(Neo Soul,Soul-Jazz,Funk) [CD] Georgia Anne Muldrow - Early - 2009, FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 6 from 9. April 2015
EAC extraction logfile from 26. June 2015, 16:07
Georgia Anne Muldrow / Early
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Read mode               : Secure
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Read offset correction                      : 667
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Null samples used in CRC calculations       : Yes
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Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
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Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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       10  | 39:22.58 |  2:13.33 |    177208    |   187215
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     Filename C:\Users\maritu\Music\RIPS\Georgia Anne Muldrow - Early.wav
     Peak level 97.6 %
     Extraction speed 3.8 X
     Range quality 100.0 %
     Test CRC 612B95BF
     Copy CRC 612B95BF
     Copy OK
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==== Log checksum F313B5CDAEE657777EB7F2E1D326EAA0BB6FA59075D4CEF9645EFE77C15D81EB ====

Georgia Anne Muldrow (born 1983) is an American musician from Los Angeles, California. AllMusic described her as "one of the most daring and important (albeit underappreciated) artists of her time". In 2008, she co-founded the SomeOthaShip Connect record label with her partner Dudley Perkins.In 2006, Georgia Anne Muldrow released the debut EP, Worthnothings, on Stones Throw Records. Her first album, Olesi: Fragments of an Earth, was released on the label in that year.
She released Seeds, an album entirely produced by Madlib, on SomeOthaShip Connect in 2012.Rapper Mos Def said about Muldrow: "She’s incredible. She’s like Flack, Nina Simone, Ella, she’s something else. She’s like religion. It’s heavy, vibrational music. I’ve never heard a human being sing like this. Her voice is wildly, finely expressive. It’s so singular. It’s hip-hop, the way that she approaches it rhythmically, she’s got so many jazz influences. It’s something else and you can just feel it. With “Georgia Anne Muldrow Presents Ms. One” (Someothaship) she’s like J. Dilla, the legendary producer. She makes her own beats, she rhymes, she sings, and she plays. If people love Amy Winehouse, they’re going to get their minds blown when they hear Georgia Anne Muldrow."

When listening to this album, remember that it was recorded seven years previously when Muldrow was just 17 years old. When that seeps in, the contents of this album are astounding. No, this isn't the astral-traveling, intense and exploratory, far-reaching Muldrow of Olesi, Sagala, and Umsindo. The title is a telling one -- this is "early" Muldrow as a teen, at the dawn of the new millennium, spinning her own version of the new-soul music that was in vogue back then. Songs like "Never a Day in Vain" and "Run Away" are the answer to the question "What if, before Georgia loaded up her spaceship with all her instruments and equipment to blast off to another galaxy, she made a Dwele album?" Since Muldrow is one of the most daring and important (albeit underappreciated) artists of her time, this revealing look into her "early" work is essential. Tunes such as "Break You Down" show the artist developing her unique, patented, singular groove. It's an album that reveals her vocal influences, whether overt (Betty Carter on "Sunset") or subtle (Erykah Badu on "Keep It Real?"). And then there are tracks like "In Love Again" -- one of those classic Georgia performances, one without a single vocal repeat and too many bridges to count -- that sound like she locked herself in a closet for months with Chaka Khan on loop, only to emerge with her own voice and technique in full bloom on "Let It Go." It's fitting that "Let It Go" appears near the end of the album, right before "Gears (Sing It Again)," which is like a harbinger of things to come. For an artist who wasn't even a legal adult to write, sing, play, and produce virtually every sound on this album is astonishing on so many levels. But then again, this is Georgia we're talking about.