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(Modern Creative) Dennis Gonzalez & Joao Paulo - So Soft Yet - 2011, WEB, FLAC (tracks), lossless

(Modern Creative) Dennis Gonzalez & Joao Paulo - So Soft Yet - 2011, WEB, FLAC (tracks), lossless
Треклист:
Dennis González
So Soft Yet
João Paulo
Жанр ✿ Modern Creative
Год издания диска ✿ Dec 2011
Издатель (лейбл) ✿ Clean Feed
Аудиокодек ✿ FLAC (*.flac)
Тип рипа ✿ tracks
Битрейт аудио ✿ lossless
Продолжительность ✿ 58:58
Наличие сканов в содержимом раздачи ✿ нет
Источник (релизер) ✿ WEB (я)
Треклист:
1. Como A Noite
2. Broken Harp
3. Deathless
4. Thirst
5. Taking Root
6. El Destierro
7. Sleeping Thunder
8. Burning Brain
9. Yielding To Song
10. Sobre Mi Mi Koraçon Doloryozo
11. Augúrio

Ⓓennis Ⓖonzález - trumpet
Ⓙoão Ⓟaulo - piano
 
Лог auCDtect
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DON'T MODIFY THIS FILE
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PERFORMER: auCDtect Task Manager, ver. 1.5.1RC6 build 1.5.1.7
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 11 - Augurio.flac
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FILE: 09 - Yielding to Song.flac
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FILE: 08 - Burning Brain.flac
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FILE: 06 - El Destierro.flac
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FILE: 05 - Taking Root.flac
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FILE: 04 - Thirst.flac
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FILE: 03 - Deathless.flac
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FILE: 02 - Broken Harp.flac
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Conclusion: CDDA 92%
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FILE: 01 - Como a Noite.flac
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Conclusion: CDDA 62%
Signature: EFB387BCEEFADD88D965A5F66C2AC3B8FF54E4BF
 
Reviews
After the success of the first encounter between the Texan trumpeter and the Portuguese pianist, “Scapegrace”, here is the second volume of a partnership able to continue to surprise us. There are more instruments involved, with Dennis González also using a cornet and João Paulo Esteves da Silva adding an accordion and a Fender Rhodes to the Grand Piano, in this way opening up the timbral spectrum of this music. And yet, if “Scapegrace” was a solar work, this one – as González points out in his liner notes – contains winter music, full of shadows and in some way reflecting the falling rain. João Paulo gives free hand to an old obsession about his Sefardic heritage, and he signals that, at the time of the recording, he was reading Byron’s collection of poems and songs “Hebrew Melodies”. Natural was that Dennis also based himself in his own Latin, Moor and Jewish roots. The resulting music is astonishing, full of soul and with an imagetic quality that makes us dream and introspect. Who could tell such different musicians and individuals could reach a close understanding as this? The word “beauty” gains an extra significance in these pieces, meaning that we are one in spirit, like once John Coltrane believed. ~ Clean Feed
Recorded in Portugal, Texas trumpeter Dennis Gonzalez and Portuguese keyboardist Joao Paulo offer a temperate pastoral setting, grounded on the duo's intake of regional sensibilities, ethnocentricities and emotive responses to cultural and spiritual components. With the effective use of space acting as a third instrument, the duo strikes an ethereal balance, spanning open-air panoramas, lush phrasings and resonating micro-themes via a largely unhurried gait.
The musicians infuse variable moods amid Paulo's edgy and darkly woven electric keys to counter the resonating exchanges and peppery upsurges in pitch. Paulo also performs on acoustic piano, and uses the accordion to shade the proceedings with a mild sense of Spanish bravado. The artists sublimely present a study in contrasts, with contrapuntal maneuvers and orbital choruses in concert with an aggregation of softly stated peaks and valleys.
Gonzalez's concise expressionism on cornet features a myriad of gradually ascending choruses, subtle trills and gently grooving statements. These factors are driven home on "Taking Root," where Paulo's pumping accordion lines perpetuate a sequence of drifting melodies and stately inferences. However, the musicians firmly implant the jazz improvisation component into the big picture.
The duo's deterministic approach and irrefutable synergy provide a baseline for this endearing effort. It's a change of pace from the respective artists discographies, often centered on avant, semi-free or power-packed structural underpinnings. It's a symmetrical presentation that casts shadowy environs to complement many luminescent passages and keenly executed improvisational etudes along with dips, spikes and soul-stirring enactments. ~ Glenn Astarita, allaboutjazz
Отслушивая сэмплы последних альбомов клин-фидовского каталога и решая, чем бы потешить люд, был удивлен мелодизмом, нежной камерностью, прозрачностью этого диска. В общем, выбор был предопределен. Не знаю, можно ли эти слова считать за добрую рекомендацию в данном разделе или, напротив, как некий отталкивающий фактор :), но... дело обстоит именно так!
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