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(MPB, bossa nova) Vinicius de Moraes - Vinicius e Amigos - 1991, FLAC (image+.cue), lossless

(MPB, bossa nova) Vinicius de Moraes - Vinicius e Amigos - 1991, FLAC (image+.cue), lossless
Треклист:
Vinicius de Moraes / Vinicius e Amigos
Жанр: MPB, bossa nova
Страна-производитель диска: Brasil
Год издания: 1991
Издатель (лейбл): RGE
Номер по каталогу: 342.6093
Страна: Brasil
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 41:56
Источник (релизер): rpt
Наличие сканов в содержимом раздачи: да
Треклист:
01. Apelo
02. Canto de Ossanha
03. La casa
04. No colo da serra
05. Mulher sempre mulher
06. Samba da rosa
07. Para viver um grande amor
08. Eu sei que vou te amar
09. Tomara
10. A benção, Bahia
11. Cotidiano Nº 2
12. Como dizia o poeta
13. Você errou
14. Valsa para uma menininha
 
Лог создания рипа
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 20. May 2011, 23:50
Vinícius de Moraes / Vinícius e Amigos
Used drive : HL-DT-STDVD-RAM GH22NS30 Adapter: 5 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 3:33.62 | 0 | 16036
2 | 3:33.62 | 2:55.25 | 16037 | 29186
3 | 6:29.12 | 2:07.40 | 29187 | 38751
4 | 8:36.52 | 2:54.73 | 38752 | 51874
5 | 11:31.50 | 2:17.40 | 51875 | 62189
6 | 13:49.15 | 2:38.17 | 62190 | 74056
7 | 16:27.32 | 4:28.45 | 74057 | 94201
8 | 20:56.02 | 3:27.58 | 94202 | 109784
9 | 24:23.60 | 2:11.45 | 109785 | 119654
10 | 26:35.30 | 3:05.35 | 119655 | 133564
11 | 29:40.65 | 3:08.22 | 133565 | 147686
12 | 32:49.12 | 3:14.55 | 147687 | 162291
13 | 36:03.67 | 3:00.35 | 162292 | 175826
14 | 39:04.27 | 2:52.23 | 175827 | 188749
Range status and errors
Selected range
Filename H:\rEApEAt\Vinicius de Moraes - Vinicius e Amigos\Vinicius de Moraes - Vinicius e Amigos.wav
Peak level 92.6 %
Extraction speed 0.1 X
Range quality 100.0 %
Test CRC AEDAA77C
Copy CRC AEDAA77C
Copy OK
No errors occurred
AccurateRip summary
Track 1 cannot be verified as accurate (confidence 1) [AF32E5FB], AccurateRip returned [0CC998AF]
Track 2 cannot be verified as accurate (confidence 1) [25BD4DBD], AccurateRip returned [9F2E3824]
Track 3 cannot be verified as accurate (confidence 1) [3F37350B], AccurateRip returned [B299EF6F]
Track 4 cannot be verified as accurate (confidence 1) [0FBC003F], AccurateRip returned [2C6D3A70]
Track 5 cannot be verified as accurate (confidence 1) [F5DF7FCC], AccurateRip returned [79FB470C]
Track 6 cannot be verified as accurate (confidence 1) [4D1AC861], AccurateRip returned [80B49E2E]
Track 7 cannot be verified as accurate (confidence 1) [A1178B9C], AccurateRip returned [BD9DD506]
Track 8 cannot be verified as accurate (confidence 1) [8C0561FC], AccurateRip returned [B86D0FFB]
Track 9 cannot be verified as accurate (confidence 1) [5A9362F3], AccurateRip returned [8185BE63]
Track 10 cannot be verified as accurate (confidence 1) [3E25932A], AccurateRip returned [D3637AE6]
Track 11 cannot be verified as accurate (confidence 1) [CF43E39F], AccurateRip returned [5260C916]
Track 12 cannot be verified as accurate (confidence 1) [BDEA6FCF], AccurateRip returned [D1985C08]
Track 13 cannot be verified as accurate (confidence 1) [85DAAD55], AccurateRip returned [06A4F0DF]
Track 14 cannot be verified as accurate (confidence 1) [B93F6EC3], AccurateRip returned [903361D9]
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
End of status report
==== Log checksum A7FDB541C44C53C247EA16C64F4C51579679C3FE9D93F7820482AB6EE2B02754 ====
 
Об исполнителе (группе)
Marcus Vinicius da Cruz e Mello Moraes (October 19, 1913 – July 9, 1980), also known as Vinícius de Moraes (Portuguese pronunciation: [viˈnisius dʒi moˈɾajs]) and nicknamed O Poetinha (the little poet), was born in Rio de Janeiro, Brazil. Son of Lydia Cruz de Moraes and Clodoaldo Pereira da Silva Moraes, he was a seminal figure in contemporary Brazilian music. As a poet, he wrote lyrics for a great number of songs that became all-time classics. He was also a composer of bossa nova, a playwright, a diplomat and, as an interpreter of his own songs, he left several important albums.
(...) In the 1960s and 1970s, Vinicius continued collaborating with many renowned Brazilian singers and musicians, particularly Baden Powell, with whom he penned a series of songs with a heavy Afro-Brazilian influence and which came to be known collectively as the Afro-Sambas.
As a known bohemian and a diplomat, Vinícius didn't endear himself as a civil servant to the petty moralizing military that had taken power in Brazil after the military coup d'etat of 1964, being spied upon by political police and branded as a "rabble" (marginal) and a drunk. Eventually, during a purge in the Ministry of Foreign Relations, he was forcibly retired in 1969, at age 55. Although taken aback by his forced retirement, he at the time laughed down the case against him: when it was made known that the Ministry purge was directed against "homosexuals and drunks", he jokingly retorted that his alcoholism was public knowledge. Afterwards, he proceeded to tackle a full-time artistic career.
In the 1970s, already established and with a new partner, the guitarist and singer Antônio Pecci Filho, nicknamed Toquinho, Vinícius worked in tandem on both musical and literary productions, putting forth various albums and books of great commercial success. He also toured through Europe with Chico Buarque, the singer-songwriter son of the historian, and Nara Leão, and Argentina with Dorival Caymmi and Oscar Castro-Neves. His most stable partner, however, remained Toquinho, alongside whom he would release a series of very popular and influential albums. Their live performances, both in Brazil and Europe, were often conducted as intimate meetings with the public, where Vinícius - sitting in the middle of the stage at a small table with a checked tablecloth and a bottle of whiskey, with a microphone in his hand - chatted and endlessly told amusing stories (in French, English, Spanish and Portuguese) to the audience while repeatedly serving himself fine Scotch whiskey between songs.
Hundreds of international performers have recorded more than 400 of Vinícius's songs
11:40
290
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