(MPB, bossa nova) Vinicius de Moraes - Vinicius e Amigos - 1991, FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 20. May 2011, 23:50
Vinícius de Moraes / Vinícius e Amigos
Used drive  : HL-DT-STDVD-RAM GH22NS30   Adapter: 5  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 102
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  3:33.62 |         0    |    16036
        2  |  3:33.62 |  2:55.25 |     16037    |    29186
        3  |  6:29.12 |  2:07.40 |     29187    |    38751
        4  |  8:36.52 |  2:54.73 |     38752    |    51874
        5  | 11:31.50 |  2:17.40 |     51875    |    62189
        6  | 13:49.15 |  2:38.17 |     62190    |    74056
        7  | 16:27.32 |  4:28.45 |     74057    |    94201
        8  | 20:56.02 |  3:27.58 |     94202    |   109784
        9  | 24:23.60 |  2:11.45 |    109785    |   119654
       10  | 26:35.30 |  3:05.35 |    119655    |   133564
       11  | 29:40.65 |  3:08.22 |    133565    |   147686
       12  | 32:49.12 |  3:14.55 |    147687    |   162291
       13  | 36:03.67 |  3:00.35 |    162292    |   175826
       14  | 39:04.27 |  2:52.23 |    175827    |   188749
Range status and errors
Selected range
     Filename H:\rEApEAt\Vinicius de Moraes - Vinicius e Amigos\Vinicius de Moraes - Vinicius e Amigos.wav
     Peak level 92.6 %
     Extraction speed 0.1 X
     Range quality 100.0 %
     Test CRC AEDAA77C
     Copy CRC AEDAA77C
     Copy OK
No errors occurred
AccurateRip summary
Track  1  cannot be verified as accurate (confidence 1)  [AF32E5FB], AccurateRip returned [0CC998AF]
Track  2  cannot be verified as accurate (confidence 1)  [25BD4DBD], AccurateRip returned [9F2E3824]
Track  3  cannot be verified as accurate (confidence 1)  [3F37350B], AccurateRip returned [B299EF6F]
Track  4  cannot be verified as accurate (confidence 1)  [0FBC003F], AccurateRip returned [2C6D3A70]
Track  5  cannot be verified as accurate (confidence 1)  [F5DF7FCC], AccurateRip returned [79FB470C]
Track  6  cannot be verified as accurate (confidence 1)  [4D1AC861], AccurateRip returned [80B49E2E]
Track  7  cannot be verified as accurate (confidence 1)  [A1178B9C], AccurateRip returned [BD9DD506]
Track  8  cannot be verified as accurate (confidence 1)  [8C0561FC], AccurateRip returned [B86D0FFB]
Track  9  cannot be verified as accurate (confidence 1)  [5A9362F3], AccurateRip returned [8185BE63]
Track 10  cannot be verified as accurate (confidence 1)  [3E25932A], AccurateRip returned [D3637AE6]
Track 11  cannot be verified as accurate (confidence 1)  [CF43E39F], AccurateRip returned [5260C916]
Track 12  cannot be verified as accurate (confidence 1)  [BDEA6FCF], AccurateRip returned [D1985C08]
Track 13  cannot be verified as accurate (confidence 1)  [85DAAD55], AccurateRip returned [06A4F0DF]
Track 14  cannot be verified as accurate (confidence 1)  [B93F6EC3], AccurateRip returned [903361D9]
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
End of status report
==== Log checksum A7FDB541C44C53C247EA16C64F4C51579679C3FE9D93F7820482AB6EE2B02754 ====

Marcus Vinicius da Cruz e Mello Moraes (October 19, 1913 – July 9, 1980), also known as Vinícius de Moraes (Portuguese pronunciation: [viˈnisius dʒi moˈɾajs]) and nicknamed O Poetinha (the little poet), was born in Rio de Janeiro, Brazil. Son of Lydia Cruz de Moraes and Clodoaldo Pereira da Silva Moraes, he was a seminal figure in contemporary Brazilian music. As a poet, he wrote lyrics for a great number of songs that became all-time classics. He was also a composer of bossa nova, a playwright, a diplomat and, as an interpreter of his own songs, he left several important albums.
(...) In the 1960s and 1970s, Vinicius continued collaborating with many renowned Brazilian singers and musicians, particularly Baden Powell, with whom he penned a series of songs with a heavy Afro-Brazilian influence and which came to be known collectively as the Afro-Sambas.
As a known bohemian and a diplomat, Vinícius didn't endear himself as a civil servant to the petty moralizing military that had taken power in Brazil after the military coup d'etat of 1964, being spied upon by political police and branded as a "rabble" (marginal) and a drunk. Eventually, during a purge in the Ministry of Foreign Relations, he was forcibly retired in 1969, at age 55. Although taken aback by his forced retirement, he at the time laughed down the case against him: when it was made known that the Ministry purge was directed against "homosexuals and drunks", he jokingly retorted that his alcoholism was public knowledge. Afterwards, he proceeded to tackle a full-time artistic career.
In the 1970s, already established and with a new partner, the guitarist and singer Antônio Pecci Filho, nicknamed Toquinho, Vinícius worked in tandem on both musical and literary productions, putting forth various albums and books of great commercial success. He also toured through Europe with Chico Buarque, the singer-songwriter son of the historian, and Nara Leão, and Argentina with Dorival Caymmi and Oscar Castro-Neves. His most stable partner, however, remained Toquinho, alongside whom he would release a series of very popular and influential albums. Their live performances, both in Brazil and Europe, were often conducted as intimate meetings with the public, where Vinícius - sitting in the middle of the stage at a small table with a checked tablecloth and a bottle of whiskey, with a microphone in his hand - chatted and endlessly told amusing stories (in French, English, Spanish and Portuguese) to the audience while repeatedly serving himself fine Scotch whiskey between songs.
Hundreds of international performers have recorded more than 400 of Vinícius's songs