2. Parker's Mood - 06:29
3. Lester Leaps In - 04:57
4. Naima - 07:09
5. Blue Creek - 06:12
6. Centerpiece - 06:34
7. Composition #40Q - 06:41
8. Moten Swing - 07:43
9. Atitled Valse - 08:20
Personnel:
James Carter - baritone, tenor and alto saxophone; bass clarinet
Craig Taborn - piano
Jaribu Shahid - bass
Tani Tabbal - drums
featuring:
Lester Bowie - trumpet
Hamiet Bluiett - baritone saxophone
Harry "Sweets" Edison - trumpet
Larry Smith - alto saxophone
Buddy Tate - clarinet; tenor saxophone
Recorded at: Power Station, New York, NY on October 2, 1995 (1, 9); January 30, 1996 (3, 5, 6, 8); February 5, 1996 (2, 4, 7).
Recording dates:
Tracks 1, 9: 2 October 1995.
Tracks 3, 5, 6, 8: 30 January 1996.
Tracks 2, 4, 7: 5 February 1996.
Recorded by: Michael O'Reilly (tracks: 2 to 8); Joe Ferla (tracks: 1, 9).
Audio Mixers - Joe Ferla; Chris Albert (mix assistant engineer).
Mastered By – Ted Jensen
Producer – Yves Beauvais
Arranger - James Carter
Photographer: F. Scott Schafer
Includes liner notes by James Carter.
 
Лог создания рипа (EAC Log)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 21. September 2011, 2:22
James Carter / Conversin' with the Elders
Used drive : HL-DT-STDVD-RAM GSA-H54N Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.32 | 8:10.28 | 32 | 36809
2 | 8:10.60 | 6:29.02 | 36810 | 65986
3 | 14:39.62 | 4:57.25 | 65987 | 88286
4 | 19:37.12 | 7:09.03 | 88287 | 120464
5 | 26:46.15 | 6:12.57 | 120465 | 148421
6 | 32:58.72 | 6:34.48 | 148422 | 178019
7 | 39:33.45 | 6:41.10 | 178020 | 208104
8 | 46:14.55 | 7:43.42 | 208105 | 242871
9 | 53:58.22 | 8:20.45 | 242872 | 280416
Range status and errors
Selected range
Filename C:\EAC\James Carter - Conversin' with the Elders.wav
Peak level 100.0 %
Range quality 100.0 %
Test CRC 5E5E9B73
Copy CRC 5E5E9B73
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 17) [15F2381F]
Track 2 accurately ripped (confidence 17) [C53A48F0]
Track 3 accurately ripped (confidence 17) [5BF5B73F]
Track 4 accurately ripped (confidence 17) [CE53E362]
Track 5 accurately ripped (confidence 17) [EF927C11]
Track 6 accurately ripped (confidence 15) [88BD19DD]
Track 7 accurately ripped (confidence 16) [77667862]
Track 8 accurately ripped (confidence 16) [D477481D]
Track 9 accurately ripped (confidence 14) [05E6B4FF]
All tracks accurately ripped
End of status report
 
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 1996
REM DISCID 850E9A09
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "James Carter"
TITLE "Conversin' with the Elders"
FILE "James Carter - Conversin' with the Elders.flac" WAVE
TRACK 01 AUDIO
TITLE "FreeReggaeHiBop"
PERFORMER "James Carter"
INDEX 00 00:00:00
INDEX 01 00:00:32
TRACK 02 AUDIO
TITLE "Parker's Mood"
PERFORMER "James Carter"
INDEX 00 08:08:00
INDEX 01 08:10:60
TRACK 03 AUDIO
TITLE "Lester Leaps In"
PERFORMER "James Carter"
INDEX 00 14:37:33
INDEX 01 14:39:62
TRACK 04 AUDIO
TITLE "Naima"
PERFORMER "James Carter"
INDEX 00 19:34:53
INDEX 01 19:37:12
TRACK 05 AUDIO
TITLE "Blue Creek"
PERFORMER "James Carter"
INDEX 00 26:43:18
INDEX 01 26:46:15
TRACK 06 AUDIO
TITLE "Centerpiece"
PERFORMER "James Carter"
INDEX 00 32:56:40
INDEX 01 32:58:72
TRACK 07 AUDIO
TITLE "Composition #40Q"
PERFORMER "James Carter"
INDEX 00 39:32:15
INDEX 01 39:33:45
TRACK 08 AUDIO
TITLE "Moten Swing"
PERFORMER "James Carter"
INDEX 00 46:12:63
INDEX 01 46:14:55
TRACK 09 AUDIO
TITLE "Atitled Valse"
PERFORMER "James Carter"
INDEX 00 53:57:10
INDEX 01 53:58:22
 
Об исполнителе (by Andre_sax)
Говоря о молодых генералах современного джаза в числе первых стоит назвать саксофониста Джеймса Картера (James Carter). Он родился в Детройте в 1969-м. В начале 90-х играл хард-боп в молодой, подающей надежды группе Tough Young Tenors. Надежды начал оправдывать незамедлительно: уже в 1991-м Картера приглашают для совместной работы над альбомами такие корифеи как Джулиус Хемфилл и Лестер Боуи.
В 1993-м году саксофонист выпускает первый сольник: "JC on Set". Надо было обладать определенным куражом, чтобы, дебютируя, предстать перед внимательной к инициалам Америкой как бы тезкой (Jesus Christ) Иисуса Христа. Кстати, второй альбом Картера назывался Jurassic Classic. А вообще, фамилия Картер - не самая редкая; только в джазовой энциклопедии Мортона-Кука Картеров насчитывается 27 человек…
Несмотря на весь этот мессианско-бонапартистский задор, Картер никогда не был революционером и ниспровергателем. Наоборот - он с первых шагов зарекомендовал себя как надежный хранитель вечных джазовых ценностей и вдумчивый преемник мастеров старшего поколения. С такими мастерами он и вступил в творческо-соревновательный союз на своем четвертом диске, Conversin' With The Elders.
Звук раннего Картера Мортон-Кук характеризуют как "металлический, проворный, без намека на сантименты". По большому счету, эти черты сохраняются и сегодня. Вот только появилась насыщенность и некая чувственная глубина. Трудно вообразить себе запись с участием Джеймса Картера, где бы он затерялся, ушел на второй план. Его манера игры(подкрепленная энергией и мастерством исполнителя) такова, что практически в любом ансамбле он становится лидером, столпом. Игру Картера отличает мощная экспрессия и скульптурная отчетливость: не зря JC часто сравнивают с легендарным Рахсааном Роландом Кёрком.
 
Reviews
Rolling Stone (7/11-25/96, p.90) - "...Carter's tribute to his own heroes also announces the arrival of a new hero..."
Spin (7/96, pp.92-93) - 7 - Flawed Yet Worthy - "...Carter's got most of the history of jazz saxophone covered--his Coleman Hawkins is as good as his David Murray--and he wants to show you, bolstered here by jazz royalty from both sides of the fence....He doesn't just exemplify the idea of jazz's meeting its future; he acts it out like a pantomime..."
Entertainment Weekly (6/14/96, pp.56-58) - "...Carter shows off versatility, lucidity, and wit on his...album of collaborations with veteran artists ranging from the quiet old lion of swing understatement, Harry `Sweets' Edison, to the insurgent trumpeter Lester Bowie..." - Rating: B+
Q (9/96, p.110) - 4 Stars - Excellent - "...an exhilarating to-hell-with-it jam on classics...some smouldering mid-tempo blues, and even an angular, staccato Anthony Braxton composition. Carter continues to show that he understands eclecticism isn't just a marketing term."
JazzTimes (9/96, p.97) - "...Pairing youth with masters has always been compelling in jazz, and Carter operates with his usual confidence, and in ample deference to these masters....these are all familiar pieces, yet the freshness is keen and rewarding."
Vibe (9/96, p.206) - "...Carter's fourth album as a leader, features a slew of radically reinterpreted standards made famous by saxophone greats of yesteryear....[a] powerful, neotraditional manifesto."
New York Times (Publisher) (7/9/96, p.C11) - "...he's the saxophonist of the moment, and CONVERSIN' WITH THE ELDERS...shows why: he uses an astonishing tone, hard and gritty, and his improvisations are almost shocking in their audacity..."
 
Allmusic
The brilliant saxophonist James Carter and his quartet (which also includes pianist Craig Taborn, bassist Jaribu Shahid and drummer Tani Tabbal) welcome some of Carter's musical heroes as guests throughout Conversin' with the Elders. Carter matches wits with the eccentric trumpeter Lester Bowie on "Freereggaehibop" and the often-hilarious "Atitled Valse"; he also features the legendary (but rarely recorded) Detroit altoist Larry Smith on "Parker's Mood," showcases Count Basie veterans Harry "Sweets" Edison and Buddy Tate on two swing standards apiece (Tate's work on clarinet during "Blue Creek" is memorable), and interacts with baritonist Hamiet Bluiett on "Naima" and an Anthony Braxton march. Switching between tenor, alto, baritone and bass clarinet, Carter makes each of his guests feel at home while pushing them to stretch themselves. A consistently colorful and generally swing-oriented set. ~ Scott Yanow
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