(Modern Creative, Avant-garde) Matthew Smith - Archaic - 2005, FLAC (image+.cue), lossless

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 25. October 2011, 2:01
Matthew Smith / Archaic
Used drive  : QSI     CDRW/DVD SBW242U   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V %s -o %d
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 | 13:36.70 |         0    |    61269
        2  | 13:36.70 | 10:07.41 |     61270    |   106835
        3  | 23:44.36 |  7:22.12 |    106836    |   139997
        4  | 31:06.48 |  9:07.55 |    139998    |   181077
        5  | 40:14.28 | 11:04.45 |    181078    |   230922
        6  | 51:18.73 |  3:39.51 |    230923    |   247398
        7  | 54:58.49 |  1:48.57 |    247399    |   255555
        8  | 56:47.31 |  6:25.12 |    255556    |   284442
        9  | 63:12.43 |  3:29.21 |    284443    |   300138
       10  | 66:41.64 |  4:43.74 |    300139    |   321437
Range status and errors
Selected range
     Filename G:\Matthew Smith\Matthew Smith - Archaic.wav
     Peak level 97.7 %
     Range quality 100.0 %
     Test CRC 6335CDFF
     Copy CRC 6335CDFF
     Copy OK
No errors occurred
AccurateRip summary
Track  1  not present in database
Track  2  not present in database
Track  3  not present in database
Track  4  not present in database
Track  5  not present in database
Track  6  not present in database
Track  7  not present in database
Track  8  not present in database
Track  9  not present in database
Track 10  not present in database
None of the tracks are present in the AccurateRip database
End of status report

Autodidactic composer, performer, and painter Matthew Smith represents a tendency among some highly talented artists to cross traditional boundaries and participate in different disciplines; discoveries in one field lead to ideas in another, and the old distinctions between the musical and visual arts are dissolved in what may be called a general field theory of creativity. Smith's music corresponds very closely to his painting, insofar as he applies pitches and sonorities to digital tracks in a manner similar to brushwork and scumbling on canvas. Using his additive-subtractive technique, Smith builds up his Symphony No. 8 in Four Movements (2003) from the raw sounds of six 1/16-size Suzuki violins, eight jaw harps, strings, and percussion and his Symphony No. 4 in Five Movements (2001) from a smaller assortment of stringed instruments. The bowed sounds and overlapping percussive tracks combine into distorted abstract patterns akin to electro-acoustic music, often with eerie, futuristic touches; Smith's use of open strings in fifths also anchors his music in the past by summoning memories of sixteenth century viols. Zeitgeist (2003), the sole work involving live performers, is somewhat less interesting, since its random procedures devolve rather quickly into aleatoric chaos, quite reminiscent of a free improvisation from the 1960s. Innova's sound quality is quite good.

Performers: Heather Barringer, percussion; Zeitgeist; Matthew Smith, 1/16-size Suzuki violin; Heather Barringer, marimba; Matthew Smith, jaw harp; Matthew Smith, strings; Patti Cudd, percussion; Anatoly Larkin, piano; Patti Cudd, xylophone; Matthew Smith, percussion; Patrick O'Keefe, bass clarinet